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Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17838 (and counting) posts since we started blogging 17 years ago. 159of them this year alone and, so far, 6 this month (March 3).

From This Moment On ...

MARCH 2025.

Sat 08: Jamie Taylor, Graham Harvey, Andy Champion @ Divinity House Concert Hall, Palace Green Music Dept., Durham University. 7:00-9:00pm (6:30pm doors). £7.50. (£6.00. DUJS member). ‘An Evening of Jazz’. Later in the evening the trio will be joined by Freddie Krone, drums (Durham Uni final year music student).
Sat 08: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 08: Lagos to Longbenton @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Afrobeat, jazz-fusion.

Sun 09: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 09: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: Wokitoki @ Prohibition Bar, Newcastle. 7:30pm. Free. A ‘Jar on the Bar’ gig. Tom Atkinson (drums, guitar); Sue Ferris (sax, flute); Jude Murphy (bass guitar, flute). Jazz standards, bebop, free jazz, Latin & more. Upstairs.
Sun 09: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.
Sun 09: Zhenya Strigalev’s 2025 Quartet @ The Globe, Newcastle. 8:00pm.

Mon 10: Harmony Brass @ Cullercoats Crescent Club.

Tues 11: Solea @ Earthlings, the Healing Café, 94 Buckingham St., Newcastle, NE4 5QR. 7:00-8:45pm. Food available if ordered before 6:30pm. New band: Johannes Dalhuijsen (tenor sax, bass clarinet); Richard Herdman (guitar); Nick Bagnall (bass guitar); John Hirst (drums).
Tue 11: Giles Strong Quartet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Jam session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: The Exu + Matt Cliffe @ Cobalt Studios, Newcastle. 7:00pm.
Thu 13: Oh La La! @ Allendale Village Hall, Northumberland. 7:30pm. £12.00.; £6.00. child. Fifi La Mer (accordion, vocals), Oliver Wilby (reeds).
Thu 13: Fiona Finden’s Jazz Express @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 14: Pete Tanton’s Chet Set @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 14: Paul Taylor @ Jesmond Library, Newcastle. 1:00-2:00pm. £5.00. at the door. Second Friday in the month lunchtime concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Brass Funkeys + Dilutey Juice @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Oh La La! @ Edmundbyers Village Hall, Co. Durham. 7:30pm. £12.00.; £10.00. (additional £5.00. supper option, ordered in advance). Fifi La Mer (accordion, vocals), Oliver Wilby (reeds).
Fri 14: The Collective @ Pilgrim, Newcastle. 7:30pm. £8.50.
Fri 14: Bridget Metcalfe Quintet @ St George’s Venue, Park Road, Hartlepool. 7:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, November 06, 2016

LP Review: Yusef Lateef - Live @ Ronnie Scott's

Yusef Lateef (fl/shenai/xun/tenor); Stan Tracey (pno); Rick Laird (bs); Bill Eydon (dms).
(Review by Lance).
Lateef, like Roland Kirk, has often been pigeonholed as a jazz oddity. Personally, I prefer to think of them both as unique voices. Lateef, going by this recording from Ronnie's, was a musician of exceptional depth. Not just as a jazz musician but as a 'World Musician' if the term had been invented 50 years ago. The flute playing is awesome and haunting. Reaching out, searching, almost as if he's on a voyage of discovery, which of course he is. perhaps even more so, on the shenai and the xun - instruments I'd never previously encountered. The final Yusef's Mood brings him back to normality (ish) with some wild tenor that swings without being in any way dated. And, talking about 'swinging' who said that British rhythm sections didn't swing back then? These guys could have made Lawrence Welk swing!

Although the words that follow are from the press release they are a perfect description of what happened on that memorable January evening in 1966 - no bullshit needed for this review - Lance.
"This is a sensational previously unreleased live club performance from Yusef Lateef, the brilliant multi-instrumentalist whose mixing of jazz and Eastern music was a great influence on some of the finest musicians of the era including John Coltrane and Pharaoh Sanders.
Accompanied at Ronnie Scott’s by the house band of pianist Stan Tracey, double bassist Rick Laird and drummer Bill Eyden, most of the repertoire played comes from Lateef’s earlier recordings for Savoy and Prestige such as Jazz Moods and Eastern Sounds. Lateef plays flute on The Dreamer and Last Night Blues (it was the last night of the run). He plays the shenai - a kind of oboe - on Blues For The Orient, the xun - a Chinese flute - on Song of Delilah, and tenor saxophone on Yusef’s Mood.
The evening’s performance was recorded by Les Tomkins at the request of Ronnie Scott. The musicians were unaware they were being recorded as Scott believed they would be at their best and most unselfconscious this way."
Tracklisting:
A1.  Angel Eyes (9:19)
A2.  Blues For The Orient (6:51)
A3.  Song Of Delilah (4:41)
B1.  Last Night Blues (9:56)

B2.  Yusef’s Mood (10:44)

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