Total Pageviews

Bebop Spoken There

Georgia Cécile: "For me, whether it's an instrumentalist or a singer, they have to be telling a story." - (JazzWisee July 2020).

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,629 (and counting) posts since we started blogging just over 12 years ago. 764 of them this year alone and, so far, 28 this month (July 8).

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, February 04, 2015

Alister Spence Quartet & Paul Taylor @ Newcastle University. February 3

Alister Spence (pno; Raymond MacDonald (alt/sop); Joe Williamson (bs); Dag Magnus Narvesen (dms).
(Review &  photos courtesy of Ken Drew)
.Leader is Australian pianist Alister Spence, a player who combines melodic invention and free improvisation in a way that is full of surprises yet unfailingly accessible. And he’s matched every step of the way by the other members of the quartet. Glaswegian Raymond MacDonald has worked regularly with Alister, not only in the UK and abroad, and the two of them have developed a level of spontaneous awareness that makes their improvisation look so fluid and effortless - although the circular breathing by Raymond was evident from the outset and highly effective.

Canadian bassist Joe Williamson has been another regular collaborator in the group, and he similarly enters the fray so sympathetically yet complementary.  Only drummer Dag Magnus Narvesen is a newcomer. Based in Berlin, he is involved in groups with such free music titans as Alexander von Schlippenbach, trombonist Johannes Bauer, and ex-Cecil Taylor saxophonist Harri Sjöström – and this impressive CV was brought to bear with such style and succinctness.  Each contributed evenly, solos were shared but never too long and despite the inner complexity of many of the tunes, the overall result was perfectly balanced with an overall envelope of apparent simplicity, and wonderfully inspiring.
A superbly talented and beautifully integrated group. The Recital Room was the place to be!
Paul Taylor played solo piano for the first set. An extended selection of compositions interspersed with electronic effects to mark the transitions between. His playing has a magical and timeless quality, constantly drawing you in to his musical scapes which unfold in front of you as he plays seemingly effortlessly, but most thoughtfully and highly effectively too.  A rare treat!   
Ken D.

1 comment :

Anonymous said...

Totally agree

Blog Archive