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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 01, 2015

Mo Scott and Dean Stockdale @ The Jazz Café - Jan 31

Mo Scott (vcl); Dean Stockdale (pno).
(Review by Lance/photos by Mike Tilley . )
The concept behind The Jazz Café's Saturday night policy of booking duos, apart from the financial aspect, is one that is fraught with danger - particularly when the participants aren't a regular working duo. The end result can sometimes be akin to combining custard and mustard!
Fortunately, it wasn't like that tonight although, in the early stages, there was an understandable degree of uncertainty as Mo and Dean searched for a common ground. Dean, perhaps too precise, Mo, maybe too laid back but, like the pros that they are, each found the other's level which was when the sparks began to fly and by the time the set closed with Love Me Like a Man we knew that this was no longer a compromise but a genuine connection!
Up until this point we'd enjoyed Taking a Chance on Love, Gee Baby Ain't I Good To You, Lover Man, Love Me or Leave Me, But Beautiful and Careless Love. However, to my ears, Mean to Me was the moment when the bar was raised, and not just because I love the alternative use of  the title in the lyric - "Why should you be mean to me// when you know what you mean to me" -  this was the moment when it truly gelled. The moment when a duo became uno (sounds like a blues written for Mills and Boon but hopefully you know what I mean!).
From then on it just rolled along. I did hope that the second set would have been an out and out 12 bar explosion but, although it wasn't, Mo can do enough with a standard by Rodgers and Hart to make it sound like it was written by Smokestack Lightning!
There was a good crowd in tonight and Mo's version of Good Morning Heartache may be, for some, Good Morning Hangover! come Sunday.
Upstairs there was a Swing Tyne Jazz Dance going on - it's all happening here!
That I was surrounded by four blondes and a redhead (Russell) didn't spoil my evening at all!
Lance.

1 comment :

  1. Was enjoying the review all the way until the identity of our friend the redhead was revealed!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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