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Bebop Spoken There

Nate Smith: "Record labels, booking agents, management, still can't imagine the drummer as bandleader" - (DownBeat January 2019).

Today Saturday December 15

Afternoon

Newcastle University Jazz Orchestra - Hatton Gallery, King's Road, Newcastle University NE1 7RU. Tel: 0191 277 8877. 12 noon. Free.

Jazz Attack - Sage Gateshead, St Mary's Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 2:50pm. Young Musicians Live! YMP Winter Festival. Concourse, free.

Jambone + Folkestra - Sage Gateshead, St Mary's Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 4:00pm. Young Musicians Live! YMP Winter Festival. Sage Two, free but ticketed.

Evening

Strictly Smokin’ Big Band - Gosforth Civic Theatre, Regents Farm Road, Gosforth, Newcastle NE3 3HD. Tel: 0191 284 3700. 8:00pm. £12.00. + bf. Second night of two

Boys of Brass - George Washington Hotel, Stone Cellar Road, High Usworth, Washington NE37 1PH. Tel: 0191 402 9988. 7:00pm. Xmas party night.

Big Band Theory - Traveller's Rest, West Auckland Road, Darlington DL3 9ER. Tel: 01325 468177. 6:30pm. £5.00.

Phil Davids & the Good Times Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Horace Silverman & the White Gardenias - The Corner House, Heaton, Newcastle NE6 5RP. Tel: 0191 265 9602. 7:30pm. £7.50.

Baghdaddies - Cobalt Studios, Boyd St., Newcastle NE2 1AP. 8:30pm. £12.00. + £1.38. bf.

Strictly Speakeasy - St Mary’s Heritage Centre, Oakwellgate, Gateshead NE8 2AU. Tel: 0191 433 4699. 7:00pm. £20.00. Lindy jazz ‘Snow Ball.

Cozyjo - Washington Arts Centre, Biddick Lane, Washington NE38 8AB. Tel: 0191 561 3455. 7:00pm. £6.00. (£4.00. concs.). City of Sunderland Youth Jazz Orchestra (Cozyjo) Christmas Cracker.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 20, 2018

Book Review: Anthony M Peterson M.M - Three Masters, Five Ways

Taking jazz improvisation to the next level through the core ideas of Thelonious Monk, Charlie Parker and John Coltrane.  A manual for intermediate to advanced students on all instruments”. 
(Review by Roly Veitch)

A new music theory and workbook which sets out to give a solid grounding in music theory then uses an analysis of the core or fundamental improvising techniques of three iconic and highly influential jazz icons to advance the student.

Anthony M Peterson M.M. (Master of Music) from St. Louis, Missouri, began his musical journey as a classical guitarist before obtaining a scholarship from the St. Louis Conservatory of Music at the tender age of thirteen.

He studied there for four years during which time he was exposed to other music genres and developed a love and deep interest in jazz. After working on the local jazz circuit he gained a scholarship at the eminent Berklee College of Music obtaining a degree in music education. Later, he became one of their youngest faculty members, teaching for three years (1984/7) before moving to New York.

In 2012 he relocated to Durham, North Carolina, and entered the Master's Degree course at the state's Central University, his thesis on the work of Thelonious Monk being part of the basis of this book. He obtained his M.M. degree in 2014.

The book aims to help musicians move up to the next level by identifying and presenting core ideas of three major artists. The aim is to do this by five stages (1) the core idea, explained and notated (2) a breakdown of the core idea in greater detail (3) application of the idea (4) context (5) practice.

The first section of the book covers music theory – intervals, modes, key cycles, chord theory, voice leading and so on with some emphasis on the upper structure tones, the chord extensions which are such an important aspect of jazz improvisation. Also, pentatonic and blues theory are explained.

The book then moves on to the identification of the core or fundamental principles that were the essence of Monk, Bird and Trane’s styles and this section is at the heart of the book. For just one example – the myriad permutations and chromatic alterations of the 1235 scale sequence and how to link them together in endless variation over chord progressions, as so comprehensively mastered by Coltrane.

The book ends with tips on practice techniques, motivational concepts, and ways to be ‘in the moment’.

A lengthy tome that the seasoned player, probably, will treat as revision whereas the younger players may find a lot of closed doors opening to them.
Worth checking out.

Roly.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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