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Bebop Spoken There

Billy Boy Arnold: “As long as you don't think old you're good.” - DownBeat, December, 2023.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Postage

16034 (and counting) posts since we started blogging 15 years ago. 1041 of them this year alone and, so far, 73 this month (Nov. 27).

From This Moment On ...

December

Tue 05: Customs House Big Band @ All Saints Church, Cleadon. 7:00pm. Concert in the church hall. BYOB.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Sid White. The best free show in town!

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 8:00pm. Free. Note later start time, concert performance (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 07: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free CANCELLED!
Thu 07: Vieux Carré Hot 4 @ Spanish City, Whitley Bay, Newcastle. 12 noon - 4:00pm. £26.00 (inc 3-course meal in in St Mary's Lighthouse Suite). SOLD OUT!
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm.Donations. Feat. Mark Sanders. CANCELLED!
Thu 07: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00. Downstairs.
Thu 07: Tees Hot Club: Just Friends @ Dorman’s Club, Middlesbrough. Guest band night w. Richie Emmerson, Ian Bosworth, Dave Archbold, Ron Smith, Mark Hawkins. 9:00pm.

Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 08: Giles Strong Quartet @ The Old Library, Auckland Castle. 1:00pm. £7.00.
Fri 08: Hayley's Little Big Band @ Woodland Village Hall, Bishop Auckland. 7:00pm. £12.00.
Fri 08: Sleep Suppressor + Redwell @ Head of Steam, Neville St., Newcastle. 8:00pm. £10.00. (£8.00. adv); £5.00. student.
Fri 08: Hot Club du Nord @ St Cuthbert's Church, Shadforth, Co. Durham.
Fri 08: Têtes de Pois + Nauta @ Cobalt Studios, Newcastle. 8:00pm. £12.00., £8.00.

Sat 09: Prudhoe Community Band @ Central Station, Newcastle. 10:00am - 12 noon. Charity fundraiser.
Sat 09: Durham Alumni Big Band @ Number One Bar, Skinnergate, Darlington. 1:00pm.
Sat 09: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 09: Hayley's Little Big Band @ Middleton & Todridge Village Hall, Morpeth. 7:30pm. £12.00., £6.00.
Sat 09: Paul Skerritt @ Slaley Hall, Hexham NE47 0BX. 7:30pm. From £42.00.

Sun 10: Musicians Unlimited’s Xmas Party with Zoe Gilby Quartet @ Park Inn, Hartlepool. MU 1:00-3:00pm; Zoë Gilby Quartet 4:00-6:00pm. Tickets: £7.50.
Sun 10: Am Jam @ The Globe, Newcastle. 2:00-4:00pm. Free.
Sun 10: Funk Soul Sista @ Stack, Seaburn. 5:00-7:00pm. Free.
Sun 10: Beth Clarke @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 10: Hayley's Little Big Band @ Whittingham Memorial Institute, Alnwick. 7:30pm. £12.00., £10.00.
Sun 10: Tele-Port @ The Globe, Newcastle. 8:00pm. Line-up inc. Zhenya Strigalev.

Mon 11: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 11: Interim Final Recitals @ Newcastle University. Details TBC.

Tue 12: Stu Collingwood Organ Trio @ Forum Music Centre, Darlington. 7:00pm. £10.00.

Tuesday, November 20, 2018

Book Review: Anthony M Peterson M.M - Three Masters, Five Ways

Taking jazz improvisation to the next level through the core ideas of Thelonious Monk, Charlie Parker and John Coltrane.  A manual for intermediate to advanced students on all instruments”. 
(Review by Roly Veitch)

A new music theory and workbook which sets out to give a solid grounding in music theory then uses an analysis of the core or fundamental improvising techniques of three iconic and highly influential jazz icons to advance the student.

Anthony M Peterson M.M. (Master of Music) from St. Louis, Missouri, began his musical journey as a classical guitarist before obtaining a scholarship from the St. Louis Conservatory of Music at the tender age of thirteen.

He studied there for four years during which time he was exposed to other music genres and developed a love and deep interest in jazz. After working on the local jazz circuit he gained a scholarship at the eminent Berklee College of Music obtaining a degree in music education. Later, he became one of their youngest faculty members, teaching for three years (1984/7) before moving to New York.

In 2012 he relocated to Durham, North Carolina, and entered the Master's Degree course at the state's Central University, his thesis on the work of Thelonious Monk being part of the basis of this book. He obtained his M.M. degree in 2014.

The book aims to help musicians move up to the next level by identifying and presenting core ideas of three major artists. The aim is to do this by five stages (1) the core idea, explained and notated (2) a breakdown of the core idea in greater detail (3) application of the idea (4) context (5) practice.

The first section of the book covers music theory – intervals, modes, key cycles, chord theory, voice leading and so on with some emphasis on the upper structure tones, the chord extensions which are such an important aspect of jazz improvisation. Also, pentatonic and blues theory are explained.

The book then moves on to the identification of the core or fundamental principles that were the essence of Monk, Bird and Trane’s styles and this section is at the heart of the book. For just one example – the myriad permutations and chromatic alterations of the 1235 scale sequence and how to link them together in endless variation over chord progressions, as so comprehensively mastered by Coltrane.

The book ends with tips on practice techniques, motivational concepts, and ways to be ‘in the moment’.

A lengthy tome that the seasoned player, probably, will treat as revision whereas the younger players may find a lot of closed doors opening to them.
Worth checking out.

Roly.

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