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Bebop Spoken There

Piers Paul Read: "Bruce Reynolds and Biggs shared an interest in Sex, Jazz and Hemingway." - (The Train Robbers by Piers Paul Read, Coronet Books 1979.)

George Shearing: "Speaking about Johann Sebastian Bach I think he'd be a real jazzer if he were alive today. I mean any man who has two wives, twenty kids, gets kicked out of the church for being too harmonically radical and drinks beer can't be all wrong can he?" - (Crescendo March 1984.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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Today Thursday July 19

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Alexys de Alfaro: Guitar Dreams with Coco Vega - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. A ‘jar on the bar’ gig. Guitar & percussion.

Alter Ego - St James’ & St Basil’s Church, Fenham Hall Drive, Newcastle NE4 9EJ. 7:30pm. £10.00.

Jesse Bannister Quartet - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Northern Monkey Brass Band - Jubilee Park, Spennymoor DL16. 6:00-9:00pm. Free. Big BRASS Bash (Durham Brass Festival).

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Donna Hewitt (alto); Josh Bentham (tenor); Dave Archbaid (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 15, 2017

Geoff Eales @ The Maltings Jazz Weekend - October 14

Geoff Eales (piano)
(Review by Russell)
Lunchtime Saturday, the rain just about holding off on the second day of the inaugural Maltings’ ‘Jazz Weekend’. Berwick upon Tweed bustled as tourists mingled with locals out shopping, bed and breakfasts advertising ‘no vacancies’, the YHA on Dewar’s Lane doing good business.  
At two o’clock a near capacity Henry Travers Studio audience set off on a whirlwind tour of jazz piano from A to Z through one hundred years and more of the recorded history of the music. An almost impossible task, but if anyone could do it, Geoff Eales was the man. Billed simply as ‘The History of Jazz Piano’ Eales adopted the maxim ‘If it ain’t broke, don’t fix it’. From Scott Joplin to Geoff Eales, and several superstar pianists in between, the chronology was laid out before us.
Ragtime Scott Joplin – Maple Leaf Rag, The Entertainer – played by Geoff Eales at the Maltings’ Steinway piano – not a bad way to spend a Saturday afternoon! Eales introduced each piece to, one suspects, an audience more than familiar with both pianists and tunes performed. Jelly Roll Morton (Eales) playing Maple Leaf Rag demonstrated the new thing – ‘swing’. It was clear to all that Eales had the history of jazz piano literally at his fingertips.
A Fats Waller medley – Ain’t Misbehavin’ and Honeysuckle Rose – received rapturous applause, likewise Art Tatum and Tea for Two replete with quotes. Eales said: He was like god. A narrative was developing…Oscar Peterson. On hearing Tatum the great Canadian decided to stop playing,   said Eales. Sometime later OP returned to his practice and the rest is (jazz piano) history. Eales headed straight down the historical track on Night Train calling at Bebop Central to take a look at Bud Powell’s Bouncing with Bud and Thelonious Monk’s ’Round Midnight and Well, You Needn’t.
The house lights went up as Eales closed the first set with Errol Garner’s Misty.

As the second set opened, Fred Thelonius Baker was in the house to listen to his old pal Eales in the ‘locked-hands’ style of George Shearing. From Lullaby of Birdland to Bill Evans. Eales took a moment to fondly recall a tour he had undertaken in 2005 playing the music of Evans, adding the itinerary on that occasion sadly didn’t take him as far north as Berwick. Waltz for Debby provided some compensation, and, perhaps, the Welshman will one day return to play a Bill Evans’ concert. Eales made the observation that Evans, Horace Silver and Cecil Taylor were born within a twelve month period (1928-29), yet each went on to forge his own distinctive style…the impressionism of Evans, Silver’s contrasting Blue Note bluesy bop style and the freeform idiom pioneered by Taylor.

Geoff Eales rounded off his entertaining presentation with compositions by a stellar triumvirate of contemporary jazz pianists. McCoy Tyner’s Passion Dance – in an aside Eales suggesting those present with an understanding of such matters would know that Trane’s one-time sparring partner often incorporates fourths rather than thirds in his playing – and ECM mainstay Keith Jarrett’s My Song leading into Chick Corea’s up tempo Armando’s Rhumba.

Eales’ matinee performance comprised a plethora of styles and to think all were expertly executed by one man…Geoff Eales! By way of farewell, Eales played Eales. The Maltings’ Jazz Weekend is in its infancy. On this evidence, it could develop into a fully-fledged Berwick Jazz Festival.                     
Russell                                    

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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