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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 23, 2018

Harlem Bound with Rendezvous Jazz @ The Monkseaton Arms - Nov 23

Maureen Hall (vocals); Jim McBriarty (clarinet, vocals); Don Fairley (trombone); Malcolm Armstrong (keyboards); George Davidson (drums, vocals) + Doris Fenn (banjo)
(Review by Russell) 

Fresh from another successful weekend away in Bellingham Maureen Hall's Rendezvous Jazz reported for duty at the Monkseaton Arms ready to resume the band's ever-popular weekly residency. 

It was good to see Don Fairley back on the stand, taking his seat alongside Jim McBriarty, either side of band leader Maureen Hall. That Teasin' Rag got things underway, Do You Know What it Means to Miss New Orleans? with Hall's vocals, then drummer George Davidson singing Hello Dolly, a typically varied Rendezvous Jazz setlist. 

Rockin' Chair, Hall again, this time singing We Shall Walk Through the City (Don Fairley's quicksilver trombone solo), the London Pride tasting just fine, a nice way to spend an hour or two down at the coast. Raffle time, nothing new to report there. 
 Clarinettist Jim McBriarty sings a tune or two and he opened the second set with It Don't Mean a Thing (if it Ain't Got That Swing) with the great Doris Fenn sitting-in on banjo. Hall offered a measured reading of As Time Goes By supported by the fine instrumentalists at her side. Our band leader went on to offer McBriarty his clarinet part for Harlem Bound...or so she thought.* The band proceeded to play the tune with more than one raised eyebrow in the ranks. Something wasn't quite right. It took a while until Hall realised she'd handed McBriarty the alto sax part. Much hilarity ensued.   

Baby, Won't You Please Come Home? vied for the highlight of the afternoon, pianist Malcolm Armstrong was his mischevious self during the session, at one point throwing in two bars of Jingle Bells (howay, man, it's only November 23!), Hall singing Bill Bailey restored a semblance of order and as three o'clock approached When You're Smiling sent us on our way.
Russell

As your correspondent made to leave, bandleader Hall asked/attempted to bribe Bebop Spoken Here not to mention the Harlem Bound episode. It should be made clear that BSH reports without fear or favour, telling it as it is. Although, come to think of it, a pint of London Pride could have bought its silence!   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance