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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Michael League: "We flew back from Europe, and the second gig we [Snarky Puppy] did was in Arcata, California. There were two people. And one of them was the bartender." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14806 (and counting) posts since we started blogging 14 years ago. 1074 of them this year alone and, so far, 73 this month (Nov.24).

From This Moment On ...

November

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 28: Jeremy McMurray & Friends @ Billingham Catholic Club. 7:30pm. £5.00. at the door. A SVP fundraiser for Xmas food hampers.

Tue 29: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 30: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 30: 4B @ The Exchange, North Shields. 7:00pm.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Sunday, November 04, 2018

Review: Charkie Parlour @ the Globe - November 1

John Garner (violin, composer); Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Ann Alex).
This was a thrilling evening of music, especially from a band which, according to Mr Garner, doesn’t actually exist, because they don’t have a website, haven’t yet produced a CD, and this was their first gig anyway! 

How best to describe this very varied music, all band originals, with influences from free jazz, classical, folk, Eastern music and South African music? I’ll start with the musicians themselves who are known to jazz fans from other bands. John Garner is a classically expert violinist who produced sounds which no violin ought to make, long slides, weeping, squeaking, scratching, besides the more ‘normal’ lyrical tunes, pizzicato, double-stopped chords, and even a cadenza which would have fitted well into a violin concerto by Beethoven.

Mark was quieter than other times I’d seen him, but giving us flowing tunes or jagged effects as required and lots of call and response with the violin. John simply did all sorts, sometimes down at the dusty end of the bass, tweaking, clapping, bowing,  much improvised I’d guess, and with quite a bit of comedy. Our drummer was a million miles away from swing for much of the time, sticks, brushes, mallets, hands, very adaptable and varied.

The sound was great, but even if you hadn’t liked the sound, it was so, so interesting to watch. The free end of jazz is very visual.

So what was played? Twelve or so long pieces, three of them from a suite composed by Garner. Garner explained that the suite was influenced loosely by the writings of Kahlil Gibran in his meditative book The Prophet. Garner had also thrown a dice to help decide the notes and chords to be used.

So Love began with a bowed bass and ‘scratchy’ violin, rather Schoenberg-like, rumbling drums, then pizzicato violin and lots of guitar riffs. The description doesn’t do it justice and it all worked well. The other two pieces from the suite were called Children and Giving.

The first tune of the night was a bit more conventional, opening with riffs and grooves from bass and drum, then a beautiful flowing folky tune from violin, bell-like guitar, a long guitar solo, ensemble climax, and repeated riffs at the end. The Bump, ‘to do with pregnancy’ said Garner, was amusing, with sliding violin, mad guitar, sounds which reminded me of a plane landing or of the music which goes with cartoons.

Foot Fluff was also funny, a short piece with, to my ears, Klezmer effects. Have Violin Will Travel featured ‘travelling’ music, lines of melody appearing to move along, and this morphed at some point into a John Pope composition called Ing. A tune for Halloween was followed by the final piece, There’s No Time Like The Future, which was a lovely hymn-like melody on violin, with improvisation from the others.  

The band play in Edinburgh early in the New Year and a CD is in the pipeline. I spoke to many of the audience who said how much they had enjoyed the performance, so I predict that this band has a promising future. A great evening, with much to interest lovers of more conventional jazz as well as those who like the more ‘free’ style.
Ann Alex

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