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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Tuesday, November 22, 2016

JD Allen @ Pizza Express. EFG London Jazz Festival - November 19

JD Allen (tenor), Gregg August (bass), Sebastiaan de Krom (drums).
(Review by Steve T)
The Jazz life can be a lonely one, being what Gareth Lockrane referred to as the jazz kid at school. It was easier in my day when the jazz kid was held in quiet reverence, but I imagine half the gigs I've been to in my life have been on my own.
Having bumped into Lindsay, baritone player from the Durham Gala Big Band, before the MCA Power Trio earlier that evening, we headed off to Pizza Express together for pizza, wine, cworfee (sic) and the second of the this Saturday’s Tenor Titans.

He [JD Allen] didn't even adjust his sax mike when he introduced the band before he was off. Just bass and drums and he kept them busy throughout, perhaps so there was no one to tell him to take the horn out of his mouth, which he barely did for the next eighty minutes or thereabouts.
Allen played right through the first piece and, when the bass took a solo during the second, he comped through that.
Many of the riffs and vamps seemed vaguely familiar and Trane was the obvious first thought, though one had me thinking Caravan. It felt like a genuine stream of conscience coming through in his ideas and all credit to the band; his regular bass player and, particularly, Sebastiaan de Krom, who stepped in for this gig while the regular drummer negotiated the airways.  
A slow blues, still in Trane mode, followed by another slow one starting with JD and bass, then brushes, JD’s sax whispering while bass took the lead providing variety at exactly the right moment. When JD took back the lead, keys blazing, a moment of genuine applause, not just for the bass solo but for the moment.
As it went on, some started chatting, which I never mind and it wasn't clear whether the band did, but I know the venue do. Others danced around in their seats.
Tenor Titans was right but for me Murray clinched it by a whisker, solely on the basis that he has played through the influences and found his own voice. The only possible criticism of JD would be that he's still close to Trane, as a saxophonist, musician, performer and composer.
Having said that, if you're going to be close to anyone, it doesn't really get better than Trane. And that's not to say you don't hear other influences in his music. Tenor titans is right as he's clearly absorbed the other tenor titan, the saxophone colossus.
This was around eighty minutes, around midnight on a Saturday night/Sunday morning of brilliant, compelling, intense, uncompromising music in an amazing venue, harking back to late sixties New York.
As it neared its end, it felt like we were heading for total sheets of sound to last all night, which would have suited me just fine and much of the audience, if I'm not mistaken.

Steve T.

1 comment :

Steve T said...

Listening to a David Murray album (Special Quartet) purely by chance and I was struck by how close to Trane he was on this one. Of course almost every sax/tenor player since has a lot of Trane in there. On this album he's joined by McCoy Tyner and Elvin Jones so we'll let him off.

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