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Bebop Spoken There

Kenny Garrett: "I think about the past and the elders and connecting everything together, and it being as a whole, or as one." - (DownBeat, December 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14743 (and counting) posts since we started blogging 13 years ago. 1362 of them this year alone and, so far, 78 this month (Nov. 24).

From This Moment On ...

November

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 26: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 26: Hot Club du Nord @ St Cuthbert's Centre, Crook. 7:30pm.CANCELLED!

Sat 27: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Sat 27: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. 'Swing Jazz Guitar'.
Sat 27: Heimatdamisch Bavarian Oompah Band @ The Cluny, Newcastle. 8:00pm.

Sun 28 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 28: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 28: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 28: Alex Ord & Jude Murphy @ St Edmund's Church, Sedgefield. 3:00pm. Ord (piano), Murphy (bass).
Sun 28: Emma Johnson's Gravy Boat @ The Globe, Newcastle. 8:00pm.

Mon 29: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

December

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 1st night.
Wed 01: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Tom Ollendorff @ Café Cathedral, Owengate, Durham. 8:00pm. £5.00. A Durham Jazz Soc. event.

Thu 02: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 02: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 2nd night.
Thu 02: Jeremy McMurray & the Pocket Orchestra @ Billingham Catholic Club. 7:30pm. Fundraiser for SVP. Tickets: £5.00. from 07757 062798.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club, Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm.

Tuesday, November 08, 2016

CD Reviews: Michael Formanek Ensemble Kolossus - The Distance. Jakob Bro Trio - Streams.

Michael Formanek (bass), Thomas Fujiwara (drums), Mary Halvorson (guitar), Kris Davis (piano), Patricia Brennan (marimba), Mark Helias (conductor).
Brass - David Ballou, Ralph Alessi, Shane Endsley, Kirk Knuffka, Alan Ferber, Jacob Garchik, Ben Gerstein, Jeff Nelson.
Reeds - Loren Stillman, Oscar Noriega, Chris Speed, Brian Settles, Tim Berne.
(Review by Steve T).
Reviewing ECM CDs is a bit like the American election - even this one; or for that matter a British election, though that may be changing. 40% of readers will have both of them already and another 40% wouldn't have either in the house.
I'm one of the undecideds - the Lib Dems, the independents - with a love-hate relationship with the label.

The Distance works as an entire album so singling out specific tracks is irrelevant. It starts slowly and sounds very much classical, but with light drums and compelling bass playing which runs throughout the album, and it was only after the first play I found out the band takes the bass players name.
Gradually it transforms into something more akin to the Miles/Gil Evans collaborations from the late fifties, with which it shares its holistic qualities.
The 'boring' bits are there to make the great bits even greater and you lose so much if you pull out Summertime or It Ain't Necessarily So out of Porgy and Bess.
In fact this album may well have been made for me as the Zappa influence comes through louder and clearer as it progresses, though solely in Strictly Genteel mode.
Ralph Alessi on trumpet, Alan Ferber on trombone and Mary Halvorson on guitar deserve mention for particularly striking solos.

Jakob Bro (guitar), Thomas Morgan (double bass), Joey Baron (drums).
This is the type of stuff critics of the label point at, myself included. A famous musician visiting the North East compared ECM to walking in the mountains above the fjords in Norway and this album is certainly from the very low key end of things. I know many people like this and indeed, this is the very quality that they look for from the label, pointing out that it's always done terribly tastefully.
Track four, Full Moon Europais the only track which produces any real fireworks but, like John Abercrombie’s bass trio stuff on the label, this is in no small part due to some inventive swirling drumming, though the guitar also has a rockier edge.
For the undecided needing a nudge, my vote goes The Distance.
Steve T.

2 comments :

Hugh said...

So, Formanek trumps Bro!

(I'll get my coat)

Steve T said...

BumBum.

Turns out I saw Bro in Cheltenham with Lee Konitz and Dave Douglas a couple of years back. Having seen Konitz eighteen months earlier, he'd really lost the plot and the gig was a mess.
I t was billed as a super-group and the Asian lady on the bass was terrific though she looked terrified (they were about to take it on tour), but Dave Douglas, in mischievous Bob Downey Junior mode, spotted a free run and dazzled.
I remember the guitarist played a telecaster, apparently the preferred solid body guitar for Jazz.

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