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Bebop Spoken There

Robert Plant: "The only reunion we [Led Zeppelin] are likely to have is in a chip shop in Camden Town" - (i July 7).

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Roland Kirk: "A person can't appreciate freedom unless he's been in prison." - (Down Beat May 18, 1967).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Tuesday July 17

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Northern Monkey Brass Band - Glenholme Park, New Road, Crook DL15 8LN. 6:00-9:00pm. Free. Big BRASS Bash (Durham Brass Festival).

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. House trio: Steve Glendinning, Paul Grainger, Rob Walker.

Francis Tulip Quartet - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

Reel Brass + Shake ‘Em Up Brass Band - Lanchester, Co. Durham DH7. 6:00-9:00pm. Free. Town centre street performance. Durham Brass Festival (Street Ceilidh).

Hokum Hotshots - Royal Northumberland Yacht Club, South Harbour, Blyth NE24 3PB. 7:00pm. £10.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 10, 2013

CD Review: Stacey Kent – The Changing Lights.

Stacey Kent (vcl); Graham Harvey (pno); John Parricelli, Roberto Menesal (gtr); Jeremy Brown (bs); Jim Tomlinson (ten/fl); Matt Home, John Morrison (dms)
(Review by Debra M.)
Stacey Kent’s tenth album, The Changing  Lights,  stems from her love of Brazil and its music, an obsession that began as a teenager, when she discovered the bossa novas of Stan Getz and Joao Gilberto. The album is a mix of Latin standards and Jim Tomlinson collaborations with writer Kazuo Ishiguro, and poets Antonio Ladeira and Bernie Beaupere.
The legendary Brazilian guitarist Roberto Menescal also guests on his own composition ‘O Barquinho’, and on the Tomlinson/Ladeira song  ‘A Tarde’. The  intention was to recreate the feeling of ‘saudade’ , a Portuguese word with no English counterpart, which Kent describes as a vague nostalgia directed towards what one has lost as well as towards what one has never had.. 
These sentiments are encapsulated in the title track, where  Ishiguro’s  ‘changing  lights’  are symbolic in  recollections of times gone by with a former lover, triggered by a chance street encounter. His lyrics also impress in ‘The Summer We Crossed Europe in The Rain, and  in ‘Waiter, Oh Waiter’, a light hearted take on the problems of deciphering the menu in an expensive restaurant. Kent’s conversational, whimsical delivery is reminiscent of Blossom Dearie entertaining the supper clubs of New York. Yet she sounds most at ease in the rhythmic, lilting ‘One Note Samba’ , initially sung accompanied only by drums, then featuring upbeat solos  and interplay by Graham Harvey on piano & Tomlinson on flute.
Stacey’s light, warm voice and precise intonation particularly suits the melodic phrasing and rhythms of Latin music, and Jim Tomlinson’s careful arrangements are sympathetic to her understated, subtle style.  This multilingual project is a natural progression of Stacey Kent’s musical journey, and will no doubt appeal to her established international audience.  However, it is unlikely to satisfy those who prefer more vocal dynamism and improvisation. How insensitive…..
Stacey Kent – The    Changing Lights is due for release by Parlophone on Sept. 16.
Debra M.

4 comments :

Anonymous said...

More pretentious waffle from the Olive Oyl of song!

Jim Oxley

Debra Milne said...

I (hopefully) presume you are referring to Ms Kent...

Anonymous said...

Play nice Jim,

Dom C

lupo said...

I would not call it pretentious, although the recording is probably uber-polished and it misses on the carefree spirit of Brazilian music. However, Stacey Kent is elegant, subtle and charming as ever. Probably too precise for her own good

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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