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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Monday, November 21, 2016

Liberation Music Orchestra @ Cadogan Hall. EFG London Jazz Festival – November 20

(Review by Peter Jones).
Who are the Liberation Orchestra, and why do they exist? Well, there’s currently 12 of them, and their full name supplies at least a clue to their origins: the Charlie Haden Liberation Music Orchestra has been going since 1969. From the outset, the late bassist and composer worked with pianist, composer and arranger Carla Bley, with the idea that jazz could be used to highlight social and political abuses around the world.
Introduced by Haden’s widow Ruth Cameron, this EFG London Jazz Festival gig featured material taken largely from their wonderful new album Time/Life – the last one to which Haden himself contributed. You might have expected some anguished speeches about recent events in the USA. In fact no mention was made, nor did it need to be: as they trooped on stage they looked less like an orchestra than the shell-shocked remnants of a defeated army. After all, every principle they have ever stood for or made albums about – human rights, political freedom, the environment, an end to poverty - is about to be trashed on their own doorstep.

 What was left to do but simply play music? They began, as the album begins, with Blue In Green, the frail-looking 80-year-old Bley sketching patterns in the air to cue the band. The Davis/Evans composition is a perfect choice for this ensemble: with its unusual 10-bar structure, it feels somehow infinite because it never resolves musically and your ears can’t tell where one chorus ends and the next begins. Time/Life, the album’s title track, is typical of the Orchestra: Matt Wilson’s bleak military snare drum was followed by a long, mournful tenor solo by Tony Malaby, and then there was a gradual build-up with French horn, tuba, trombone and trumpets joining in one by one to create waves of brass on an ever-ascending chord sequence.

In the circumstances, playing America The Beautiful might seem provocative. However, it was an idea of Haden’s to use patriotic corn like this in conjunction with songs like We Shall Overcome. Context is all. In truth, America The Beautiful didn’t always sound so beautiful (maybe it should be re-titled America the Post-Factual). It sounded dark and uneasy to begin with, as Wilson rapped out a funeral march, with some nice trumpet from Seneca Black, followed by a traditional waltz-time rendition of the tune. Earl McBride’s tuba then coughed into life and played a somewhat comical solo, which had the effect of making everyone on stage smile and relax for the first time in the evening. The tune continued with a discordant harmonic sequence, out of which emerged a more tuneful final chorus.

This was a potentially tough gig for Oles, having to replace Haden on the bass, but he responded magnificently, with a number of solo spots, particularly the impressionistic intro to Song for the Whales.


The Orchestra has survived the departure of Charlie Haden. One hopes very much that it will survive the eventual departure of Carla Bley. If we never needed it before, we sure do need it now.
Peter
Vincent Chancey (French horn), Tony Malaby (tenor saxophone) Earl McBride (tuba), Seneca Black (trumpet), Michael Rodriguez (trumpet), Loren Stillman (alto saxophone), Chris Cheek (tenor saxophone), Marshall Gilkes (trombone), Steve Cardenas (guitar), Matt Wilson (drums), Carla Bley (piano), Darak Oles (double bass)

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