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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17586 (and counting) posts since we started blogging 16 years ago. 860 of them this year alone and, so far, 5 this month (Dec. 2).

From This Moment On ...

December

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free. Second Wednesday in the month.
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 12: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £27.00. (inc. three -course meal).
Thu 12: Jason Isaacs @ St. James’ STACK, Newcastle. 5:00-6:45pm. Free. Vocalist Isaacs working with backing tapes.
Thu 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 12: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guests: Jeremy McMurray (keys); Mark Toomey (alto sax); Donna Hewitt (tenor sax); Kevin Eland (trumpet); Ron Smith (bass).

Fri 13: Dean Stockdale Trio @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Bellavana @ Revoluçion de Cuba, Newcastle. 3:00-5:00pm. Free.
Fri 13: Joe Steels Trio @ The Pele, Corbridge. 7:00pm. Free.
Fri 13: Customs House Big Band @ Stocksfield Community Association. 7:00pm. Featuring Ruth Lambert.
Fri 13: Paul Edis & Friends: A Jazzy Xmas @ St Cuthbert’s Centre, Crook. 7:30pm. £15.00.
Fri 13: Strictly Smokin’ Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm. £19.00. + bf. First night of two.
Fri 13: Ransom Van @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 13: Boys of Brass @ Hoochie Coochie, Newcastle. 9:00pm. £10.00.

Sat 14: Jambone @ The Glasshouse, Gateshead. 6:15pm. Free but ticketed.
Sat 14: Abbie Finn Trio @ The Vault, Darlington. 7:00pm.
Sat 14: Red Kites Jazz @ Staiths Café, Autumn Dr., Gateshead. 7:00pm. Free.
Sat 14 Lapwing Jazz Trio @ Three Sheets to the Wind, Alnwick. 7:00pm. Free.
Sat 14: Strictly Smokin’ Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm. £19.00. + bf. Second night of two.
Sat 14: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 15: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 12 noon. £8.50. Xmas party feat. Musicians Unlimited + Customs House Big Band. SOLD OUT!
Sun 15: Paul Edis & Friends: A Jazzy Xmas @ The Glasshouse, Gateshead. 2:00pm.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Mitch Laddie Band @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. Superb blues power trio.
Sun 15: Leeway @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 15: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 15: Paul Edis & Friends: A Jazzy Xmas @ The Glasshouse, Gateshead. 8:00pm.
Sun 15: Alligator Gumbo @ The Globe, Newcastle. 8:00pm.

Mon 16: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 12 noon. £9.95. ‘Festive Turkey Dinner’. Book now: 0191 266 8137.
Mon 16: Paul Edis & Friends: A Jazzy Xmas @ The Fire Station, Sunderland. 7:30pm.

Tue 17: Paul Edis & Friends: A Jazzy Xmas @ Queen’s Hall, Hexham. 7:30pm.
Tue 17: BBC Big Band @ The Glasshouse, Gateshead. 7:30pm. ‘A Swinging Xmas’.
Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Abbie Finn.
Tue 17: Bellavana @ Revoluçion de Cuba, Newcastle. 7:45-9:35pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, November 04, 2018

Review: Charkie Parlour @ the Globe - November 1

John Garner (violin, composer); Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Ann Alex).
This was a thrilling evening of music, especially from a band which, according to Mr Garner, doesn’t actually exist, because they don’t have a website, haven’t yet produced a CD, and this was their first gig anyway! 

How best to describe this very varied music, all band originals, with influences from free jazz, classical, folk, Eastern music and South African music? I’ll start with the musicians themselves who are known to jazz fans from other bands. John Garner is a classically expert violinist who produced sounds which no violin ought to make, long slides, weeping, squeaking, scratching, besides the more ‘normal’ lyrical tunes, pizzicato, double-stopped chords, and even a cadenza which would have fitted well into a violin concerto by Beethoven.

Mark was quieter than other times I’d seen him, but giving us flowing tunes or jagged effects as required and lots of call and response with the violin. John simply did all sorts, sometimes down at the dusty end of the bass, tweaking, clapping, bowing,  much improvised I’d guess, and with quite a bit of comedy. Our drummer was a million miles away from swing for much of the time, sticks, brushes, mallets, hands, very adaptable and varied.

The sound was great, but even if you hadn’t liked the sound, it was so, so interesting to watch. The free end of jazz is very visual.

So what was played? Twelve or so long pieces, three of them from a suite composed by Garner. Garner explained that the suite was influenced loosely by the writings of Kahlil Gibran in his meditative book The Prophet. Garner had also thrown a dice to help decide the notes and chords to be used.

So Love began with a bowed bass and ‘scratchy’ violin, rather Schoenberg-like, rumbling drums, then pizzicato violin and lots of guitar riffs. The description doesn’t do it justice and it all worked well. The other two pieces from the suite were called Children and Giving.

The first tune of the night was a bit more conventional, opening with riffs and grooves from bass and drum, then a beautiful flowing folky tune from violin, bell-like guitar, a long guitar solo, ensemble climax, and repeated riffs at the end. The Bump, ‘to do with pregnancy’ said Garner, was amusing, with sliding violin, mad guitar, sounds which reminded me of a plane landing or of the music which goes with cartoons.

Foot Fluff was also funny, a short piece with, to my ears, Klezmer effects. Have Violin Will Travel featured ‘travelling’ music, lines of melody appearing to move along, and this morphed at some point into a John Pope composition called Ing. A tune for Halloween was followed by the final piece, There’s No Time Like The Future, which was a lovely hymn-like melody on violin, with improvisation from the others.  

The band play in Edinburgh early in the New Year and a CD is in the pipeline. I spoke to many of the audience who said how much they had enjoyed the performance, so I predict that this band has a promising future. A great evening, with much to interest lovers of more conventional jazz as well as those who like the more ‘free’ style.
Ann Alex

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