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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 15, 2015

Take it to the Bridge @ The Chillingham. February 11

Dave Weisser (trumpet & vocals), Ray Johnson (trumpet & flugelhorn), Don Forbes (trumpet), Rachel Richman (alto saxophone), Barry Ascroft (keyboards), Ray Truscott (electric bass) & Norman Redhead (drums).
(Review by Russell)
Chant. The first number created much pre and post-performance debate on the stand. ‘The bridge starts at the sixteenth bar’ said workshop leader Dave Wiesser, pointing to a chart. More discussion. Ray Johnson mischievously suggested ‘It’s time for a break, isn’t it?’ A few bars in Weisser shouted ‘Stop! Stop!’ Another week at the Chilli.
Jobim, Hank Mobley, Mike Carr, Wayne Shorter’s One By One, the usual choice material. The Shorter number featured nifty work on flugel from Johnson. Throughout the evening Don Forbes played consistently good trumpet, altoist Rachel Richman took one or two solos and six-string bassist Ray Truscott knew most of the material inside out, expressing his liking for one he wasn’t familiar with – Stan Tracey’s Pen Pals. Moanin’ threatened to fall apart until Forbes took it by the scruff of the neck, abetted by a cookin’ rhythm section (stalwart Barry Ascroft, piano, Truscott and traps man Norman Redhead).
Special mention of Peter’s frequent ebullient interjections in between frequent trips to the bar. Entertaining of sorts, Weisser entered into the spirit, embracing the pie-eyed one’s ‘contributions’. Sitters-in are positively encouraged at the Chillingham. Get along to Dave Weisser’s session any Wednesday, eight o’clock- ish.  Russell.

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