Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Sun 28: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 28: Tim Kliphuis Trio @ St Mary’s Church, Wooler. 3:00pm. £18.00., £6.00. A Wooler Arts Summer Concerts event. Tim Kliphuis (violin); Nigel Clark (guitar); Roy Percy (double bass).
Sun 28: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: An Evening of Jazz @ St James’ Church, Copper Chare, Morpeth. 7:30pm. Tickets: £10.00 from 01670 788869 or 01670 519923. Mid Northumberland Chorus (MD Robin Forbes, Emma Straughan, piano) w. jazz trio featuring Edgar Ho, Oscar Ho & Dave McKeague & special guest Emily Masser. Performance inc. Bob Chilcott’s A Little Jazz Mass + George Shearing’s Songs & Sonnets.
Sun 28: Led Bib @ The Globe, Newcastle. 8:00pm. £15.00., £12.00. JNE.

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Monday, May 29, 2017

CD Review: Talinka (Fanfare FJ1701)

Gilad Atzmon (bass clarinet, sorprano sax, accordian and classical guitar); Tali Atzmon (vocal); Jenny Bliss Bennett (viola da gamba); Yaron Stavi (bass) + Frank Harrison (piano); Enzo Zirilli (perc).
(Review by Peter Jones)
Although far less well-known than her multi-instrumentalist husband Gilad, Tali Atzmon deserves better recognition for the quality of her writing and singing on this debut album of the group that includes both of them, along with Jenny Bliss Bennett on the baroque instrument the viola da gamba, and Yaron Stavi on double bass. Not included in the live line-up but heard occasionally on the album are pianist Frank Harrison and percussionist Enzo Zirilli.
Musically, Talinka follow a similarly winding path to the one trodden by Gilad over the years; it’s the sound of people around the world who have had a hard time of it - keening, remorseful music, but full of beauty. On the sweet, gentle title track, Tali sings wordlessly in the style of the Brazilian Minas Gerais region. More typical perhaps is Tali’s composition Losing Vision, a song about refugees, on which she is backed only by bass clarinet, bowed viola da gamba and bass. Her other two tunes – When You’re Gone and Every Now And Then – are among the strongest on the album. 

The jazz standards are not neglected: that icon of passive suffering, Billie Holiday, is represented by Don’t Explain, whilst a similar mood is evoked by Gene de Paul’s You Don’t Know What Love Is. Invitation, with its sinuous, hard-to-sing melody, sounds Brazilian but is really of Polish origin, like its composer. Here it’s rendered as a tango (so now we’re in Argentina), with middle-eastern soprano sax thrown in. We hear the tango again on Gilad’s composition Four 2 Tango, with another beautiful, wordless melody, plus some rather alarming vocal improvisation.

It all sounds like a recipe for musical chaos, especially with no drummer, so why does it work? The answer, I think, is that the band doesn’t care about musical, historical or international boundaries. They play what sounds good.
Peter Jones
The tour continues intermittently over the next few weeks, with gigs at Oswestry (3 June), Felixstowe (4 June), Posk, London (24 June) and Cheadle Hulme (20 July).

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