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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: www.jazzcoop. A Jazz Co-op-Jazz North East co-promotion.

Thursday, November 10, 2016

Mike Durham’s Classic Jazz Party @ The Village Hotel. Nov 5, evening.

(Review by Russell/photo from Patti’s f/b page)
Bonfire night. Fireworks in the sky, would there be fireworks in the Inspiration Suite? A new departure for the Classic Jazz Party presented a jazz treatment of Greig’s Peer Gynt suite. German reedsman Claus Jacobi arrived on North Tyneside with a briefcase full of arrangements for Music of the Fjords. Swede Jacob Ullberger, guitar, and Norwegians Lars Frank, reeds, and Morten Gunnar Larsen, piano were in on it, so too, Robert Fowler, bass saxophone, ‘bone man Graham Hughes and percussion master Josh Duffee (seen here with 'jazz maniac' EmRah.).

 Claus Jacobi returned to the stage to co-present Jazz in Los Angeles with Keith Nichols. Their programme explored the music of West Coast-based musicians, composers and (in the case of the Spikes brothers), music publishers, many of whom worked as Hollywood studio staff musicians. An informative, potted history of the period referenced Alex Hill, Paul Howard’s Quality Serenaders (Howard employed a promising Lionel Hampton and Lawrence Brown) and Louis Armstrong. Trumpeters Andy Schumm and Enrico Tomasso featured, Jean-François Bonnel lounged studiously in the reeds alongside the consistently good Richard Exall and the region’s star performers – Emma Fisk and Phil Rutherford – contributed to a fascinating set. Thunderous applause greeted Tomasso’s spirited ‘Louis’ trumpet and vocal finale on Shine.

A small group session reunited vocalists Mellow Baku and Janice Day. Songbirds heard first one, then the other, working with the fine trio of Martin Litton, piano, Malcolm Sked playing double bass and drummer Richard Pite in swing mode. Baku selected Skylark and many others including How High the Moon?, Stormy Weather and, with pianist Litton as accompanist, presented a magnificent reading of Come Sunday. Janice Day sang about a Blue Moon, La Vien Rose and that Old Devil Moon. Ms Baku and Ms Day concluded a most entertaining set singing about a honky tonk parade – it’s only a Paper Moon, don’t you know?

The Don Redman Orchestra assembled on stage for the closing set. There wasn’t a seat to be had in the concert hall as Josh Duffee’s all star band played Redman’s arrangements for Fletcher Henderson, McKinney’s Cotton Pickers and his own band of the 1930s. The trumpet section (Daams, Heitger and Tomasso) and the reeds (Bonnel, Frank and Fowler) had their hands full dealing with the music, eyes trained on the dots, this was something special! Piano, bass and drums (Boeddinghaus, Lemaire and Duffee) worked their socks off, similarly genial Jim Fryer, trombone, and guitarist Jacob Ullberger, hidden away in the depths of the engine room. Fryer sang How’m I Doin’, Keith Nichols joined the boys to sing Gee, Baby, A’int I Good to You? and there was Redman’s signature Chant of the Weed. Robert Fowler and Jean-François Bonnel engaged in a muscular tenor chase finale on Redman’s 1953 (positively modern!) For Europeans Only. The set of the day! Those with the stamina retired to the bar for another late night jam session.                                             

1 comment :

Anonymous said...

How'm I doin', twee twee twee, twa twa! I'm just about back to earth after this heavenly jazzy weekend - and already starting planning for next year's! Thank you, Russell, for the write ups - and Lance, as always, for his great blog!

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