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Bebop Spoken There

Jackie McLean: “I can't understand British audiences. In Britain there doesn't seem to be any curiosity." (Melody Maker, April 1, 1961).

Charles Mingus: "It seems to me that if our records were not issued in Britain, the British cats would have to think for themselves" (Jazz News, July 26th 1961)

Archives.

Today Sunday July 23

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 2:30pm. Free.
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SummerTyne Americana Festival 2017 - Sage Gateshead. Day three of three. Details. From 12 noon all day.
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Jason Isaacs Big Band - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 5pm. £16.
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More Jam - The Globe, 11 Railway St., Newcastle NE4 7AD. 3pm. Free jam session.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jamw. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.
Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening
Steve Glendinning Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.
Lee Bates & Billy Newton - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9pm. Free.
Anth Purdy w support by Siobian Stanley & Friends - Prohibition Bar, Arch 3, Brandling St., Gateshead NE8 2BA. 6pm. Free.
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Maine St., Jazzmen - Seaton Sluice Social Club, Collywell Bay Rd., Seaton Sluice NE26 4QZ. 8pm. £4.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, November 10, 2016

Mike Durham’s Classic Jazz Party @ The Village Hotel. Nov 5, evening.

(Review by Russell/photo from Patti’s f/b page)
Bonfire night. Fireworks in the sky, would there be fireworks in the Inspiration Suite? A new departure for the Classic Jazz Party presented a jazz treatment of Greig’s Peer Gynt suite. German reedsman Claus Jacobi arrived on North Tyneside with a briefcase full of arrangements for Music of the Fjords. Swede Jacob Ullberger, guitar, and Norwegians Lars Frank, reeds, and Morten Gunnar Larsen, piano were in on it, so too, Robert Fowler, bass saxophone, ‘bone man Graham Hughes and percussion master Josh Duffee (seen here with 'jazz maniac' EmRah.).

 Claus Jacobi returned to the stage to co-present Jazz in Los Angeles with Keith Nichols. Their programme explored the music of West Coast-based musicians, composers and (in the case of the Spikes brothers), music publishers, many of whom worked as Hollywood studio staff musicians. An informative, potted history of the period referenced Alex Hill, Paul Howard’s Quality Serenaders (Howard employed a promising Lionel Hampton and Lawrence Brown) and Louis Armstrong. Trumpeters Andy Schumm and Enrico Tomasso featured, Jean-François Bonnel lounged studiously in the reeds alongside the consistently good Richard Exall and the region’s star performers – Emma Fisk and Phil Rutherford – contributed to a fascinating set. Thunderous applause greeted Tomasso’s spirited ‘Louis’ trumpet and vocal finale on Shine.

A small group session reunited vocalists Mellow Baku and Janice Day. Songbirds heard first one, then the other, working with the fine trio of Martin Litton, piano, Malcolm Sked playing double bass and drummer Richard Pite in swing mode. Baku selected Skylark and many others including How High the Moon?, Stormy Weather and, with pianist Litton as accompanist, presented a magnificent reading of Come Sunday. Janice Day sang about a Blue Moon, La Vien Rose and that Old Devil Moon. Ms Baku and Ms Day concluded a most entertaining set singing about a honky tonk parade – it’s only a Paper Moon, don’t you know?

The Don Redman Orchestra assembled on stage for the closing set. There wasn’t a seat to be had in the concert hall as Josh Duffee’s all star band played Redman’s arrangements for Fletcher Henderson, McKinney’s Cotton Pickers and his own band of the 1930s. The trumpet section (Daams, Heitger and Tomasso) and the reeds (Bonnel, Frank and Fowler) had their hands full dealing with the music, eyes trained on the dots, this was something special! Piano, bass and drums (Boeddinghaus, Lemaire and Duffee) worked their socks off, similarly genial Jim Fryer, trombone, and guitarist Jacob Ullberger, hidden away in the depths of the engine room. Fryer sang How’m I Doin’, Keith Nichols joined the boys to sing Gee, Baby, A’int I Good to You? and there was Redman’s signature Chant of the Weed. Robert Fowler and Jean-François Bonnel engaged in a muscular tenor chase finale on Redman’s 1953 (positively modern!) For Europeans Only. The set of the day! Those with the stamina retired to the bar for another late night jam session.                                             

1 comment :

  1. How'm I doin', twee twee twee, twa twa! I'm just about back to earth after this heavenly jazzy weekend - and already starting planning for next year's! Thank you, Russell, for the write ups - and Lance, as always, for his great blog!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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