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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Hot Club du Nord @ St Cuthbert’s, Crook. 7:30pm.
Fri 18: Chet Set @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. Pete Tanton & co.
Fri 18: Michael Woods @ Prohibition Bar, Newcastle. Doors 7:30pm (upstairs). A Hoodoo Blues dance & social event. £10.00. class & social (£10.00., £7.50., £5.00. social only). Michael Woods (country blues guitar) on stage 9:00pm.
Fri 18: East Coast Swing Band @ Hexham Abbey. 7:30pm. £9.00.
Fri 18: Ben Crosland Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 18: Durham University Jazz Society’s ‘High Standards’ @ Music Dept. Music Room, Divinity House, Palace Green, Durham University DH1 3RS. 8:009-30pm. Tel: 0191 334 1419. £7.00., £5.00.
Fri 18: Ray Stubbs R&B All Stars @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 19: Sat 19: Paula Jackman’s Jazz Masters @ St Augustine’s Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Howlin’ Mat @ Prohibition Bar, Newcastle. 8:00pm. Country blues guitar & vocals. A ‘Jar on the Bar’ gig.

Sun 20: Kamasi Washington @ The Glasshouse, Gateshead. 7:30pm. POSTPONED! New date Saturday 5 April 2025.
Sun 20: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: Magpies of Swing @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, November 07, 2016

Q&A with the Cookers’ David Weiss

(Interview by Russell)
Hi David: The Cookers played the Gateshead International Jazz Festival in April 2015. To this day the concert is remembered by many as their highlight of the year. This month the band is on a short tour of the UK calling at Sage Gateshead on November 14 with two changes to the previous line-up – Craig Handy replacing Jaleel Shaw and Danny Grissett depping for George Cables. Are these changes temporary?

Actually, Jaleel Shaw was subbing for regular band member Donald Harrison on that tour. Craig Handy was actually the original alto sax player of this incarnation of The Cookers and is rejoining us for this tour. Donald Harrison is the alto saxophonist in The Cookers. These other changes were just temporary. Danny Grissett is subbing for George Cables on this tour. George, unfortunately, has some minor health issues that won't allow him to fly for a while so Danny is replacing him for this tour. Danny has subbed for George before in the summer of 2015 but this is just a temporary change for this tour.
Jaleel made a great impression at Gateshead both for his alto playing and his impassioned words about the then desperate situation of killings on the streets of America. Looking at the matter from this side of the pond it seems like nothing has changed. Are you inclined to address the issue on this tour?
I'm not sure we will verbally address this issue at any time but the music these great men play is informed and imbued by these realities of living in America for the past 70-80 years of their lives. It's a part of them as anything I guess and therefore part of who they are and part of the music they make. 

On a lighter note, what’s Jaleel up to these days?

I believe Jaleel is on tour with the great Buster Williams in Europe at the moment

And Mr Cables?

George is home resting and recovering. He will be fine but he needs to rest for a while. We hope he will be well enough to go to South America with us at the end of the month. In the meantime, he will be performing at the Village Vanguard the week of his birthday in a couple of weeks.

Born and bred in New York, you left the jazz capital of the world to further your studies in Texas. Did you intend to return to New York or were other options open to you?

When I was ready to go to college to study music and jazz in particular, there weren't nearly the options there were now so North Texas State was one of the better options available at the time. My intention was always to return to New York and I visited often while still in school. I left for New York maybe a day or two after I graduated. 

You have worked with many of the great names of the music – Freddie Hubbard, Bobby Hutcherson, Jimmy Heath, the list goes on. This must have been a jazz education – on the stand and in the studio?

It was always an education to be near these great musicians whether in the studio or on the bandstand or on the train with them or on the phone with them. Their experience, knowledge and approach to their craft was invaluable to me and helped shape who I am as a musician. 

You founded the New Jazz Composers Octet. Was funding available to establish the idea or did you simply make a few calls and get on with it?

There was no funding whatsoever. This is the norm in the US unfortunately. I heard all the musicians around New York and made calls and had many rehearsals and figured things out as we went along. At first, it was intended to just be a composer’s workshop so that these guys I thought had great potential as composers could work out their ideas. Later, we decided to do some gigs and record and later, we got the opportunity to work with Freddie Hubbard. 

The Cookers is a band of bop masters. Looking back, when did you first get the idea that an all star band could be a viable recording and touring project?

Like everything, you have the idea first, get a gig and then decide whether this is something to pursue or not. Even after you make a decision to pursue something, you still don't know if it will work and have no idea what you are in store for, whether the band will have legs or not, record and tour or not or work with the personnel you started with or whether changes will be made. It's always a journey where you really have no idea how it will all turn out. I'm thrilled with how this band has turned out of course. I still hope the guys in the band will get more recognition though. Recognition I think they greatly deserve. I think things might be a little more difficult these days. There are a lot of bands out here. It's a buyers market and even if you distinguish yourself like I think The Cookers have. It's still a bit of a battle to keep the band out here active and touring. I'm always willing to fight for things that are well worth it though.

Thankfully, the band goes from strength to strength. Will we hear some new material on the tour and will you be bringing a truckload of CDs with you?

Yes, some of the tunes on the new CD have worked their way into the book and are performed every night. We do tour with as many CDs as we can carry. No truck unfortunately ;)

Many thanks for taking the time to speak to Bebop Spoken Here, we are looking forward to your Gateshead performance on November 14.

Russell/David.

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