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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

March
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Wind Ensemble + Big Band + Jazz Combo + R&B Band @ Boiler House, Newcastle University. 5:30pm. Free.
Fri 01: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 01-Sun 03: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. From 8:00pm Friday. Weekend ticket: £20.00.
Fri 01: TBC @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blind Pig Blues Club.
Fri 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. £10.00. Day 1/3. Musicians Unlimited + Festival Band.

Thursday, November 29, 2018

Bradley Johnston Trio w. Keith Robinson @ King's Hall, Newcastle University - Nov 29

Bradley Johnston (guitar); Paul Grainger (double bass); Russ Morgan (drums); Keith Robinson (tenor sax, clarinet)
(Review by Russell)

In My Life began this afternoon's King's Hall concert. Bradley Johnston's arrangement for solo guitar of the Lennon and McCartney song took as its inspiration Pat Metheny's recordings for solo guitar. The Wearside based guitarist, forging a career as a gigging musician and tutor, switched between one of three guitars during a set of fifty minutes and more. Assisting BJ were regular collaborators Paul Grainger, bass, and drummer Russ Morgan, alongside the welcome figure of Keith Robinson playing tenor sax and, on one number, clarinet.

The remainder of the programme comprised no fewer than seven of Johnston's compositions. For Joe unsurprisingly paid homage to the great Joe Pass (many years ago the American memorably gave a solo recital at the Gosforth Park Hotel). BJ knows his Joe Pass...Ella, Oscar et al and this blues in G surely had the great man applauding from up there in the jazz club in the sky. 


The Awakening introduced Keith Robinson, on tenor sax, and the affable Strictly Smokin' sideman stayed on for a couple more - Django's Footsteps and For Frisell. On the former, Robinson played clarinet, on the latter tenor. In his programme notes Johnston wrote of Django Reinhardt 'Django's Footsteps is a tribute to a guitarist that continues to inspire musicians worldwide with his explosive and creative improvisations.'

Johnston, playing his recently acquired Maccaferri-like guitar, did justice to the legendary Hot Club icon in creating an evocative slow drag feel to the piece. One negative note, Robinson's clarinet was way too low in the mix and it's a shame the King's Hall's technicians were unable to resolve the issue. Robinson exchanged his clarinet for tenor sax on For Frisell and BJ certainly captured the essence of Bill Frisell's sound with hints of Nashville in amongst Downtown New York.    

In introducing James' Waltz Johnston paid tribute to mentor Dr James Birkett. The guitarists recorded the composition on their debut duo CD Together with Johnston quick to point out that a copy of the CD would make an ideal Christmas present. Copies were available at the door...

Johnston's informative notes said of Presence 'I have wanted to write a very spacey/rubato theme for a while, and Presence came to me whilst I was experimenting using extensions and chord inversions to create counterpoints between the bass-note and melody.' And so he played it, a short piece, for guitar and tenor sax (Robinson). 

As two o'clock approached Johnston thanked Robinson, Grainger and Morgan for their invaluable contributions to the afternoon's proceedings. Blues for John tipped the hat at John McLaughlin, in particular, the guitarist's Live at the Royal Festival Hall recording. At this juncture, your correspondent is obliged to mention that he attended the concert (November 27, 1989), subsequently bought the LP (vinyl) and knows it well! So, imagine Paul Grainger as Kai Eckhardt and Russ Morgan as Trilok Gurtu and you're there on the South Bank. Oh, and Bradley as McLaughlin. To quote once more from BJ's notes 'This piece throws its challenges to the trio, navigating through changing time signatures and grooves.' The Bradley Johnston Trio rose to the challenge.
Russell

1 comment :

David Spraggon Williams said...

Supercool and highly entertaining stuff. Young Bradley goes from strength to strength.

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