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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, November 19, 2018

Quintet of the Year (2018): Mick Shoulder Quintet @ the Black Bull, Blaydon - Nov. 18.

Graham Hardy (trumpet/flugelhorn); Lewis Watson (tenor sax); Dean Stockdale (piano); Mick Shoulder (bass); Russ Morgan (drums).
(Review/photos by Lance. Photo of Graham Hardy courtesy of Roly Veitch).
The original Quintet of the Year comprised Dizzy, Bird, Bud Powell, Mingus and Max Roach. The concert took place in Toronto in 1953 and featured five of the greatest modern jazz musicians ever. Since then, there have been other bands worthy of the title including Art Blakey's Jazz Messengers, the Horace Silver Quintet and the UK's own version - The Jazz Couriers.

All three groups were referenced at Blaydon Jazz Club last night in a well-attended session by a band that must surely qualify for this year's title and I don't mean just on Tyneside but as far afield as you care to mention.

Undoubtedly the promise of a rare appearance by Lewis Watson was an attraction and he more than lived up to expectation - he was tremendous. However, the four other guys kept apace with him and I doubt if I've heard any of them play better.

Hardy met fire with fire, Stockdale made a mockery of the sign at the back of the stage saying 'Can you play the piano? Give us a tune'. Dean gave them a tune alright!

Russ Morgan was his usual phenomenal self - sticks, brushes, hands, he is the real deal. As for leader Mick, less flamboyant in solo than the others but on the money when it came to meaningful moments both rhythm wise and when he did grab the spotlight. Mick also wrote the arrangements - scores that captured the essence of the originals.

I'm currently reading a book on Dexter Gordon - review soon - and the music that leaped from the pages seemed to have landed at Blaydon.

Let Will Shakespeare have the last word:
And gentlemen in England now a-bed,
Shall think themselves accursed they were not here.
(Henry V).
More photos.
Lance.

That Old Feeling; Backstage Sally; On the Ginza; Thursday's theme; Voodoo Blues; Moanin'; Swingin' the Samba; Whisper Not; Nica's Dream; Cheek to Cheek.

1 comment :

jeremy robert edis said...

Don't feel entirely accursed (in Saigon, drinking craft beer) but would have teleported to Blaydon if that technology had been available! So pleased there was a good turnout. Hope to be at the Black Bull for whatever is next.
JERRY

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance