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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Monday June 25

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 05, 2015

Take it to the Bridge @ The Chillingham. Feb.4

Dave Weisser (trumpet & vocals), Ray Johnson (trumpet & flugelhorn), Don Forbes (trumpet), Barry Ascroft (keyboards), Paul Grainger (double bass), Norman Redhead , Matthew MacKellar (drums) + Pete Gilligan (keyboards)
(Review by Russell).
Something of a trumpeters’ convention this week at the Chilli with workshop leader Dave Weisser, Ray Johnson and bop stalwart Don Forbes. Weisser proclaimed: Hey, we’ve got a band! Three trumpet players and a well-oiled rhythm section – yes, a band indeed!
The band kicked-off with Straight No Chaser, the frontline three enjoyed the playing and  company of one another. No sooner had the session got under way and in walked regular drummer Matthew MacKellar and not far behind him was pianist Pete Gilligan. Drummer Redhead, readily, resumed door duties to allow MacKellar on to the stand.
It didn’t take too long before a good natured argument/discussion broke out about matters musical. There was much talk of a chart that didn’t make sense with Weisser’s side-kick Barry Ascroft declaring:, You couldn’t roll a bowl of flowers! This phrase was a new one to your reviewer, perhaps its origin lies in Ascroft’s Lancastrian roots. Ray Johnson took up the flugel on Little Flower and solos flowed from top bass man Paul Grainger and the ascerbic Ascroft.
Don Forbes suggested the first of three Stan Tracey numbers; No Good Boyo, followed by I Lost My Step in Nantucket and Penpals. Weisser left it to Forbes, then Johnson, to dig into ST’s back catalgogue but there was no stopping MacKellar (right there, keen to take on a round of fours). Ascroft went to the bar leaving Pete Gilligan to take the piano stool. PG worked the intro to Moment’s Notice (strong trumpet from Johnson) and one of the evening’s highlights featured Weisser’s vocals on I Can’t Get Started.
Russell.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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