Total Pageviews

Bebop Spoken There

Brian Harvey: "The exciting day arrived and we [as under age school boys] snuck into the [pub's] rehearsal room, sat awkwardly to attention on hard chairs in a row facing the band and heard our first - very loud - live jazz. What an occasion that was - we even drank beer because we understood that's what jazz people did and that's what the band were drinking." - (Just Jazz June 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, February 07, 2015

Paul Edis Trio @ The Jazz Café. February 6

Paul Edis (piano), Neil Harland (double bass) & Adam Sinclair (drums)
(Review by Russell)
First Friday in the month at the Jazz Café usually means one thing – the Paul Edis Trio taking up residency and tonight was no different. One minor difference – Neil Harland depped for regular bassist Mick Shoulder. Familiar faces bagged the ring side seats and we were ready for our monthly treat of world class jazz piano playing.
Beautiful Love opened the show. Nicely warmed up, Edis stretched out on Four on Six and drummer Adam Sinclair took a blast of a solo. Some Jobim, then Jerome Kern and Ira Gershwin’s Long Ago and Far Away (Edis keen to point out the writing credit for PRS purposes!) dazzled with a fleeting reference to Joy Spring. A Paul Edis ballad – Vince – received its Jazz Café world premiere. It is sure to be heard again. The first set ended with a flying Lady Bird (with a hint of A Surrey with a Fringe on Top?).
A slamming Pent-Up House announced the second set. Invitation came by way of an on the spot arrangement requiring bassist Neil Harland’s total concentration. Superb jazz! A commissioned ballad – For Kathleen – featured sensitive bass playing from the sight-reading NH. The ballad’s subject was in the house and she was visibly moved by the occasion. Mermeration took as its inspiration the myriad in-flight patterns created by a flock of starlings. Any gig by the Paul Edis Trio is special but this Jazz Café date will live long in the memory for a remarkable Take the A Train. Remarkable in that the tune was taken at a slow tempo offering a new perspective on a classic number. This appeared be a stroke of genius by Edis. At the end of the evening Dr Edis declared that it had been done before – possibly by the Ray Brown Trio. No matter, it was simply wonderful.
Two tunes to finish with – a flying Blue Bossa, followed by a high octane version of   Ornithology. The Paul Edis Trio at the Jazz Café is the best gig in town. 
Russell.

No comments :

Blog Archive