Total Pageviews

Bebop Spoken There

Anat Fort: "In order to play and tour with people and spend a lot of time with them, you need to get along with them" - (DownBeat June 2019).

Archive

2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 27

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City Plaza, Whitley Bay NE26 1BG. 12:00 - 3:00pm. Free.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Tyne Valley Big Band - Bywell Hall, Bywell, near Stocksfield NE43 7AB. £15.00. (concs. £14.00., child £5.00., £35.00. family). 2:00-4:00pm. A Northumberland County Show (all day) event.

Evening

Ruby Turner - Whitley Bay Playhouse, Marine Avenue, Whitley Bay NE26 1LZ. Tel: 0844 248 1588. 7:30pm. £28.80. A Mouth of the Tyne event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 06, 2015

Jazz Machine @ The Globe - Gilligan/Glendinning @ The Jazz Café

Pepe Greenaway (alt); Adam Sams (gtr); Dave Parker (bs); Peter Ninnim (dms).
(Review by Lance).
"A work in progress" continues to be the motto of the Jazz Machine. The 'progress' is in the form of the addition to their ranks  of young guitarist Adam Sams. These days, guitarists seem to be rolling off the conveyer belt almost as frequently as girl jazz singers and, in the case of Sams, a most welcome addition. Technically accomplished, he soloed inventively and, thankfully, used the array of pedals at his feet sparingly.
The repertoire included a lot of boppy themes (Oleo; Impressions; Pent-up House; Ron Carter's Little Waltz; Tenor/Alto Madness) originals (How's That?; Black Cloud Chantelle) and standards (You've Changed; Norwegian Wood.)
The bebop lines played in unison by alto and guitar sounded good and gave the impression of a larger ensemble. Greenaway can certainly get around the horn although sometimes sounding a bit fragmentary when exploring the altissimo register.
Parker's baby bass made up in volume for what it lacked in size and his solos, an integral part of the band's format. Ninnim, as expected, drove things along nicely.
A good gig that was worthy of more support. Photos.
As the strains of Tenor (alto) Madness faded the 32 bus loomed on the horizon enabling those who were so inclined to jump on it then, two stops later, jump off it at the Jazz Café where Peter Gilligan and Steve Glendinning were reprising last Saturday at the Globe.
Nica's Dream was the number that heralded our arrival and it sounded good - this had certainly been a night for guitar enthusiasts with Steve on form and, of course, Pete on piano his ever swinging self.
A good evening all round and a well travelled one - 27 bus/Metro/22 bus/32 bus/Metro/27 bus.
Lance.

No comments :

Blog Archive

Subscribe!