Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Fri 16: Giles Strong Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Darlington Big Band @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 16: Leeds City Stompers @ Billy Bootleggers, Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, November 21, 2018

CD Review: Flavio Lira - Coffee Gold Sugar Cane

(Review by Max G)

Hailing from Brazil, Flavio Lira is based in New York City, active in a wide variety of genres and musical forms. This policy is present throughout the album which Lira refers to as ‘a rhythmic fusion of samba, baiao, regional folklore, tumbao, clave, Partido Alto, jazz influence from the north, classical fugue, and more.’

This sounds like an ambitious mix, and perhaps an album which brings together 38 different musicians from 15 different countries might struggle to maintain a clear identity if each of their musical personalities is simultaneously foregrounded. However, the album’s identity retains a central core of, in the broadest terms, Latin influence.


The album is also defined by Lira’s dense arrangements, featuring a mass of different instruments and timbres. For example, on the album’s second track, his highly original and complex arrangement of All the Things You Are. However, in this track, the constant chopping and changing of sounds, feels, and his intense melodic interplay and elaborations at times become overwhelming. The same could also be said of Sol no Frio

Whilst Lira’s ambition, which leads him to attempt the broad synthesis of styles and musical backgrounds he describes, should undoubtedly be applauded, perhaps that ambition should be reined in slightly.

Despite these criticisms, the album does definitely have some nice moments. 5 to 9 grooves really naturally, with a great vibes solo from Ryan Fedak. I personally am often suspicious of attempts to cross the classical-jazz divide. However, the album’s concluding Bass Fugue is executed with originality and showcases Lira’s excellent bass playing – something which perhaps could be more prominent through the album as a whole.

Overall, this is a fun, thoroughly enjoyable album. But just perhaps not quite a classic.
Max G.

Coffee Gold Sugar Cane is available on Interrobang Records.

Flavio Lira (bass); Ryan Fedak (vibraphone); Anibal Cruz (piano); Takafumi Nikaido (congas, cajon); Graciliano Zambonin (drums); Kan Yanabe (pandiero, tamborim, clave); Edmar Colon (alto sax, bari sax); Gaciliano Zambonin (drums);  Nella Rojas (vocals); Yoshie Nakayama (trombone); Jon Weidley (trumpet); Juan Ruiz (alto sax); Anggie Obin (flute); Nacho Gonzaled (guitar); Julio Santos (pandeiro); Martin Musaubach (Rhodes, organ); Yaure Muniz (trumpet); Xito Lovell (trombone); Howard Levy (harmonica); Kevin Scollins (guitar); Eduardo Mercuri (guitar); Naty Hernandez (vocals); Valentine Komissarouk (vocals); Vitor Goncalvez (e-piano); Livio Almeida (soprano sax); Laura Crespo (bongo, guiro); Thiago Vitori (synths, pads); Clay Steininger (guitar); Alexi Tsiganov (piano); Raphael Lehnen (bombo leguero); Catherine Bent (cello); Leandro Pellengrino (guitar); Fernando Brandao (flute); Keisel Jiminez (tishbales, congas, vocals); Ronaldo Andrade (surdo, cavaco, banjo, vocals); Bruno Brandalise (trombone).

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