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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday July 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Jam Session - Black Swan Bar, Newcastle Arts Centre, Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. House trio: Stu Collingwood; Paul Grainger; Matt MacKellar.

Archipelago & J Frisco + Mark Williams Trio - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £9.90.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 07, 2015

Paul Edis Trio @ The Jazz Café. February 6

Paul Edis (piano), Neil Harland (double bass) & Adam Sinclair (drums)
(Review by Russell)
First Friday in the month at the Jazz Café usually means one thing – the Paul Edis Trio taking up residency and tonight was no different. One minor difference – Neil Harland depped for regular bassist Mick Shoulder. Familiar faces bagged the ring side seats and we were ready for our monthly treat of world class jazz piano playing.
Beautiful Love opened the show. Nicely warmed up, Edis stretched out on Four on Six and drummer Adam Sinclair took a blast of a solo. Some Jobim, then Jerome Kern and Ira Gershwin’s Long Ago and Far Away (Edis keen to point out the writing credit for PRS purposes!) dazzled with a fleeting reference to Joy Spring. A Paul Edis ballad – Vince – received its Jazz Café world premiere. It is sure to be heard again. The first set ended with a flying Lady Bird (with a hint of A Surrey with a Fringe on Top?).
A slamming Pent-Up House announced the second set. Invitation came by way of an on the spot arrangement requiring bassist Neil Harland’s total concentration. Superb jazz! A commissioned ballad – For Kathleen – featured sensitive bass playing from the sight-reading NH. The ballad’s subject was in the house and she was visibly moved by the occasion. Mermeration took as its inspiration the myriad in-flight patterns created by a flock of starlings. Any gig by the Paul Edis Trio is special but this Jazz Café date will live long in the memory for a remarkable Take the A Train. Remarkable in that the tune was taken at a slow tempo offering a new perspective on a classic number. This appeared be a stroke of genius by Edis. At the end of the evening Dr Edis declared that it had been done before – possibly by the Ray Brown Trio. No matter, it was simply wonderful.
Two tunes to finish with – a flying Blue Bossa, followed by a high octane version of   Ornithology. The Paul Edis Trio at the Jazz Café is the best gig in town. 
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance