An interesting album that grew on me with repeated listening. First play it didn't have me suggesting that you run down to your nearest record shop or to demand next day delivery from that big South American river store although, about the second or third time of asking, its hidden secrets began to unfold and I found myself getting in deeper than I'd initially expected.
Over the years I've often found it hard to differentiate between the sound of the cornet and the trumpet. However, Knuffke does nail that difference. Less brash, cooler. Nat Adderley managed it and I often wonder what Miles (Davis) would have sounded like on the more compact horn. On the Newcastle modern jazz scene Dave Weisser has certainly given credence to the instrument over the years.
Berger, 87 at the time of the recording, plays vibes as modern as they come without resorting to some of the devices employed by a lot of the current crop of contemporary players. He also plays piano, Rhodes and melodica (on Why Not?).
Knuffke and Berger provide originals along with compositions by Don Cherry, Steve Lacy and Pharoah Sanders and, with Anderson and Wilson in the engine room, everything gels. In fact, at the end of the day, I found it quite lovely. Lance
Available March 3 on Stunt Records.
Ganesh; Before or Since; Could Hear You; Ornette; Gentle Giant; Art; Why Not?; Noble Heart; Going Out; Heart is a Melody of Time
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