Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Thursday, February 18, 2021

Album review: Big Joe Williams - Four Classic Albums

Big Joe Williams (vocals, guitar); J.D. Short (vocals, harmonica); Mary Williams (vocals); Ransom Knowling (double bass)

Jazz and blues are inextricably linked, musically and socially. Bluesman Big Joe Williams, not to be confused with Count Basie's vocalist Joe Williams, travelled the same road as many jazz musicians, migrating north from Mississippi, seeking work and recording opportunities. A new release from Avid presents a wonderful package of Williams' recordings from the late fifties and early sixties. 

Four Classic Albums is just that, three LPs recorded in Chicago, one in California. This two-disc package comprises forty nine tracks with a total running time in excess of two and a half hours. Piney Woods Blues from 1958, 'mostly recorded at the Blue Note record shop', opens with perhaps the most famous of Williams' tunes, Baby, Please Don't Go. Track 6, Big Joe Talking, is just that, Big Joe recounting his life on the road (and railroad) hitching a ride to the next town. 

The following year, '59, Williams reached California where he recorded Tough Times. Songs of women, loves lost and hard times include a vocal by Williams' wife Mary on I Want My Crown. Fast forward to 1961, Williams returned to Chicago to record two more albums - Blues on Highway 49 and Mississippi's Big Joe Williams and His Nine String Guitar - accompanied by bass player Ransom Knowling (the man who played on Arthur Crudup's That's All Right). 

On all four albums Williams sings and plays his nine-string guitar. The voice is commanding (a young Muddy Waters travelled with Williams, the influence is evident), the guitar technique is his own. Four Classic Albums (Avid AMSC1385) is available from: www.avidgroup.co.uk. Highly recommended. 
Russell

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