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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm. CANCELLED!
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free. THIS WEEK ONLY JAMES BIRKETT (guitar)!
Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

MARCH 2025

Sat 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £15.00. Day 2/3.
Sat 01: TJ Johnson Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Get your funk on! Enrol at: learning@jazz.coop.
Sat 01: Shunyata Improvisation Group @ The Watch House, Cullercoats. 2:00-3:30pm. Free.
Sat 01: Ray Stubbs R&B All Stars @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 01: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Blues band.
Sat 01: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Jack & Jay’s Vintage Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, February 17, 2023

Syd Lawrence Orchestra: Big Band Brass @ The Fire Station, Sunderland - Feb. 15

(© M. Lamb)
The popularity of the Syd Lawrence Orchestra is undiminished. The band's first visit to Sunderland's magnificent Fire Station venue attracted a large crowd. Two full one hour sets under the metaphorical baton of Chris Dean produced the goods with a programme offering something for everyone. The suited-and-booted orchestra filed onto stage to a warm Wearside welcome. From the down beat the sound balance was exceptionally good and the stage lighting ensured no one was left out of the spotlight.

The SLO line-up read like a who's who of the big band world. Between them they've been there, done that. From La Scala to the John Wilson Orchestra to stints on the QE2 to the BBC Big Band and BBC Concert Orchestra, Tony Bennett, Carnegie Hall, countless radio and television engagements, Royal Variety Performances (plural), Hollywood film soundtracks galore, yes, there's no doubting the collective pedigree. 

Opening with Stompin' at the Savoy set the standard with all sections firing, the rhythm section - pianist Trevor Brown, bassist Tom Mark and long-serving powerhouse drummer Dave Tandy - one to die for. Section leaders and soloists hit the spot. A weak link? There wasn't one. The veteran members of the band were joined for the first time by twenty two year old trumpeter Adam Neild. What a thrill it must have been for the young man standing in the section alongside Tony Dixon, Richard Freeman and hotshot Chris Snead! Sing, Sing, Sing maintained the momentum before MD Chris Dean took it down a notch, just a notch, with the introduction of vocalist Jo Marshall singing Get Me to the Church on Time. Ms Marshall remained on stage to sing Shirley Bassey's hit This is My Life. Confident, secure, the ideal vocalist to front the SLO. 

The programme was nothing if not varied: The Girl from IpanemaString of Pearls (inevitably), Chris Dean singing Tender is the Night, confiding Tony Bennett is one of his musical heroes, and another Glenn Miller winner, Pennsylvania 6-5000, audience sing-a-long all but compulsory. The second set opened with an extended James Bond medley (the trumpet section blowing for fun). More Major G. Miller - American PatrolLittle Brown Jug, then a 'left turn!' to Quincy Jones' Soul Bossa Nova featuring Emily Burkhardt (of Manager's Big Band fame) on baritone sax. 

MD Dean is no mean singer, once again demonstrating the fact with a fine take on Matt Monro's big hit Portrait of My Love. The Fire Station's audience loved every minute of the two hours and more that the Syd Lawrence Orchestra was on stage. Jo Marshall returned to sing a mellow More Than You Know, Major Miller parachuted in once more bearing gifts...Tuxedo Junction and, with the audience gently swaying, Moonlight Serenade. To close a most enjoyable evening the SLO went out Stan Kenton style. Can you hear those trumpets? They were absolutely bang on with a terrific take on The Peanut Vendor. MD Chris Dean asked the audience if the SLO should come back to Sunderland. A unanimous chorus of: Yes! suggests it could be same time next year.
Russell 
                             
     
Syd Lawrence Orchestra: Chris Dean (MD, trombone, vocals); Tony Dixon, Adam Neild, Richard Freeman, Chris Snead (trumpet); Steve Blyth (tenor sax, clarinet, bass clarinet, flute), Emily Burkhardt (alto sax, baritone sax, clarinet); Damon Oliver (tenor sax, clarinet, flute); Adrian Wilkinson (alto sax, clarinet, flute);; Tom Dunnett, Andy Watson (trombone); Trevor Brown (piano); Tom Mark (double bass); Dave Tandy (drums); Jo Marshall (vocals) 

1 comment :

Barry Aitchison said...

Chris Dean's Syd Lawrence Orchestra was amazing. From Glenn Miller to James Bond all the solos were amazing and you could hear all the different sounds from bass clarinet to double bass and piano. Chris Dean played trombone and sang on one or two numbers. The Girl From Ipanema was good. The sounds were loud enough with lots of different colours and people getting up to dance as best as they could and the band went into the audience which was good as well. If they come back I would certainly go and see them again.

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