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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, November 19, 2018

The Velvet Revolution + Charlie Collins and Friends @ The Cumberland Arms - Nov. 16

The Velvet Revolution: Daniel Erdmann (saxes); Théo Ceccaldi (violin); Jim Hart (vibes).

Charlie Collins and Friends: Charlie Collins (percussion); Eun-Jung Kim (komungo); Derek Saw (trumpet); Faye MacCalman (clarinet).
(Review by Steve H/photos to follow)

At about 11 o’clock on Friday night, a bearded figure carrying a grey suitcase entered the upstairs room of the Cumberland Arms to a round of applause. French violinist Theo Ceccaldi had just arrived straight from Newcastle Airport after a tortuous journey from Toulouse. Like a real trooper and with no time to lose Theo joined the other 2 members of The Velvet Revolution to complete a stunning evening of music.

Due to his late arrival, we were treated to a duo set from Erdmann and Hart. Some of the tunes were even world premieres as the very dry-witted Erdman explained. Their set was an unscheduled bonus which also included updates of Ceccalidi’s arrival time (the plane actually landed at 22.05 and luckily in these pre-Brexit times there were no immigration hold-ups).

When the trio eventually played together the music was even livelier, Ceccaldi seeming to be suffering no after-effects from his arduous travels. Interestingly, he played without a bow for much of the time strumming the violin to great effect.

Hart on vibes was extremely watchable incorporating all sorts of effects including employing what appeared to be 2 wooden coat hangers as bows. Erdmann is a wonderfully creative lyrical player. Both duo and trio sets were different enough to have a unique feel to them but what they did have in common was the sheer quality of the performance.

The evening had begun with regular Tyneside visitor Charlie Collins performing a duet with Eun-Jung Kim on komungo (a  horizontal wooden stringed instrument). Collins is a percussive magician continually pulling objects from up his sleeve or out of a top hat to create weird and wonderful beats and sounds.  Kim plucked with a stick, strummed and picked on the komungo in total harmony with Collins producing a very subtle meditative set.  

After a short break, the pair were joined by Derek Saw on trumpet and our own Faye MacCalman on clarinet. Picking up where Kim and Collins had left off, a dreamy floaty soundscape evolved allowing this listener at times to drift off into very pleasant cerebral spaces.
A great evening at an infrequently used venue for jazz - four sets of fascinating and enjoyable music accompanied by some very fine real ale – it doesn’t get much better than that.
Steve H.

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