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Bebop Spoken There

Leon Parker: "Pisces are about spiritual beauty and artistic beauty, and that's what Roy [Haynes] is, man." - (JazzTimes, Nov. 2019).

Archive

Tuesday November 19

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Jazz Jam: Newcastle University Jazz Orchestra - Dun Cow, Brandling Village, Jesmond, Newcastle NE2 4RS. Tel: 0191 338 7981. 7:00pm. Free. All sitters-in welcome.

Acoustic Infusion & Somethin’ Blue - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Featuring Jim McBriarty on sax, clarinet and vocals.

Sarathy Korwar - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4461.8:00pm. £11.40.

Blues/Soul/Folk etc.

Dan Owen - Old Cinema Launderette, Marshall Terrace, Durham DH1 2HX. 8:30pm. £12.00. + £1.20. bf.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 28, 2018

Eliot Smith Dance: Triple Bill @ Sage Gateshead - Nov 27

(Review by Russell)

Bebop Spoken Here is up for most things and an evening of contemporary dance at Sage Gateshead held few fears. The main attraction for this jazz blog was the world premiere of Jason Holcomb's commissioned piece titled Sacrification for choreographer Eliot Smith's Poppy

The five-strong troupe - two female dancers and three male dancers including Smith - took to the stage in a darkened Sage Two daubed in the filth and mud of WWI trenches. Barefoot, the Eliot Smith dancers moved across a poppy-strewn field/stage as the first notes of Jason Holcomb's trombone rang out across the auditorium. Dressed in black and fitted with a radio mic, Holcomb moved around the hall, first one side then another, continuing to play as he exited one door, reappearing seconds later on an upper level, all the while the on-stage dancers reacting to the trombonist's composition. 


The commissioned work for trombone ensemble and percussion took the form of Holcomb's solo performance integrating with pre-recorded multi-tracked trombone and percussion parts emanating from stage-side speakers. 

Jazz content was, effectively, absent from Holcomb's piece. At its conclusion Sage Two's audience responded with enthusiastic applause as Holcomb and Smith's troupe took a collective bow. 

Earlier, Eliot Smith Dance performed two pieces; Froth on the Daydream (choreography Mathieu Geffré) and Artemis Clown (choreography Rosie Kay). Froth on the Daydream featured, in part, a jazz soundtrack. First Duke Ellington, then Louis Armstrong playing and singing La Vie en Rose. Unexpected, but very much a jazz bonus!

Artemis Clown for solo dancer (Gemma Paganelli) highlighted the physical nature of contemporary dance. Every breath, every strained sinew, laid bare in a captivating 16 minutes. 
(Russell)
Jason Holcomb - composer, trombone


Eliot Smith Dance: Eliot Smith, Giacomo Pini, Paloma Galiana Moscardo, April Martin, Gemma Paganelli, Niall Tyzack-Carlin (dancers), Eliot Smith, Mathiey Geffré, Rosie Kay (choreography). 

1 comment :

Jason Holcomb (on F/b). said...

Thanks so much for coming to the performance!!! I had no idea you were there, apologies I didn't get to say hello...next time let me know you're coming and I'll try to sort some comp tickets for you :) Thanks again!!

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance