Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, February 25, 2022

Album review: Cecil Taylor Unit - The Return Concert

Cecil Taylor (piano); Jimmy Lyons (alto sax); Sirone (double bass); Andrew Cyrille (drums)

The album's full title - The Complete, Legendary, Live Return Concert at The Town Hall NYC November 4, 1973 - marks the release of all the material recorded at the New York Town Hall concert almost fifty years ago. In the pre-digital age it wasn't viable to market a free jazz album running to almost two hours. Now, compressed onto a two-disc CD package, we get to hear Taylor in full, unexpurgated, vintage form. The established Cecil Taylor Unit (the CTU - Jimmy Lyons and Andrew Cyrille) was augmented for the occasion by bassist Sirone (Norris Jones).

The 'return' element of the recording points to Taylor's immersion in composing and teaching for some years until returning to the New York stage with a vengeance. The CTU was a long-established working unit, the addition of Sirone being the new element. Spring of Two Blue-J's (solo piano) and Spring of Two Blue-J's (quartet), spanning some thirty eight minutes, are the known tracks, now we get to hear the rest of it, all eighty eight minutes of it! Uncompromising, fearless, virtuosic. Taylor dazzles, the percussive drive relentless. Jimmy Lyons, Taylor's most frequent collaborator, hangs onto his bop leanings although, as the compositions develop, he plays every bit as 'free' as the CTU's leader.        

The then newcomer, Sirone, deftly navigates his way through Taylor's turbulent musical landscape alongside percussionist Andrew Cyrille (the sole surviving member from the November evening in '73) who knew what was required and duly delivered. For those unfamiliar with Cecil Taylor's work, the length of some of the numbers - Autumn Parade clocking up one hour and twenty eight minutes - could be a bit of a stretch. However, patience and listening closely should/will bring its rewards.      
        
The Complete, Legendary, Live Return Concert at The Town Hall NYC November 4, 1973 (catalogue no. OD-8) is available from revived Oblivion Records (the label has been more or less dormant since the mid seventies). A 24-page, LP-size booklet contains some fascinating facsimiles of documents from the time including a Town Hall concert programme and handwritten notes on the original master recording tapes. See: www.oblivionrecords.co. 
Russell

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