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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 12, 2015

Improvisers Workshop @ Jazz Café - February 10

Andy Champion (bass); Wes Stephenson (drums); Alan Law (keys); Jeff Smith and 2 others (saxes); Simon Stephenson (guitar); Rees ? (Welsh poet); ? (trumpet); Zoe Gilby, Ann Alexander, Julie ? (vocals) - Apologies to people I’ve missed out or misnamed
(Review by Ann Alex).
The atmosphere in the upstairs room is quite different from that downstairs.  Downstairs is light and minimalist but upstairs is dark, spacious, with a partly curtained central area, suitable both for romantic meetings or something more edgy, depending on your mood.  And this entertaining session provided both types of music. 
I entered to banging drums and much sound which later changed to Andy bowing the bass as if it was a giant cello, a very pleasing sound.  Andy organised various groups of players during the first half, including Zoe doing uninhibited vocalisation together with himself hitting the bass with hammers; then Julie performing whispering types of sounds with Alan playing lyrically on keys.  It’s all to do with listening and responding to the others, and sometimes having the courage to change the direction of the music.
For the second half we were placed in duos of like instruments and this produced interesting and sometimes beautiful sounds, especially from the keys and, surprisingly, a lovely bell- like tone from the drummer.  Interest was added by Rees who passionately recited (in Welsh I think) to musical accompaniment. We female vocalists were a threesome, with sounds and words, something about gardens and the devil.  The listeners seemed to enjoy it anyway.
The proceedings were rounded off with everyone in for a free for all, but with rules about not playing at the same time as your partner.
Then we all went home to normal life, but perhaps having been made to consider what music actually is, and how did it all start anyway? 
Ann Alex    

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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