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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday September 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Solitude - St John's Church, Grainger St., Newcastle NE1 5JG. 11:00am & 2:00pm. Free. Gabriele Heller’s audio play (40mins).

Jeff Barnhart’s Silent Film Festival: Reel 2 - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Barnhart’s piano accompaniment to classic silent films.

Vieux Carré Jazzmen: River Tyne Jazz Cruise - Quayside, Newcastle NE1 3DX. Departing 1:00pm (boarding from 12:30pm) from o/s Pitcher & Piano, returning 4:00pm. Tickets: £25.00. (info 0191 252 9429/07710 528413). On board buffet & Tyne Bank Brewery bar.

Evening

Ronnie Scott's All Stars - Middlesbrough Theatre, The Avenue, Middlesbrough TS5 6SA. Tel: 01642 815181. 8:00pm. £22.50. (inc bf). Ronnie Scott's Story: 60th Anniversary Concert.

Nikki Iles, Karen Sharp & Friends - Queen's Hall Library, Queen's Hall Arts Centre, Beaumont Street, Hexham NE46 3LS. Tel: 01434 652477. 9:30pm. £15.00. A Hexham Abbey Festival of Music & Arts event.

Blues/Funk/Soul

Bullfrog Blues Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, November 19, 2018

The Velvet Revolution + Charlie Collins and Friends @ The Cumberland Arms - Nov. 16

The Velvet Revolution: Daniel Erdmann (saxes); Théo Ceccaldi (violin); Jim Hart (vibes).

Charlie Collins and Friends: Charlie Collins (percussion); Eun-Jung Kim (komungo); Derek Saw (trumpet); Faye MacCalman (clarinet).
(Review by Steve H/photos to follow)

At about 11 o’clock on Friday night, a bearded figure carrying a grey suitcase entered the upstairs room of the Cumberland Arms to a round of applause. French violinist Theo Ceccaldi had just arrived straight from Newcastle Airport after a tortuous journey from Toulouse. Like a real trooper and with no time to lose Theo joined the other 2 members of The Velvet Revolution to complete a stunning evening of music.

Due to his late arrival, we were treated to a duo set from Erdmann and Hart. Some of the tunes were even world premieres as the very dry-witted Erdman explained. Their set was an unscheduled bonus which also included updates of Ceccalidi’s arrival time (the plane actually landed at 22.05 and luckily in these pre-Brexit times there were no immigration hold-ups).

When the trio eventually played together the music was even livelier, Ceccaldi seeming to be suffering no after-effects from his arduous travels. Interestingly, he played without a bow for much of the time strumming the violin to great effect.

Hart on vibes was extremely watchable incorporating all sorts of effects including employing what appeared to be 2 wooden coat hangers as bows. Erdmann is a wonderfully creative lyrical player. Both duo and trio sets were different enough to have a unique feel to them but what they did have in common was the sheer quality of the performance.

The evening had begun with regular Tyneside visitor Charlie Collins performing a duet with Eun-Jung Kim on komungo (a  horizontal wooden stringed instrument). Collins is a percussive magician continually pulling objects from up his sleeve or out of a top hat to create weird and wonderful beats and sounds.  Kim plucked with a stick, strummed and picked on the komungo in total harmony with Collins producing a very subtle meditative set.  

After a short break, the pair were joined by Derek Saw on trumpet and our own Faye MacCalman on clarinet. Picking up where Kim and Collins had left off, a dreamy floaty soundscape evolved allowing this listener at times to drift off into very pleasant cerebral spaces.
A great evening at an infrequently used venue for jazz - four sets of fascinating and enjoyable music accompanied by some very fine real ale – it doesn’t get much better than that.
Steve H.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance