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Bebop Spoken There

Jeremy Pelt: "I'm so much into melodies and into sound, and the presence of sound, that I don't necessarily want to try to play in between the cracks of a note." - (DownBeat November 2020)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

12,000 (and counting) posts since we started blogging 12 years ago. 1140 of them this year alone and, so far, 87 this month (Oct. 27).

Coming soon ...

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON.

OCTOBER

THURSDAY 29

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Abbie Finn Trio - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free (donations). Limited capacity (upstairs). It’s Abbie’s birthday!

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00-10:00pm. Free. Note earlier start/finish.

FRIDAY 30

Neil William & Ben Holland - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm-10:00pm. Free (donations). Limited capacity. Jazz standards from the 1920s & 30s.

SATURDAY 31

Alice Grace & Pawel Jedrzejewski - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm-10:00pm. £10.00. Online booking (to book a table). Limited capacity. Alice & Pav join a multi-bill of entertainers (magician etc) to celebrate Prohibition Bar’s fifth anniversary. SOLD OUT!

Sunday, November 06, 2016

LP Review: Yusef Lateef - Live @ Ronnie Scott's

Yusef Lateef (fl/shenai/xun/tenor); Stan Tracey (pno); Rick Laird (bs); Bill Eydon (dms).
(Review by Lance).
Lateef, like Roland Kirk, has often been pigeonholed as a jazz oddity. Personally, I prefer to think of them both as unique voices. Lateef, going by this recording from Ronnie's, was a musician of exceptional depth. Not just as a jazz musician but as a 'World Musician' if the term had been invented 50 years ago. The flute playing is awesome and haunting. Reaching out, searching, almost as if he's on a voyage of discovery, which of course he is. perhaps even more so, on the shenai and the xun - instruments I'd never previously encountered. The final Yusef's Mood brings him back to normality (ish) with some wild tenor that swings without being in any way dated. And, talking about 'swinging' who said that British rhythm sections didn't swing back then? These guys could have made Lawrence Welk swing!

Although the words that follow are from the press release they are a perfect description of what happened on that memorable January evening in 1966 - no bullshit needed for this review - Lance.
"This is a sensational previously unreleased live club performance from Yusef Lateef, the brilliant multi-instrumentalist whose mixing of jazz and Eastern music was a great influence on some of the finest musicians of the era including John Coltrane and Pharaoh Sanders.
Accompanied at Ronnie Scott’s by the house band of pianist Stan Tracey, double bassist Rick Laird and drummer Bill Eyden, most of the repertoire played comes from Lateef’s earlier recordings for Savoy and Prestige such as Jazz Moods and Eastern Sounds. Lateef plays flute on The Dreamer and Last Night Blues (it was the last night of the run). He plays the shenai - a kind of oboe - on Blues For The Orient, the xun - a Chinese flute - on Song of Delilah, and tenor saxophone on Yusef’s Mood.
The evening’s performance was recorded by Les Tomkins at the request of Ronnie Scott. The musicians were unaware they were being recorded as Scott believed they would be at their best and most unselfconscious this way."
Tracklisting:
A1.  Angel Eyes (9:19)
A2.  Blues For The Orient (6:51)
A3.  Song Of Delilah (4:41)
B1.  Last Night Blues (9:56)

B2.  Yusef’s Mood (10:44)

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