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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Fri 31: Alan Barnes Quartet @ The Old Library, Auckland Castle, Bishop Auckland. 12 noon-2:00pm (two sets). £12.00. admission (card or cash at the door). Barnes (alto sax, baritone sax, clarinet); Alan Law (piano); Mick Shoulder (double bass); Tim Johnston (drums). Note change of venue, no longer at Mrs M’s as advertised, the concert will be in the Old Library (Bishop Auckland Jazz’s regular venue). Important! It’s a ‘BYOB’ arrangement - ie bring your own booze (and/or tea, coffee, soft drinks).
Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Café Orkestar @ Café Under the Spire, Gateshead. 6:00pm. ‘Klezmer, Gypsy Jazz, Balkan & More!’.
Fri 31: Nothing in Rambling @ Prohibition Bar, Newcastle. 7:00pm. £10.00. + bf. Country blues duo.
Fri 31 Zoë Gilby Quartet @ Wylam Institute. 7:30pm (7:00pm doors). £15.00. + £1.50. bf.
Fri 31: Creakin’ Bones & the Sunday Dinners @ White Room, Stanley. 7:45pm. £10.00 + bf. Jazz, blues , jump jive, rock ‘n’ roll.
Fri 31: Alan Barnes Quartet @ The Traveller’s Rest, Darlington. 8:00pm. £15.00 Barnes (alto sax, baritone sax, clarinet); Alan Law (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 31: SwanNek + Rivkala @ Pilgrim, Newcastle. 8:00pm. SwanNek’s new single launch gig. Pilgrim, formerly Hoochie Coochie.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, November 11, 2016

Michael Fischer, John Edwards & Mark Sanders @ King’s Hall. Nov 10

Michael Fischer (tenor saxophone), John Edwards (double bass) & Mark Sanders (drums)
(Review by Russell)
Armstrong Building has largely been off limits over the last year or so. A refurbishment programme in advance of next year’s commemorative events marking Dr Martin Luther King’s 1967 visit to Newcastle University to receive an honorary doctorate made access to King’s Hall an impossibility. The popular lunchtime concert series relocated to a city centre site for the duration of the works, and now, at the start of the new academic year, musicians, and audiences, have returned to the historic building on Queen Victoria Road.
Today’s lunchtime treat featured improvising tenor saxophonist Michael Fischer, making his first visit to Newcastle, working in the company of two familiar names – John Edwards, double bass, and Mark Sanders, drums – in a performance spanning 45 minutes.
Concert programme notes stated the trio would be sharing the polylogical moment within the creational process. Would the King’s Hall audience share the experience? A premiere performance awaited, titled:
What, if we would have known, that…?
What, if we would have been interested in…?

For tenor saxophone, double bass and drum set (premier 2016)

That’s ‘premiere’ without the ‘e’…possibly lost somewhere in the polylogical.

Edwards and Sanders have played many gigs on Tyneside. Their sound is known to northeast audiences. What of Fischer? A ‘wired for sound’ tenor saxophone produced distorted vox humana through the reed, and when not blowing, key depressions were clearly heard (at times suspiciously rhythmic!). A bout of sub-Brötzmann tenor, a bout of listening, and that was Michael Fischer.  
Russell.           
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