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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Thursday, November 17, 2016

Matthew Halsall & The Gondwana Orchestra ft. Josephine Oniyama and Dwight Trible @ Islington Assembly Hall. EFG London Jazz Festival - November 14

Matthew Halsall (trumpet); Jordan Smart (sax/flute); Taz Modi (piano); Amanda Whiting (harp); Gavin Barras (bass); Luke Flowers (drums). + Josephine Oniyama & Dwight Trible (voice)
(Review by Peter Jones).
They should have named it - Before and after Dwight.
Before: it’s a packed house, as Halsall and his band settle into a mellow, somewhat spaced-out vibe, based on simple grooves rather than chord sequences. This music is clearly influenced by the other-worldliness favoured by the likes of Pharaoh Sanders, Carla Bley and Alice Coltrane.
Beginning with a stately, Indian-flavoured tune, Jordan Smart’s flute and Amanda Whiting’s harp take the lead roles. The Orchestra then strike up a number in 6/8, and for the first time we are treated to the beautifully clear, vibrato-free tone of Halsall’s trumpet. Spacy, ethereal harp twinkles and shimmers on the next, a lengthy modal piece, Taz Modi thrumming the strings of his piano. And the next tune is even more minimalist, leading one to speculate that these lovely meditative numbers are probably born of free jamming that goes on for hours. It promotes a pleasant mood of groovy introspection.
Whiting can make her harp sound like a guitar on its lower strings, and sometimes piano and harp don’t quite manage to keep out of each other’s way (a familiar issue when it’s piano and guitar) - not that it really matters with music that flows like this.

Five tunes have gone by before Matthew Halsall speaks to the audience for the first time, to introduce singer Josephine Oniyama. She does a nice job with a tune called As I Walk, Halsall kneeling to play pre-recorded vocal harmonies from some box of tricks on the floor.

After: one more song from Oniyama, and off she goes, to be replaced, with slow and deliberate tread, by singer Dwight Trible, a gentleman of a certain vintage, with white beard and knitted Rasta hat. The band launches into John Coltrane’s Wise One, as presented with Trible’s own lyrics on his 2006 masterpiece Living Water.

Yes, masterpiece. Because Dwight Trible is a singer like no other. A human conduit to the celestial spirit, he makes the walls tremble with transcendent energy-waves. Arms aloft, he is soon testifyin’ and hollerin’, his bass-baritone larynx vibrating with passion, and it jolts the audience back into full consciousness. Continuing with another tune from Living Water - Bill Lee’s John Coltrane - Trible soon has the audience singing along. He delivers a final killer punch with Burt Bacharach’s What the World Need Now is Love. Not happy-clappy, though: it’s deadly serious, and all on one chord. This is Dwight’s response to the unfolding horror on the other side of the Atlantic.

The Gondwana Orchestra are great, but by the time they get to the encores, Dwight has completely taken over their gig, and won a lot of new fans on the way.
Peter Jones
A new album of collaborations between Dwight Trible and the Gondwana Orchestra is planned for release in 2017.

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