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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Wednesday, November 07, 2018

Soft Machine @ Sage Gateshead - Nov. 6

John Etheridge (guitar); Theo Travis (tenor/soprano/flutes/keys & things); Roy Babbington (bass guitar); John Marshall (drums).
(Review by Lance/photos courtesy of Russell).
This wasn't Sage Gateshead. When we sashayed through those swing doors we were transported, Doctor Who-like, into a bygone era (albeit not price-wise). In Sage One they were back in the Golden Sixties. Were they golden? I don't remember.

For those that did remember they had P.J. Proby, The Fortunes, The Searchers and several other of those 'whatever became of' acts who's sounds first hit the airwaves from somewhere offshore. Those pirates of the high seas who broadcast from outside of the three-mile limit didn't have a Blackbeard although they did have a Blackburn (Tony) helping to plunder the pockets of the record buying public.


However, Team Bebop was above all of this, we were in the relative intimacy of Stage Two. We'd moved up a decade for the jazz-rock supergroup - Soft Machine.
Despite having Soft in the name, it wasn't. After the first few opening bars I was prepared to up and off but, it gradually took form, and I too had stepped back in time remembering hearing bands like Mike Westbrook, Graham Collier, Nucleus, Colosseum, etc.  all of whom must surely have laid their imprint on this band - or was it vice versa?

Etheridge, I'd heard many times. With Grappelli at Sunderland Empire; a lunchtime solo gig at a café in the Royal Albert Hall; gigs at the Corner House and yet, I never did get to hear him with Soft Machine or, if I did, I must have forgotten.

So tonight was, in a sense, catch-up time and it wasn't long before, after my initial shock, I was in the fan club (metaphorically speaking). Etheridge remains a master of his craft. Genres mean nothing, he just lays it down. Clapton, Hendrix, McLaughlin, Metheny, you name it. A wag in the audience, after one of the most blistering guitar solos ever, shouted "That was on a par with McLaughlin", before qualifying it with. "I didn't say better I said on a par with!"
Perhaps Steve T had given him a menacing glance.

Babbington and Marshall I'd heard before, possibly with John Surman in the 1980s but Travis was a new experience and a very pleasant one too on soprano, tenor and flute. I was less enamoured of his electronic tinkering although, in truth, it didn't hurt that much.

As a band, the sound comes across as tight, conveying the impression of being a bigger group. Tender moments were at a minimum and when they were they quickly grew into something bolder, even menacing and explosive. Music of the spheres that wasn't spherical often turning into, to quote Etheridge's own description, 'a good old rave-up' which it truly was.
A great night with a great band that didn't need to split their trousers*
Lance.
*Reference to P.J. Proby's claim to fame!

3 comments :

Phil D said...

Not the original band of course, but featuring 2nd generation players from the mid 70s, playing original and some Mike Ratledge tunes including 'Out-Bloody-Rageous'.

Wasn't sure what to expect, but thought that they balanced the explosive stuff pretty well with flute led tunes.

Just great to hear some fusion jazz rock again - very enjoyable.




Steve T said...

Since Etheridge also leads the Zappatistas, it't worth noting that it's oft said the whole Canterbury Progressive Rock scene (of whom the Softs were one of two leading bands) came from, not just Zappa, but specifically the Uncle Meat album, though I don't know how this applies to Caravan (the other).

Steve T said...

Looking through the Rocking the Classics book, I came across something I either didn't know or had forgotten. The guitarist immediately before and after Etheridge's seventies stint was Allan Holdsworth, one of a tiny number of guitarists ( Django, Hendrix, Paco Delucia, Al DiMeola) some actually do think as good or better than McLaughlin

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