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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Friday, November 23, 2018

EFG London Jazz Festival: Stanley Clarke + The Headhunters @ Southbank Centre - Nov. 20

Stanley Clarke (basses); Evan Garr (violin); Beka Gochiashvili (piano); Cameron Graves (keys); Salar Nader (tabla); Shariq Tucker (drums).
(Review by Steve T/Photos courtesy of Mochles Sa.)

Had somebody asked me which living jazz artist I'd most like to see, Stanley Clarke would have been high on the list, or maybe even top of the list.

The announcer outlined his plaudits and achievements, including transforming the bass into a lead instrument laying down melody and harmony, and while nothing is ever quite so simple and straightforward, he was certainly the defining moment for the electric bass in Jazz.

He adopted the slap bass technique pioneered by Stone Family member Larry Graham, more than Carter, Holland, Vitous, Henderson or even Johnson and Pastorius, displaying levels of virtuosity never seen or heard before, and I would argue, since. The announcer went on to say that working with young musicians is his proudest achievement, giving fore-warning of the band he would lead out.
Nice symmetry: two on percussion (kit and tabla), two on keyboards (predominantly acoustic piano and post-synth sounds) and two playing strings (violin and bass).

George Duke was a major co-conspirator of Clarke and his Brazilian Love Affair kicked things off, led by violin, with the leader playing acoustic, demonstrating that, unlike his major rival Jaco Pastorius, he was also a giant on upright. Violin took a mind-boggling solo followed by a staggering display by the young Georgian pianist Beka Gochiashvili. 

A bit of a thing between bass and tabla before the latter gave yet another dazzling solo. Tablas are amongst my favourite instruments but can be overwhelming. Here they were dominant at times, sometimes slipping through and sometimes absent. Clarke described Nader as a tabla master - and then some.

By now it was no surprise that the drummer, Shariq Tucker, turned out to be a master too. Which left the other keyboardist; none other than Cameron Graves, mainstay of the West Coast Down, alongside Kamasi Washington and Miles Mosley. In such young company, Clarke introduced himself as Louis Armstrong. 

By the end of the piece, Clarke was wearing his bass guitar for Quiet Afternoon from the School Days album, followed by Joe Henderson’s Black Narcissus featuring some weird and wonderful sounds from Cameron Graves.

No Mystery he claimed as being his favourite Return to Forever (RTF) piece from the 1800s! and mine too, though firstly for Al Di Meola’s perfectly executed acoustic guitar. Another round of breath-taking exchanges, this time from a highly electrified and highly charged violin and the two keyboardists.

He didn't mess about leaving the stage for the encore, but invited us to get on up, which most of us didn't, and invited support act, The Headhunters, back on stage for an impressive solo from each of them.

I thought I spotted a hint of P Funk which turned into Mothership Connection which was welcome but didn't really make any sense to me.

More or less five pieces may seem short and unsatisfactory but it was about ninety minutes and absolutely riveting throughout.
----- 
Donald Harrison (sax); Jerry Z (keys); Mike Clark (drums); Bill Summers (perc).

The gig could have been a doubleheader but was definitely a headline act plus support. The announcer claimed The Headhunters had not rested on their laurels, but maybe at that point we wanted seasoned musicians laid about on their own laurels, and as far as I could make out, that is what we got.

Sax, mostly Hammond (laying down the bass too), a drummer and a percussionist (both original Headhunters), all terrific as you'd expect. Herbie Hancock's Actual Proof from the album Thrust; Sly from The Headhunters’ album, his tribute to Sly Stone who was a huge influence on Miles and various alumni at that time. Some African style chanting brought in Watermelon Man, also from Headhunters, before another vocal piece along the lines of Down at the Bayou.
This could have been brilliant in a smaller venue and the whole thing would have benefited by a move to the smaller room in the same venue, but I pick nits; another tick on the bucket list and an incredible night.
Steve T.
PHOTOS.

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