Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, February 17, 2022

Album review: Ethan Iverson - Every Note is True

Ethan Iverson (piano); Larry Grenadier (bass); Jack DeJohnette (drums).

Iverson makes his Blue Note debut with the outstanding Larry Grenadier on bass and the legendary Jack DeJohnette on drums.

Although different to The Bad Plus, the band that Iverson founded and which many people still associate him with, there are similarities in as much as both successfully combine jazz with a contemporary rock/pop feel although the jazz element is invariably at the forefront on most of the tracks.

The opener - The More it Changes - is a nod to the social distancing of recent times with 44 of the pianist's friends singing as a choir via their phones! Iverson leads the singing from the piano and his wife, Sarah Deming, composed the lyrics. The music is included but, a word of warning - it's in the concert key of  E major (5 sharps).

The Eternal Verities was inspired by Iverson's mother-in-law sitting on the porch contemplating the eternal verities.

She Won't Forget Me is the proposed title for a rom-com he is planning to write. If the dialogue turns out to be as good as the music then tune in!

For Ellen Raskin. Raskin wrote The Westing Game, a complex mystery novel, and Iverson's tribute is not without a few twists and turns itself as it builds to a climactic, albeit gentle, ending.

Blue is the only non-Iverson composition on the album - DeJohnette pulled this one out from his archives dating back to the early 1970s.

Goodness Knows has influences as diverse as Fats Waller, Monk and Jason Moran.

Had I But Known is a lyrical, almost Chopinesque by way of Bill Evans, piece that has a melancholic feel.

Merely Improbable - a boppy workout over some rhythm changes - driven along by LG and JD.

Praise Will Travel  suggests that compliments create a better karma than criticism - well that's what the man says and I'm not arguing.

At the Bells and Motley - the title lifted from an Agatha Christie short story - is actually an extended blues that has all three musicians at the top of their game with DeJohnette and Iverson taking the much-maligned "fours" to a higher level than is usually the case.

Well worth checking out - release date is this Saturday (Feb. 19) on Blue Note - Lance

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