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Bebop Spoken There

Julian Lage: "Charlie Christian's the greatest ever, in my opinion." - (DownBeat, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15103 (and counting) posts since we started blogging 15 years ago. 122 of them this year alone and, so far, 20 this month (Feb. 6).

From This Moment On ...

February

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Jam session @ Prohibition Bar, Newcastle. 1:00pm. Free. TBC.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 08: 4B @ The Exchange, North Shields. 7:00pm.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 4:00pm (this week only). Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guest band: Just Friends: Ian Bosworth (guitar); Richie Emmerson (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 10: Alan Barnes w Dean Stockdale Trio @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Alan Barnes w Dean Stockdale Trio @ Traveller's Rest, Darlington. 8:00pm. £12.00.

Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com.
First gig of four (1/4). The Slowlights feat. YVA. SOLD OUT!
Sat 11: New Century Ragtime Orchestra @ King's Hall, Newcastle University. 7:00pm. £15.00. on the door.
Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Second gig of four (2/4). The Slowlights feat. YVA. SOLD OUT!
Sat 11: Vermont Big Band & the Coast Connection @ The Seahorse, Whitley Bay FC. 7:30pm. £10.00. (inc. hot buffet), raffle. SOLD OUT!
Sat 11: The Rebelators @ Prohibition Bar, Newcastle. 8:00pm.

Sun 12: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. LAST SESSION!
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com. Third gig of four (3/4). The Slowlights feat. YVA. SOLD OUT!
Sun 12: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 12: Jive Aces @ Queen's Hall, Hexham. 7:30pm.
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Fourth gig of four (4/4). The Slowlights feat. YVA.
Sun 12: Sylvain Darrifourcq-Manuel Hermia-Valentin Ceccaldi @ The Globe, Newcastle. 8:00pm. JNE promotion (upstairs).

Mon 13: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 13: Central Bar Quintet @ Central Bar, Gateshead. 7:30pm. £5.00. First set: The Central Bar Quintet plays Horace Silver's The Tokyo Blues (featuring Pete Tanton). Second set: standards & more (no jam session).

Tue 14: ???

Friday, November 02, 2018

CD Review: Brad Whiteley - Presence

Brad Whiteley (Piano); Matt Pavolka (Bass); Kenneth Salters (Drums); Tom Guarna (Guitar); Michael Eaton (Saxophone).
(Review by Max Goodall)
From New Yorker Brad Whiteley comes an album of great contrasts. Whiteley has for a long time enjoyed working within a number of different styles and musical contexts. Always open to getting involved in new interesting projects; the last few years have seen him appear as (amongst other things) keyboardist in the pit band of the Broadway musical Avenue Q, Musical Director and Organist of the Church of the Blessed Sacrament in the Bronx, Keyboardist with the Regina Spektor Band and composer for PBS Learning Matter show School Sleuth

In the follow up to his debut album as bandleader (Pathless Land – released in 2014) he draws on many of these contexts in separation.

The album opens with the bold, brash, 7/8 romp of Dusk; with its jagged and repetitive unison lines in guitar and bass. The tune has an excellent sense of light and shade, resolving in a lovely moment of clarity, before running headlong back into the established groove.

However, this rock-influenced tune is far from representative of the album’s whole. I mentioned different musical spheres appearing in isolation. Well, across the rest of the album we get snatches of free (Dawn), GoGo Penguin-esque modern pop-influenced ideas (The Unwinding) and more classic, albeit intelligently constructed, swingers (Sunset Park).

This illustrates Whiteley’s range as a composer. His intelligent use of time and tempo changes in, for example, Sinking Feeling are hugely effective. Moreover, he simultaneously displays a sensitive touch in the album’s title track. Despite this though, on Presence, it is his 11 original compositions which take centre stage.  While his playing is at times very enjoyable and fiercely proficient, he is occasionally out-shone by his band members. For example, Michael Eaton’s equal-parts scintillating, and chaotic playing on Sinking Feeling, evoke a sense of disintegration as alluded to by the track’s title.

My only significant criticism of Whiteley’s writing is that his taste for free breakdowns, in both time and structure, seem to yearn to resolve back into a tune and a re-establishment of order: a yearning which is regularly frustrated. Ultimately, however, this is a greatly enjoyable album. Stand-out tracks include Dusk, Sunset Park and Presence. Its eclecticism in a way allows it to become an album suitable for almost any taste.
Max.
Presence was released on Destiny Records on Oct. 5.

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