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Bebop Spoken There

Jasper Høiby: "These days everybody thinks they know something about everything, and there are so many opinions being aired all over the place that aren't fully formed because there are so many platforms to say anything you want to when you feel like it." - (Jazzwise June 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

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11,661 (and counting) posts since we started blogging just over 12 years ago. 795 of them this year alone and, so far, 60 this month (July 15).

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, November 27, 2016

Swinging into Ushaw













Durham correspondent Tony Eales reports that a good number of Durham folk turned out on a cold November night to hear Mick Shoulder’s Swing Manouche at Ushaw College. The Francis Thompson Room, with its plush Chesterfields, extended a warm welcome to lovers of matters Manouche. Bandleader Shoulder demonstrated equal facility as a guitar player – forsaking his usual double bass role – alongside Hot Club master guitarist Giles Strong. Pianist Paul Edis left the Steinway behind at Edis Towers, preferring to turn up at Ushaw with a clarinet!
December’s concert at Ushaw College is a major affair. An astounding seven piece band led by Alan Barnes will present his seasonal A Jazz Christmas Carol. Make a note of the date – Saturday 17th December. It starts at 7:30pm, tickets are a bargain at seven pounds,  and, for such a paltry sum, you will get to hear Barnes, Bruce Adams, Mark Nightingale, Robert Fowler and a rhythm section of Dave Newton, Simon Thorpe and Clark Tracey! Christmas has come early! To buy that ideal Christmas present of two tickets (more if so desired), telephone Ushaw College now: 0191 334 5119.      
Russell.
(Archive photo courtesy of Brian Ebbatson)

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