Bebop Spoken There

Gary Bartz: ''Charlie Parker was my introduction to the religion of music. And so he's always with me .'' - Downbeat November 2025.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17972 (and counting) posts since we started blogging 17 years ago. 936 of them this year alone and, so far, 45 this month (Nov. 14).

From This Moment On ...

November

Fri 14: Dan Johnson Quartet @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 14: Giles Strong Quartet @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Brian Jackson @ Pilgrim, Newcastle. 7:30pm (doors). £32.00. SOLD OUT!
Fri 14: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. £12.00 (inc. pie & peas). SOLD OUT!

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: Tweed River Jazz Band @ Warkworth Memorial Hall. 7:00-9:30pm.
Sat 15: Les Frères Frangipane @ Jesmond Library, Newcastle. 8:00pm (doors 7:30pm). £10.00. ‘Chanson Française’. Fundraiser for Jesmond Community Orchard & Jesmond Library.

Sun 16: Jo Harrop @ The Globe, Newcastle. 2:30pm. Duo performance.
Sun 16: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. ‘Jazz Sunday’ with special guest PETE TANTON.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ Queen’s Hall, Hexham. 3:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ The Globe, Newcastle. 8:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).

Mon 17: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.
Mon 17: Finn-Keeble Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 8:00pm. £6.50.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, February 09, 2023

Burt Bacharach (May 12, 1928 – February 8, 2023)

Burt Bacharach died yesterday aged 94. Composer of many hits during the 1960s and well into the 1980s, Bacharach, along with lyricist Hal David (and others), was in many ways, as defining a voice of the times as were Lennon and McCartney. 

Most of the better singers of popular music recorded his songs with Dionne Warwick being perhaps the most prolific.
The jazz fraternity skated cautiously around him although his early roots were playing jazz piano. Stan Getz's Verve album What the World Needs Now is an album of numbers by Bacharach, plus Ella and Tony Bennett also included songs by him both live and on record. Strangely, Sinatra, in his latter years when he attempted to latch on to 'some of the newer guys' didn't go down that road. 

BB's songs weren't the tried and tested formulae of the Broadway songsmiths but were often quite complex with changes of time, tempo and key. This didn't mean he was better, just that he was different and, having learned from his predecessors, found his own voice.

Was he the last of the great American songwriters? Probably not but he certainly set a benchmark.

Rest In Peace. Lance 

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