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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Thu 16: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio w. Graham Hardy @ The Pele, Corbridge. 7:00pm. £10.00. (inc. a welcome drink & table reservation). Book at: www.drinks@thepele.co.uk. A ‘Jazz at the Pele’ promotion.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 18: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 18: Alter Ego + Jamie Toms/Graham Don Duo @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 18: Tweed River Jazz Band @ Repas 7 by Night, West St., Berwick TD15 1AS. 7:30pm. Free. Album launch gig.
Sat 18: Delta Prophets @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, November 10, 2018

Kansas Smitty's House Band @ Sage Gateshead - November 9

Pete Horsfall (trumpet, vocals); Giacomo Smith (alto/clarinet); Adrian Cox (clarinet/vocals); David Archer (guitar); Joe Webb (piano); Ferg Ireland (double bass); Will Cleasby (drums).
(Review by Lance).
A cracking gig by a band that more or less lived up to its status as 'Best Small Group' in the recent British Jazz Awards. I use the qualifier as this is a very danceable group and, had we been at their home base, Kansas Smitty's in London, the floor would have been awash with dancers. As it was, the rows of seats in Sage Two limited such activity. 

Nevertheless, the band played a storming and varied programme ranging from Jelly Roll Morton style rags and stomps to Louis Jordan influenced rhythm 'n' blues via small group Ellington. 

Jelly Roll was typified by the finger-busting piano solos of Joe Webb and an original inspired by early banjoist/guitarist Johnny St. Cyr. Leader 'Smitty' gave a look of surprise when an audience member, not sitting a million miles from me, gave a cry of recognition at the name - we know our jazz up here as well as realising that Newcastle and Gateshead are separate entities. 

Curtis Stigers knew this on Monday. Perhaps he should have enlightened Giacomo back when he collaborated with him and Adrian on Take Me Home, a number that was sung, on this occasion, by Cox as well as having a fine guitar solo and a blistering ensemble to take it out.

After Midnight with its Ellington overtones brought to mind the lovely small group Harry Hayes led in the late 1940s. Smith's solo had that Hayes/Hodges feel to it and the arrangement the same luxurious harmonies.

As leader, it was no surprise that GS was well featured. His alto style covered everything from Rudy Weidhoft to Charlie Parker and beyond. Leo, a composition dedicated to some footballer or other was pure bebop with alto and guitar playing unison lines in the head.

Smitty and Cox duetted on Blue Peter. The former's clarinet held horizontally, the latter at the more traditional 45° angle. Both sounded good.

Although Pete Horsfall had a vocal feature, he took comparatively few trumpet solos which was a shame, still, all in all, it was a most enjoyable evening and I'd have happily followed them to Brussels for their next gig.
Lance.

2 comments :

NeilC said...

I was there Lance I thought they were absolutely brilliant . 7 Competent Musicians who just gelled , the music was varied but every song was a gem . I loved the Movin On [whistling song] particularly but they were all excellent . I was sat upstairs with a great view of the Piano player and his fingers were at times a blur sure he would give Jools a run for his money anytime . I have paid considerably more to see concerts where the artist and artists is not half as good as they were. I was just so glad I secured tickets.

Lance said...

You and me both, Noel.

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