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Bebop Spoken There

Ferg Ireland: “I was very ignorant about early jazz - it's bizarrely skirted over in jazz education." - (Jazzwise, September 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,698 (and counting) posts since we started blogging 13 years ago. 1115 of them this year alone and, so far, 59 this month (Sept. 17).

From This Moment On ...

September

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 22: Darlington Big Band @ Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public)
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 6:45pm. Celebrating TITTB's 20th anniversary & Dave Weisser's forthcoming birthday! Limited gig tickets (£1.00.). Free live stream. www.jazz.coop.

Thu 23: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 23: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall 8:00pm. .
Thu 23: Maine Street Jazzmen @ Sunniside Social Club, Sunniside, Gateshead. 8:30pm. .

Fri 24: Perdido Street Jazzmen (with Frank Brooker reeds, Eugene Farrar trombone, Brian Bennett banjo & Phil Rutherford sousaphone) @ Darlington Market Square, Darlington. 11:00am.
Fri 24: Sue Ferris Quintet @ Gala Theatre, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band, Stockton. 1:00pm.
Fri 24: FILM: Jazz on a Summer's Day + Swing Bridge Trio (in the bar) @ Forum Cinema, Hexham. 7:00pm.

Sat 25: Silent Music Seeing Sound + Spinningwork @ Newcastle Arts Centre. 6:30pm. Newcastle Festival of Jazz & Improvised Music (NFOJIM).
Sat 25: Knats @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. .
Sun 26: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 4:00pm. .
Sun 26: Sax Appeal @ The Blue Bell, Hill Street, Corbridge NE45 5AA. 4:30pm. Free. .
Sun 26: David Gray Flextet @ The Globe, Newcastle. 8:00pm. .
Sun 26: Nubiyan Twist @ The Cluny, Newcastle. 8:00pm.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tuesday, November 20, 2018

Book Review: Anthony M Peterson M.M - Three Masters, Five Ways

Taking jazz improvisation to the next level through the core ideas of Thelonious Monk, Charlie Parker and John Coltrane.  A manual for intermediate to advanced students on all instruments”. 
(Review by Roly Veitch)

A new music theory and workbook which sets out to give a solid grounding in music theory then uses an analysis of the core or fundamental improvising techniques of three iconic and highly influential jazz icons to advance the student.

Anthony M Peterson M.M. (Master of Music) from St. Louis, Missouri, began his musical journey as a classical guitarist before obtaining a scholarship from the St. Louis Conservatory of Music at the tender age of thirteen.

He studied there for four years during which time he was exposed to other music genres and developed a love and deep interest in jazz. After working on the local jazz circuit he gained a scholarship at the eminent Berklee College of Music obtaining a degree in music education. Later, he became one of their youngest faculty members, teaching for three years (1984/7) before moving to New York.

In 2012 he relocated to Durham, North Carolina, and entered the Master's Degree course at the state's Central University, his thesis on the work of Thelonious Monk being part of the basis of this book. He obtained his M.M. degree in 2014.

The book aims to help musicians move up to the next level by identifying and presenting core ideas of three major artists. The aim is to do this by five stages (1) the core idea, explained and notated (2) a breakdown of the core idea in greater detail (3) application of the idea (4) context (5) practice.

The first section of the book covers music theory – intervals, modes, key cycles, chord theory, voice leading and so on with some emphasis on the upper structure tones, the chord extensions which are such an important aspect of jazz improvisation. Also, pentatonic and blues theory are explained.

The book then moves on to the identification of the core or fundamental principles that were the essence of Monk, Bird and Trane’s styles and this section is at the heart of the book. For just one example – the myriad permutations and chromatic alterations of the 1235 scale sequence and how to link them together in endless variation over chord progressions, as so comprehensively mastered by Coltrane.

The book ends with tips on practice techniques, motivational concepts, and ways to be ‘in the moment’.

A lengthy tome that the seasoned player, probably, will treat as revision whereas the younger players may find a lot of closed doors opening to them.
Worth checking out.

Roly.

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