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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, November 07, 2018

Soft Machine @ Sage Gateshead - Nov. 6

John Etheridge (guitar); Theo Travis (tenor/soprano/flutes/keys & things); Roy Babbington (bass guitar); John Marshall (drums).
(Review by Lance/photos courtesy of Russell).
This wasn't Sage Gateshead. When we sashayed through those swing doors we were transported, Doctor Who-like, into a bygone era (albeit not price-wise). In Sage One they were back in the Golden Sixties. Were they golden? I don't remember.

For those that did remember they had P.J. Proby, The Fortunes, The Searchers and several other of those 'whatever became of' acts who's sounds first hit the airwaves from somewhere offshore. Those pirates of the high seas who broadcast from outside of the three-mile limit didn't have a Blackbeard although they did have a Blackburn (Tony) helping to plunder the pockets of the record buying public.


However, Team Bebop was above all of this, we were in the relative intimacy of Stage Two. We'd moved up a decade for the jazz-rock supergroup - Soft Machine.
Despite having Soft in the name, it wasn't. After the first few opening bars I was prepared to up and off but, it gradually took form, and I too had stepped back in time remembering hearing bands like Mike Westbrook, Graham Collier, Nucleus, Colosseum, etc.  all of whom must surely have laid their imprint on this band - or was it vice versa?

Etheridge, I'd heard many times. With Grappelli at Sunderland Empire; a lunchtime solo gig at a café in the Royal Albert Hall; gigs at the Corner House and yet, I never did get to hear him with Soft Machine or, if I did, I must have forgotten.

So tonight was, in a sense, catch-up time and it wasn't long before, after my initial shock, I was in the fan club (metaphorically speaking). Etheridge remains a master of his craft. Genres mean nothing, he just lays it down. Clapton, Hendrix, McLaughlin, Metheny, you name it. A wag in the audience, after one of the most blistering guitar solos ever, shouted "That was on a par with McLaughlin", before qualifying it with. "I didn't say better I said on a par with!"
Perhaps Steve T had given him a menacing glance.

Babbington and Marshall I'd heard before, possibly with John Surman in the 1980s but Travis was a new experience and a very pleasant one too on soprano, tenor and flute. I was less enamoured of his electronic tinkering although, in truth, it didn't hurt that much.

As a band, the sound comes across as tight, conveying the impression of being a bigger group. Tender moments were at a minimum and when they were they quickly grew into something bolder, even menacing and explosive. Music of the spheres that wasn't spherical often turning into, to quote Etheridge's own description, 'a good old rave-up' which it truly was.
A great night with a great band that didn't need to split their trousers*
Lance.
*Reference to P.J. Proby's claim to fame!

3 comments :

Phil D said...

Not the original band of course, but featuring 2nd generation players from the mid 70s, playing original and some Mike Ratledge tunes including 'Out-Bloody-Rageous'.

Wasn't sure what to expect, but thought that they balanced the explosive stuff pretty well with flute led tunes.

Just great to hear some fusion jazz rock again - very enjoyable.




Steve T said...

Since Etheridge also leads the Zappatistas, it't worth noting that it's oft said the whole Canterbury Progressive Rock scene (of whom the Softs were one of two leading bands) came from, not just Zappa, but specifically the Uncle Meat album, though I don't know how this applies to Caravan (the other).

Steve T said...

Looking through the Rocking the Classics book, I came across something I either didn't know or had forgotten. The guitarist immediately before and after Etheridge's seventies stint was Allan Holdsworth, one of a tiny number of guitarists ( Django, Hendrix, Paco Delucia, Al DiMeola) some actually do think as good or better than McLaughlin

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