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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 21, 2015

DB Jazz Project + Mojo Roller @ The Bridge Hotel. February 20

DB Jazz Project: Dave Keighley (tenor, alto & soprano saxophones), Tom MacMillan (guitar), Adrian Sander (bass guitar) & Ben Grant (drums) + Mojo Roller: Chris Roe (guitar & vocals), Daz Whitfield (bass guitar) & Chris Cassidy (drums).
(Review by Russell).
A jazz and blues double bill. The blues band up first. Mojo Roller played it loud, blues rock trio loud. Matt Schofield (Don’t Know What I’d Do), Robben Ford (Start It Up), the pattern set – unremittingly, ear-splittingly loud, guitar/vocal-lead blues rock.
Kings Freddie and Albert and Chris Roe’s main man SRV (Stevie Ray Vaughan) made it abundantly clear where these guys were coming from and you either went with them or – no one did – you got off at the next stop. Roe’s Stratocaster tore it up, the bass and drums team of Daz Whitfield and Chris Cassidy a rock-solid foundation. Mojo Roller need to be heard again – either toned down or in a larger venue!
The downstairs bar at the Bridge was doing good business (about ten deep at the bar) and no wonder, Schiehallion’s Bitter and Twisted was on the bar. It didn’t last long.
The jazz set. The DB Jazz Project, a quartet (three quarters round-the-block vets, one quarter new kid on the block) formed by Dave Keighley and Ben Grant (Dave and Ben, the D and B of DB fame), explored a Hawkwind to Hilliards sound world by way of Brit Pop Strat riffs. Most of the tunes originals (Funky Tune, Angel, Take the L Train) and none the worse for it, Keighley’s enhanced saxophonics (tenor, alto and soprano) reverberated around the upstairs room of the Bridge Hotel. Adrian Sander’s hypnotic bass lines freed MacMillan’s Strat to scratch and scat, and, occasionally, dazzle, fusion-style. Little Flower (one of few covers) impressed, MacMillan’s Puppeteering certainly impressed (Keighley, soprano) and the DB Jazz Project continues to develop.
Russell.

1 comment :

Dave keighley said...

Fantastic night we had and enjoyed the gig a lot, more to come fro us The DB Jazz Project.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance