Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18445 (and counting) posts since we started blogging 18 years ago. 309 of them this year alone and, so far this month (April 20 ) 43,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Thu 23: FILM: Big Mama Thornton: I Can’t Be Anyone But Me @ Tyneside Cinema, Newcastle. 6:15pm. Dir. Robert Clem (2025).
Thu 23: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 23: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 23: Jeremy McMurray’s Pocket Jazz Orchestra & Musicians Unlimited @ ARC, Stockton. 8:00pm. £19.00. inc. bf.

Fri 24: Noel Dennis Trio @ The Gala, Durham. 1:00pm. Dennis, Mark Willams, Andy Champion. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Trio Grand @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 24: Ben Vince + The Exu @ Cobalt Studios, Newcastle. 7:00pm (doors). £14.33., £11.16, £8.00. A ‘jazz adjacent’ gig!
Fri 24: Daniel John Martin w. Swing Manouche @ The Ship Isis, Sunderland. 7:30pm. £13.20 (inc. bf).
Fri 24: TBC @ The Traveller’s Rest, Darlington. 8:00pm.

Sat 25: Giles Strong Quartet @ Hindmarsh Hall, Alnmouth. 7:30pm. CANCELLED!
Sat 25: Daniel John Martin w. Swing Manouche @ The Old Cinema Launderette, Durham. 7:30pm (7:00pm doors). £13.20 (inc. bf).
Sat 25: ‘Portrait in Evans’: Noa Levy & Alan Barnes w. Paul Edis Trio @ The Glasshouse, Gateshead. 8:00pm. £24.00. Sage Two. ‘Portrait in Evans’. Levy, Barnes, Edis, Andy Champion & Steve Hanley.

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: Daniel John Martin w. Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 26: Ni Maxine + Nauta @ Cobalt Studios, Newcastle. 7:00pm. £17.51., £14.33., £11.16.
Sun 26: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 26: C.A.L.I.E @ The Globe, Newcastle. 8:00pm. £16.00., £14.00., £7.00.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: House of Blues @ the Globe, Newcastle. 7:00pm. £7.00., £5.00. advance. A student-led jazz session. ‘House of Blues’ is, perhaps, a misnomer.
Mon 27: Littlewood Trio @ Cluny 2, Newcastle. 7:30pm (doors). £10.00 + bf, £7.00. + bf.

Tue 28: Long/Remon/Zilker @ The Black Swan, Newcastle. 7:30pm. Free. Tom Remon plays Irish folk!

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Long/Remon/Zilker @ The Ship Isis, Sunderland. 7:00pm. £10.00. + £1.00. bf. Tom Remon plays Irish folk!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Hackney Colliery Band @ Alnwick Playhouse. 7:30pm. £25.00.

Friday, February 17, 2023

Syd Lawrence Orchestra: Big Band Brass @ The Fire Station, Sunderland - Feb. 15

(© M. Lamb)
The popularity of the Syd Lawrence Orchestra is undiminished. The band's first visit to Sunderland's magnificent Fire Station venue attracted a large crowd. Two full one hour sets under the metaphorical baton of Chris Dean produced the goods with a programme offering something for everyone. The suited-and-booted orchestra filed onto stage to a warm Wearside welcome. From the down beat the sound balance was exceptionally good and the stage lighting ensured no one was left out of the spotlight.

The SLO line-up read like a who's who of the big band world. Between them they've been there, done that. From La Scala to the John Wilson Orchestra to stints on the QE2 to the BBC Big Band and BBC Concert Orchestra, Tony Bennett, Carnegie Hall, countless radio and television engagements, Royal Variety Performances (plural), Hollywood film soundtracks galore, yes, there's no doubting the collective pedigree. 

Opening with Stompin' at the Savoy set the standard with all sections firing, the rhythm section - pianist Trevor Brown, bassist Tom Mark and long-serving powerhouse drummer Dave Tandy - one to die for. Section leaders and soloists hit the spot. A weak link? There wasn't one. The veteran members of the band were joined for the first time by twenty two year old trumpeter Adam Neild. What a thrill it must have been for the young man standing in the section alongside Tony Dixon, Richard Freeman and hotshot Chris Snead! Sing, Sing, Sing maintained the momentum before MD Chris Dean took it down a notch, just a notch, with the introduction of vocalist Jo Marshall singing Get Me to the Church on Time. Ms Marshall remained on stage to sing Shirley Bassey's hit This is My Life. Confident, secure, the ideal vocalist to front the SLO. 

The programme was nothing if not varied: The Girl from IpanemaString of Pearls (inevitably), Chris Dean singing Tender is the Night, confiding Tony Bennett is one of his musical heroes, and another Glenn Miller winner, Pennsylvania 6-5000, audience sing-a-long all but compulsory. The second set opened with an extended James Bond medley (the trumpet section blowing for fun). More Major G. Miller - American PatrolLittle Brown Jug, then a 'left turn!' to Quincy Jones' Soul Bossa Nova featuring Emily Burkhardt (of Manager's Big Band fame) on baritone sax. 

MD Dean is no mean singer, once again demonstrating the fact with a fine take on Matt Monro's big hit Portrait of My Love. The Fire Station's audience loved every minute of the two hours and more that the Syd Lawrence Orchestra was on stage. Jo Marshall returned to sing a mellow More Than You Know, Major Miller parachuted in once more bearing gifts...Tuxedo Junction and, with the audience gently swaying, Moonlight Serenade. To close a most enjoyable evening the SLO went out Stan Kenton style. Can you hear those trumpets? They were absolutely bang on with a terrific take on The Peanut Vendor. MD Chris Dean asked the audience if the SLO should come back to Sunderland. A unanimous chorus of: Yes! suggests it could be same time next year.
Russell 
                             
     
Syd Lawrence Orchestra: Chris Dean (MD, trombone, vocals); Tony Dixon, Adam Neild, Richard Freeman, Chris Snead (trumpet); Steve Blyth (tenor sax, clarinet, bass clarinet, flute), Emily Burkhardt (alto sax, baritone sax, clarinet); Damon Oliver (tenor sax, clarinet, flute); Adrian Wilkinson (alto sax, clarinet, flute);; Tom Dunnett, Andy Watson (trombone); Trevor Brown (piano); Tom Mark (double bass); Dave Tandy (drums); Jo Marshall (vocals) 

1 comment :

Barry Aitchison said...

Chris Dean's Syd Lawrence Orchestra was amazing. From Glenn Miller to James Bond all the solos were amazing and you could hear all the different sounds from bass clarinet to double bass and piano. Chris Dean played trombone and sang on one or two numbers. The Girl From Ipanema was good. The sounds were loud enough with lots of different colours and people getting up to dance as best as they could and the band went into the audience which was good as well. If they come back I would certainly go and see them again.

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