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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Sat 04: Jeff Barnhart’s Mr Men @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Jeff Barnhart @ The Vault, Darlington. 6:00pm. Free. Barnstorming solo piano!
Sat 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. Free (donations).
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: Sue Ferris Quintet plays Horace Silver @ Central Bar, Gateshead. 2:00pm.
Sun 05: Guido Spannocchi @ The Globe, Newcastle. 8:00pm.

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Calvert & the Old Fools @ Forum Music Centre, Darlington. 5:30-7:00pm. Free. Live recording session, all welcome.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Mark Robertson.
Tue 07: Suba Trio @ Riverside, Newcastle. 8:00pm (7:30pm last entry). £21.00. All standing gig.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Conor Emery: Jazz Trombone, Stage 3 Final Recital @ Music Studios, Assembly Lane, Newcastle University. 7:00pm. All welcome, the venue is located in the lane behind Blackwell’s, Percy St., Haymarket.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 09: Lewis Watson Quartet + Langdale Youth Jazz Ensemble @ Laurel’s Theatre, Whitley Bay. 8:00pm. £10.00.
Thu 09: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (sax); Neil Brodie (trumpet); Dave Archbold (keys); Ron Smith (bass).

Fri 10: Michael Woods @ Lit & Phil, Newcastle. 1:00pm. Free. Country blues guitar & vocals. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Citrus @ The Head of Steam, Newcastle. 7:00pm. £11.25.
Fri 10: Zoë Gilby Quartet @ St Cuthbert’s, Crook. 7:30pm. £10.00.

Wednesday, May 04, 2016

CD Review: Delta Saxophone Quartet with Gwilym Simcock – Crimson!

Gwilym Simcock (pianoforte), Graeme Blevins (soprano saxophone), Pete Whyman (alto saxophone), Tim Holmes (tenor saxophone) & Chris Caldwell (baritone saxophone)
(Review by Russell)
The saxophone quartet is a familiar unit to both a classical audience and a jazz audience. A classical enthusiast will listen to a Haydn string quartet at home or in the concert hall without looking around for the jazz fan’s rhythm section comfort blanket. On this Basho Records’ CD the Delta Saxophone Quartet’s approach was to commission a cross-genre work from Gwilym Simcock to arrange for strings and pianoforte.
The ‘prog rock’ band King Crimson provided the source material and a musical link. An earlier association with Bill Bruford’s Earthworks gave Simcock an insight to a world of extended rock (frequently jazz-rock inflected) pieces, with drummer Bruford an alumnus of a late incarnation of King Crimson. This beautifully recorded new release comes in at just under forty-five minutes. Six tracks, the first of them – A Kind of Red – is a Simcock composition, the others a reworking of King Crimson’s output spanning twenty years or more.
The Deltas’ jazz credentials are secure with the participation of the likes of Pete Whyman (alto) having worked with Mike Westbrook and Simcock’s upbringing in classical music make for an empathetic meeting of minds. Whyman’s soprano on the opening track hears Simcock’s pianoforte (‘pianoforte’, one for the classical buffs) comping and meeting the saxophonist at the other end. VROOM/Coda: Marine 475 from King Crimson’s THRAK (1995) – a prog rock title if ever there was one! – veers from an urgent rock pulse via the tenor saxophone of Tim Holmes to filmic minimalism.
The Night Watch from 1974’s Starless and Bible Black incorporates everything. Yes, that well-known prog rock gumbo; collective expressionism (Lark Ascending stuff), anthemic glory, elegant tenor, ruminating piano, a sustained final chord brilliantly recorded by the band’s soprano saxophonist Graeme Blevins doubling up as recording engineer. THRAK yields another tune (all prog rock ten minutes and fifty-nine seconds of it); Dinosaur. An open invitation awaits…Dinosaur…prog rock…nuff said. Much going on here, a bluesy pianoforte, Whyman prominent, great urgency.
The closing number – The Great Deceiver from Starless and Bible Black – showcases the jazz chops of all concerned; flying reeds, arresting voicings, a Blevins and Whyman dual.
Russell.
Crimson! by the Delta Saxophone Quartet is available now on Basho Records SRCD 50-2. The album’s accompanying notes includes an informative essay by Sid Smith from Whitley Bay.

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