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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday July 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Jam Session - Black Swan Bar, Newcastle Arts Centre, Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. House trio: Stu Collingwood; Paul Grainger; Matt MacKellar.

Archipelago & J Frisco + Mark Williams Trio - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £9.90.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 11, 2016

Michael Fischer, John Edwards & Mark Sanders @ King’s Hall. Nov 10

Michael Fischer (tenor saxophone), John Edwards (double bass) & Mark Sanders (drums)
(Review by Russell)
Armstrong Building has largely been off limits over the last year or so. A refurbishment programme in advance of next year’s commemorative events marking Dr Martin Luther King’s 1967 visit to Newcastle University to receive an honorary doctorate made access to King’s Hall an impossibility. The popular lunchtime concert series relocated to a city centre site for the duration of the works, and now, at the start of the new academic year, musicians, and audiences, have returned to the historic building on Queen Victoria Road.
Today’s lunchtime treat featured improvising tenor saxophonist Michael Fischer, making his first visit to Newcastle, working in the company of two familiar names – John Edwards, double bass, and Mark Sanders, drums – in a performance spanning 45 minutes.
Concert programme notes stated the trio would be sharing the polylogical moment within the creational process. Would the King’s Hall audience share the experience? A premiere performance awaited, titled:
What, if we would have known, that…?
What, if we would have been interested in…?

For tenor saxophone, double bass and drum set (premier 2016)

That’s ‘premiere’ without the ‘e’…possibly lost somewhere in the polylogical.

Edwards and Sanders have played many gigs on Tyneside. Their sound is known to northeast audiences. What of Fischer? A ‘wired for sound’ tenor saxophone produced distorted vox humana through the reed, and when not blowing, key depressions were clearly heard (at times suspiciously rhythmic!). A bout of sub-Brötzmann tenor, a bout of listening, and that was Michael Fischer.  
Russell.           

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance