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Bebop Spoken There

Faye McCalman: "For a while I would hear other artists and feel that I need to be like that person, have what they have; but then I realised that everyone has their own thing and what I connect with most is when I can tell an artist is just being themselves." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,367 (and counting) posts since we started blogging 13 years ago. 785 of them this year alone and, so far, 59 this month (June 16).

From This Moment On

JUNE

Sat 19: Jude Murphy @ Prohibition Bar, Newcastle (8:00pm).

Sun 20: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 20: Knats @ The Globe, Newcastle (8:00pm). Advance booking essential: www.jazz.coop. SOLD OUT. Livestream available from £7.50.

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event.

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Thursday, November 10, 2016

Mike Durham’s Classic Jazz Party @ The Village Hotel. Nov 6, afternoon

(Review by Russell/Photo courtesy of Patti Durham & Emrah Erken)
Nicholas D Ball [pictured] revels in researching the obscure. Two banjos, piano and drums, circa 1912, was the in thing. A quartet outfit, later to add melody instruments, was ideal as a touring dance hall band, travelling light, sharing the money four ways instead of eight, ten, twelve or more. One such band, the Anniversatile Four was the focus of drummer Nick Ball’s fascinating presentation. Genuine period costume, drum kit and whistle, in half an hour Ball ran through a selection of novelty ragtime tunes with the assistance of  pianist Morten Gunnar Larsen, banjo bandits Spats Langham and Martin Wheatley, and, the melody man, Claus Jacobi, reeds. The Anniversatile Four cut a number of sides on a visit to the recording studio in Hayes, Middlesex. Ball’s bold baritone voice rang out on Araby and again on Memories. A festival highlight.

Jack Hylton plays Hot! couldn’t have provided a greater contrast. A big band of proper big band proportions, Keith Nichols led a powerful outfit playing numbers listeners will, no doubt, have on 78. If not, there will be some in a cardboard box at their local charity shop.

Hoagy demanded an intimate gathering. Trumpeter Menno Daams assembled an ace line-up lineup: Richard Exall, reeds, Graham Hughes, trombone, David Boeddinghaus, piano, Martin Wheatley, guitar, and Josh Duffee (drums).

Mid-Sunday afternoon, it was time to hear the Henry Red Allen small groups. Clarence Williams’ Sister Kate and Buster Bailey’s Call of the Delta were sung by trumpeter Bent Persson leading a fine small group including Lars Frank and Richard Exall, reeds, Henry Lemaire playing guitar on this session, and drummer Richard Pite. The afternoon session drew to a close with the two-reed Winteler meets Bonnel. When first reading through a festival programme certain names stand out, they can be underlined, as sure-fire winners. Thomas Winteler and Jean François Bonnel are two such names. Add classically trained pianist Morten Gunnar Larsen, Malcolm Sked, bass and the brilliant Josh Duffee, drums, to the line-up and it’s got to be a winner. Well, it was. Wonderful frontline clarinets, and occasional saxophone, the perfect rhythm section, what more could one ask? Bechet had to feature – he did, and at times Winteler, standing to take a solo, had Bechet’s sound off to a tee. At one juncture, Winteler, listening to a Bonnel solo exclaimed: Yeah, man! The Frenchman said they would go out on a blues, very blues, he said. A superb set.                   

(Russell)

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