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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,806 (and counting) posts since we started blogging 13 years ago. 1223 of them this year alone and, so far, 50 this month (Oct. 13).

From This Moment On ...

October

Sat 16: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Julija Jacenaite: Improvarium..
Sat 16: Emma Fisk & James Birkett @ St Mary's Church, Monkseaton. 7:30pm..
Sat 16: Triptych @ Sage Gateshead. 7:45pm. Trio with live visuals by Lisa Delarny. .
Sat 16: Rendezvous Jazz @ Memorial Hall, Ponteland. 8:00pm. Guest Ian Wynne (piano)..

Sun 17: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 17: Musicians Unlimited @ South Durham Social Club. 1:00pm.
Sun 17: Shunyata Improvisation Group @ Unitarian Church, Newcastle. 1:30pm.
Sun 17: Vula Viel @ The Globe, Newcastle. 8:00pm.

Mon 18: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Wednesday, November 21, 2018

CD Review: Flavio Lira - Coffee Gold Sugar Cane

(Review by Max G)

Hailing from Brazil, Flavio Lira is based in New York City, active in a wide variety of genres and musical forms. This policy is present throughout the album which Lira refers to as ‘a rhythmic fusion of samba, baiao, regional folklore, tumbao, clave, Partido Alto, jazz influence from the north, classical fugue, and more.’

This sounds like an ambitious mix, and perhaps an album which brings together 38 different musicians from 15 different countries might struggle to maintain a clear identity if each of their musical personalities is simultaneously foregrounded. However, the album’s identity retains a central core of, in the broadest terms, Latin influence.


The album is also defined by Lira’s dense arrangements, featuring a mass of different instruments and timbres. For example, on the album’s second track, his highly original and complex arrangement of All the Things You Are. However, in this track, the constant chopping and changing of sounds, feels, and his intense melodic interplay and elaborations at times become overwhelming. The same could also be said of Sol no Frio

Whilst Lira’s ambition, which leads him to attempt the broad synthesis of styles and musical backgrounds he describes, should undoubtedly be applauded, perhaps that ambition should be reined in slightly.

Despite these criticisms, the album does definitely have some nice moments. 5 to 9 grooves really naturally, with a great vibes solo from Ryan Fedak. I personally am often suspicious of attempts to cross the classical-jazz divide. However, the album’s concluding Bass Fugue is executed with originality and showcases Lira’s excellent bass playing – something which perhaps could be more prominent through the album as a whole.

Overall, this is a fun, thoroughly enjoyable album. But just perhaps not quite a classic.
Max G.

Coffee Gold Sugar Cane is available on Interrobang Records.

Flavio Lira (bass); Ryan Fedak (vibraphone); Anibal Cruz (piano); Takafumi Nikaido (congas, cajon); Graciliano Zambonin (drums); Kan Yanabe (pandiero, tamborim, clave); Edmar Colon (alto sax, bari sax); Gaciliano Zambonin (drums);  Nella Rojas (vocals); Yoshie Nakayama (trombone); Jon Weidley (trumpet); Juan Ruiz (alto sax); Anggie Obin (flute); Nacho Gonzaled (guitar); Julio Santos (pandeiro); Martin Musaubach (Rhodes, organ); Yaure Muniz (trumpet); Xito Lovell (trombone); Howard Levy (harmonica); Kevin Scollins (guitar); Eduardo Mercuri (guitar); Naty Hernandez (vocals); Valentine Komissarouk (vocals); Vitor Goncalvez (e-piano); Livio Almeida (soprano sax); Laura Crespo (bongo, guiro); Thiago Vitori (synths, pads); Clay Steininger (guitar); Alexi Tsiganov (piano); Raphael Lehnen (bombo leguero); Catherine Bent (cello); Leandro Pellengrino (guitar); Fernando Brandao (flute); Keisel Jiminez (tishbales, congas, vocals); Ronaldo Andrade (surdo, cavaco, banjo, vocals); Bruno Brandalise (trombone).

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