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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 21, 2018

Book Review: Maxine Gordon - Sophisticated Giant.

There have been innumerable books written about our music (I've got three shelves full and that is but the tip of the iceberg) so, when I say that this is essential reading for anyone interested in modern jazz from the late thirties on, you'd better believe it!

More than a biography and not quite an autobiography, Maxine, Gordon's widow from his last marriage and mother of trumpet player Woody Shaw's son*, manages to successfully incorporate the great saxophonist's own handwritten memories of his life along with her own reminiscences and those of his contemporaries. Not just musicians such as Jimmy Heath and Sonny Rollins but also Alfred Lyons and Francis Wolfe who recorded the wonderful Blue Note albums by Dexter that set the standard for pre-Coltrane tenor playing.

Dexter recalls his early days with the big bands of Hamp and Satchmo. Central Avenue, and the tenor battles with Wardell Gray. His sojourn in prison after being busted. Information on his sparsely documented life in Copenhagen and his Oscar nomination for his role in the film 'Round Midnight. These are taken from handwritten notes the great man wrote and were collated into the author's narrative along with her own memories.

His drug addiction is neither dramatised, glamourised or glossed over. The author did her own research (Dexter refused to write in any detail about what he called his 'lost decade' - the 1950s) and tells it as she saw it. The love between them is never allowed to surface but is ever-present. I think readers would have liked a little more depth to their relationship.

I didn't want the book to end, I didn't want Dexter to die and I give thanks that I saw him in concert at Newcastle in the early 1980s (?) whilst wishing that I'd been able to go backstage and meet him even if it was just to shake hands or say hello and maybe tell him that, over the years, I've bought so many of his albums and loved them all.

Dexter and Wardell were, and still are, my all-time tenor heroes. From the early Savoy sessions, via the Blue Notes, to the most recently released Fried Bananas. I wouldn't be without any one of them. This book will sit proudly on my shelves - but it won't be gathering dust...

The final paragraph: As Dexter had insisted so often, "My life has a happy ending" had the tears forming at the back of my eyes.
Thank you Maxine.
Lance.

PS: It's the time of year when we drop hints to avoid embarrassing gestures of Christmas bonhomie - like, I've got plenty of socks, shirts and plonk - from well-meaning friends. So, tell your own true love that, this year, you don't want any more partridges in a pear tree, lords a-leaping or even five golden rings. No, what you want for Christmas this year is (apart from him/her) a Sophisticated Giant.

*Maxine mentions, almost casually, that she was in a relationship with Woody Shaw yet there is no mention as to how that finished and the Dexter romance began and led to their marriage. It must have been amicable as her son, Woody Louis Armstrong Shaw III, provides a loving afterward to the book.

Maxine Gordon: A Sophisticated Giant - The Life and Legacy of Dexter Gordon. 2018, The University of California Press. ISBN 978-0-520-28064-9.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance