Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18918 (and counting) posts since we started blogging 18 years ago. 782 of them this year alone and, so far this month (Sept. 18.) 61.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Sun 20: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 20: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 20: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 20: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.

Mon 21: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Tue 22: ???

Wed 23: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Lewis Watson Quartet @ The Lit & Phil, Newcastle. 7:30pm. A John Coltrane Centenary Concert (b. 23. 09. 1926). SOLD OUT!
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 24: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 24: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 24: Arun Ghosh @ Gosforth Civic Theatre, Newcastle. 8:00pm (7:30pm doors). £21.05. (£22.00. on the door). A Newcastle Festival of Jazz & Improvised Music event.
Thu 24: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 25: Mark Williams Trio @ The Gala, Durham. 1:00pm. £9.00.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Get the Blessing + Dilettante @ The Cluny (Cluny 2), Newcastle. 7:30pm (doors). £18.00. + bf. A Newcastle Festival of Jazz & Improvised Music event.
Fri 25: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 26: Adam Fairhall & Johnny Hunter: Play Mary Lou Williams @ The Cumberland Arms, Byker, Newcastle. 6:00pm. Free. A Newcastle Festival of Jazz & Improvised Music event.
Sat 26: John Pope Quintet + Urvashi @ The Cumberland Arms, Byker, Newcastle. 8:00pm. £15.40. A Newcastle Festival of Jazz & Improvised Music event.

Tuesday, February 24, 2015

CD Review: ISQ - Too

Irene Serra – vocals; Richard Sadler – double bass; Chris Nickolls -  drums; John Crawford – piano.
(Review by Debra M.)
‘Too’, the second album from Irene Serra’s quartet, is a collection of 8 original songs, with well-penned lyrics largely musing on various aspects of relationships.  Serra’s  warm, bluesy & delicate voice remains to the fore throughout,  with the relatively restrained John Crawford on piano supplementing with riffs & chords in the background. 
In contrast, Richard Sadler’s  double bass gives  melodic counterpoint, and is  particularly effective in the second track ‘Falling Stars’, where he also  plays one of the few solos on the album.  The melancholic ‘Tears of a Clown’ stands out, with delicate and spacious backing from the trio.  In ‘Zion’,  Chris Nickolls grooves  a  rhythmic dynamism,  which may be why it has been selected as a single release.  Crawford finally lets loose in the last track ‘Light and Shade’, allowing his colleagues on drums & bass to develop the dynamic of the trio.  Maybe the limited use of improvisation  reflects the  quartet’s ‘development of   their crossover sound’, but some of these tunes  may  benefit from a little more musical exploration, and would  be more compelling as a consequence.
Debra M.

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