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Bebop Spoken There

Michelle Coltrane: "It was Geri Allen who told me, 'Why don't you work with a guitar player? It's a lot easier. They're mobile, all the pianos are out of tune'" - DownBeat March 2018.

Verneri Pohjola: “I've been trying to get away from being 'a young and promising trumpet player' for over twenty years” DownBeat March 2018.

Today Wednesday February 21

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

Chris Sharkey - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £5.00. (students free). Duo with James Mainwaring.

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, February 24, 2015

CD Review: ISQ - Too

Irene Serra – vocals; Richard Sadler – double bass; Chris Nickolls -  drums; John Crawford – piano.
(Review by Debra M.)
‘Too’, the second album from Irene Serra’s quartet, is a collection of 8 original songs, with well-penned lyrics largely musing on various aspects of relationships.  Serra’s  warm, bluesy & delicate voice remains to the fore throughout,  with the relatively restrained John Crawford on piano supplementing with riffs & chords in the background. 
In contrast, Richard Sadler’s  double bass gives  melodic counterpoint, and is  particularly effective in the second track ‘Falling Stars’, where he also  plays one of the few solos on the album.  The melancholic ‘Tears of a Clown’ stands out, with delicate and spacious backing from the trio.  In ‘Zion’,  Chris Nickolls grooves  a  rhythmic dynamism,  which may be why it has been selected as a single release.  Crawford finally lets loose in the last track ‘Light and Shade’, allowing his colleagues on drums & bass to develop the dynamic of the trio.  Maybe the limited use of improvisation  reflects the  quartet’s ‘development of   their crossover sound’, but some of these tunes  may  benefit from a little more musical exploration, and would  be more compelling as a consequence.
Debra M.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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