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Bebop Spoken There

Sting: "It was great. They [the River City Jazzmen] all wore blue suits. The band had been together for about twenty years, which was the same age as the suits." - (Melody Maker Sept. 22, 1979).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 3:00pm/5:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 08, 2016

CD Reviews: Michael Formanek Ensemble Kolossus - The Distance. Jakob Bro Trio - Streams.

Michael Formanek (bass), Thomas Fujiwara (drums), Mary Halvorson (guitar), Kris Davis (piano), Patricia Brennan (marimba), Mark Helias (conductor).
Brass - David Ballou, Ralph Alessi, Shane Endsley, Kirk Knuffka, Alan Ferber, Jacob Garchik, Ben Gerstein, Jeff Nelson.
Reeds - Loren Stillman, Oscar Noriega, Chris Speed, Brian Settles, Tim Berne.
(Review by Steve T).
Reviewing ECM CDs is a bit like the American election - even this one; or for that matter a British election, though that may be changing. 40% of readers will have both of them already and another 40% wouldn't have either in the house.
I'm one of the undecideds - the Lib Dems, the independents - with a love-hate relationship with the label.

The Distance works as an entire album so singling out specific tracks is irrelevant. It starts slowly and sounds very much classical, but with light drums and compelling bass playing which runs throughout the album, and it was only after the first play I found out the band takes the bass players name.
Gradually it transforms into something more akin to the Miles/Gil Evans collaborations from the late fifties, with which it shares its holistic qualities.
The 'boring' bits are there to make the great bits even greater and you lose so much if you pull out Summertime or It Ain't Necessarily So out of Porgy and Bess.
In fact this album may well have been made for me as the Zappa influence comes through louder and clearer as it progresses, though solely in Strictly Genteel mode.
Ralph Alessi on trumpet, Alan Ferber on trombone and Mary Halvorson on guitar deserve mention for particularly striking solos.

Jakob Bro (guitar), Thomas Morgan (double bass), Joey Baron (drums).
This is the type of stuff critics of the label point at, myself included. A famous musician visiting the North East compared ECM to walking in the mountains above the fjords in Norway and this album is certainly from the very low key end of things. I know many people like this and indeed, this is the very quality that they look for from the label, pointing out that it's always done terribly tastefully.
Track four, Full Moon Europais the only track which produces any real fireworks but, like John Abercrombie’s bass trio stuff on the label, this is in no small part due to some inventive swirling drumming, though the guitar also has a rockier edge.
For the undecided needing a nudge, my vote goes The Distance.
Steve T.

2 comments :

Hugh said...

So, Formanek trumps Bro!

(I'll get my coat)

Steve T said...

BumBum.

Turns out I saw Bro in Cheltenham with Lee Konitz and Dave Douglas a couple of years back. Having seen Konitz eighteen months earlier, he'd really lost the plot and the gig was a mess.
I t was billed as a super-group and the Asian lady on the bass was terrific though she looked terrified (they were about to take it on tour), but Dave Douglas, in mischievous Bob Downey Junior mode, spotted a free run and dazzled.
I remember the guitarist played a telecaster, apparently the preferred solid body guitar for Jazz.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance