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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

APRIL 2025

Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Mark Robertson.
Tue 01: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:30pm. Free.

Wed 02: Lauren Bush: The Jazz Singer’s Toolkit @ The Pele, Corbridge. 1:00-4:00pm. Vocalist Lauren Bush with pianist Jamil Sheriff presents a jazz singing workshop. £40.00. (inc. evening concert, see below). Registration required for workshop: www.laurenbushjazz.com. All ability levels welcome.
Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Jason Isaacs @ St. James’ STACK, Newcastle. 2:30-4:30pm. Free. Vocalist Isaacs working with backing tapes.
Wed 02: Lauren Bush & Jamil Sheriff @ The Pele, Corbridge. 7:00-9:00pm. £10.00. Concert performance. Tickets: www.laurenbushjazz.com.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. POSSIBLE CANCELLATION. See website for updates: www.theglobenewcastle.bar.

Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Women in Jazz.
Thu 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 03: New ’58 Jazz Collective @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. First Thursday in the month.

Fri 04: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 04: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 04: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 04: Ruth Lambert Quartet @ Saltburn Community Hall. 7:30pm. £12.00.
Fri 04: Tom McGuire & the Brassholes @ Pilgrim, Newcastle. 7:30pm. £20.00.
Fri 04: Nicolas Meier’s Infinity Group + Spirit of Jeff Beck @ The Forum, Darlington. 7:30pm.

Sat 05: Tenement Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 05: Sleep Suppressor @ Head of Steam, Newcastle. 5:30-6:00pm.
Sat 05: King Bees @ Billy Bootlegger’s, Ouseburn, Newcastle. 6:00pm. Free.
Sat 05: Raymond MacDonald & Jer Reid @ Lubber Fiend, Newcastle. 6:00-9:30pm. £7.72., £1.00. (minimum donation). MacDonald & Reid + Objections + Yotuns.
Sat 05: Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 05: Kamasi Washington @ The Glasshouse, Gateshead. 7:30pm. £33.00.
Sat 05: Vermont Big Band @ The Seahorse, Whitley Bay. 7:30pm. Tickets: £10.00 (from the venue).
Sat 05: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, November 07, 2018

Soft Machine @ Sage Gateshead - Nov. 6

John Etheridge (guitar); Theo Travis (tenor/soprano/flutes/keys & things); Roy Babbington (bass guitar); John Marshall (drums).
(Review by Lance/photos courtesy of Russell).
This wasn't Sage Gateshead. When we sashayed through those swing doors we were transported, Doctor Who-like, into a bygone era (albeit not price-wise). In Sage One they were back in the Golden Sixties. Were they golden? I don't remember.

For those that did remember they had P.J. Proby, The Fortunes, The Searchers and several other of those 'whatever became of' acts who's sounds first hit the airwaves from somewhere offshore. Those pirates of the high seas who broadcast from outside of the three-mile limit didn't have a Blackbeard although they did have a Blackburn (Tony) helping to plunder the pockets of the record buying public.


However, Team Bebop was above all of this, we were in the relative intimacy of Stage Two. We'd moved up a decade for the jazz-rock supergroup - Soft Machine.
Despite having Soft in the name, it wasn't. After the first few opening bars I was prepared to up and off but, it gradually took form, and I too had stepped back in time remembering hearing bands like Mike Westbrook, Graham Collier, Nucleus, Colosseum, etc.  all of whom must surely have laid their imprint on this band - or was it vice versa?

Etheridge, I'd heard many times. With Grappelli at Sunderland Empire; a lunchtime solo gig at a café in the Royal Albert Hall; gigs at the Corner House and yet, I never did get to hear him with Soft Machine or, if I did, I must have forgotten.

So tonight was, in a sense, catch-up time and it wasn't long before, after my initial shock, I was in the fan club (metaphorically speaking). Etheridge remains a master of his craft. Genres mean nothing, he just lays it down. Clapton, Hendrix, McLaughlin, Metheny, you name it. A wag in the audience, after one of the most blistering guitar solos ever, shouted "That was on a par with McLaughlin", before qualifying it with. "I didn't say better I said on a par with!"
Perhaps Steve T had given him a menacing glance.

Babbington and Marshall I'd heard before, possibly with John Surman in the 1980s but Travis was a new experience and a very pleasant one too on soprano, tenor and flute. I was less enamoured of his electronic tinkering although, in truth, it didn't hurt that much.

As a band, the sound comes across as tight, conveying the impression of being a bigger group. Tender moments were at a minimum and when they were they quickly grew into something bolder, even menacing and explosive. Music of the spheres that wasn't spherical often turning into, to quote Etheridge's own description, 'a good old rave-up' which it truly was.
A great night with a great band that didn't need to split their trousers*
Lance.
*Reference to P.J. Proby's claim to fame!

3 comments :

Phil D said...

Not the original band of course, but featuring 2nd generation players from the mid 70s, playing original and some Mike Ratledge tunes including 'Out-Bloody-Rageous'.

Wasn't sure what to expect, but thought that they balanced the explosive stuff pretty well with flute led tunes.

Just great to hear some fusion jazz rock again - very enjoyable.




Steve T said...

Since Etheridge also leads the Zappatistas, it't worth noting that it's oft said the whole Canterbury Progressive Rock scene (of whom the Softs were one of two leading bands) came from, not just Zappa, but specifically the Uncle Meat album, though I don't know how this applies to Caravan (the other).

Steve T said...

Looking through the Rocking the Classics book, I came across something I either didn't know or had forgotten. The guitarist immediately before and after Etheridge's seventies stint was Allan Holdsworth, one of a tiny number of guitarists ( Django, Hendrix, Paco Delucia, Al DiMeola) some actually do think as good or better than McLaughlin

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