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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Friday, February 17, 2023

Syd Lawrence Orchestra: Big Band Brass @ The Fire Station, Sunderland - Feb. 15

(© M. Lamb)
The popularity of the Syd Lawrence Orchestra is undiminished. The band's first visit to Sunderland's magnificent Fire Station venue attracted a large crowd. Two full one hour sets under the metaphorical baton of Chris Dean produced the goods with a programme offering something for everyone. The suited-and-booted orchestra filed onto stage to a warm Wearside welcome. From the down beat the sound balance was exceptionally good and the stage lighting ensured no one was left out of the spotlight.

The SLO line-up read like a who's who of the big band world. Between them they've been there, done that. From La Scala to the John Wilson Orchestra to stints on the QE2 to the BBC Big Band and BBC Concert Orchestra, Tony Bennett, Carnegie Hall, countless radio and television engagements, Royal Variety Performances (plural), Hollywood film soundtracks galore, yes, there's no doubting the collective pedigree. 

Opening with Stompin' at the Savoy set the standard with all sections firing, the rhythm section - pianist Trevor Brown, bassist Tom Mark and long-serving powerhouse drummer Dave Tandy - one to die for. Section leaders and soloists hit the spot. A weak link? There wasn't one. The veteran members of the band were joined for the first time by twenty two year old trumpeter Adam Neild. What a thrill it must have been for the young man standing in the section alongside Tony Dixon, Richard Freeman and hotshot Chris Snead! Sing, Sing, Sing maintained the momentum before MD Chris Dean took it down a notch, just a notch, with the introduction of vocalist Jo Marshall singing Get Me to the Church on Time. Ms Marshall remained on stage to sing Shirley Bassey's hit This is My Life. Confident, secure, the ideal vocalist to front the SLO. 

The programme was nothing if not varied: The Girl from IpanemaString of Pearls (inevitably), Chris Dean singing Tender is the Night, confiding Tony Bennett is one of his musical heroes, and another Glenn Miller winner, Pennsylvania 6-5000, audience sing-a-long all but compulsory. The second set opened with an extended James Bond medley (the trumpet section blowing for fun). More Major G. Miller - American PatrolLittle Brown Jug, then a 'left turn!' to Quincy Jones' Soul Bossa Nova featuring Emily Burkhardt (of Manager's Big Band fame) on baritone sax. 

MD Dean is no mean singer, once again demonstrating the fact with a fine take on Matt Monro's big hit Portrait of My Love. The Fire Station's audience loved every minute of the two hours and more that the Syd Lawrence Orchestra was on stage. Jo Marshall returned to sing a mellow More Than You Know, Major Miller parachuted in once more bearing gifts...Tuxedo Junction and, with the audience gently swaying, Moonlight Serenade. To close a most enjoyable evening the SLO went out Stan Kenton style. Can you hear those trumpets? They were absolutely bang on with a terrific take on The Peanut Vendor. MD Chris Dean asked the audience if the SLO should come back to Sunderland. A unanimous chorus of: Yes! suggests it could be same time next year.
Russell 
                             
     
Syd Lawrence Orchestra: Chris Dean (MD, trombone, vocals); Tony Dixon, Adam Neild, Richard Freeman, Chris Snead (trumpet); Steve Blyth (tenor sax, clarinet, bass clarinet, flute), Emily Burkhardt (alto sax, baritone sax, clarinet); Damon Oliver (tenor sax, clarinet, flute); Adrian Wilkinson (alto sax, clarinet, flute);; Tom Dunnett, Andy Watson (trombone); Trevor Brown (piano); Tom Mark (double bass); Dave Tandy (drums); Jo Marshall (vocals) 

1 comment :

Barry Aitchison said...

Chris Dean's Syd Lawrence Orchestra was amazing. From Glenn Miller to James Bond all the solos were amazing and you could hear all the different sounds from bass clarinet to double bass and piano. Chris Dean played trombone and sang on one or two numbers. The Girl From Ipanema was good. The sounds were loud enough with lots of different colours and people getting up to dance as best as they could and the band went into the audience which was good as well. If they come back I would certainly go and see them again.

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