Total Pageviews

Bebop Spoken There

Erin Davis: "I knew he [Miles Davis] was a famous musician, but didn't quite understand how famous." - (The Observer Magazine 29 March 2020)

-----

Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, February 25, 2015

Tom Green Septet @ Jazz Café - Feb. 24

Tom Green (tmb); James Davison (tpt/flug); Tommy Andrews(alt/sop); Sam Miles (ten); Sam James (pno); Misha Mullov-Abbado (bs); Scott Chapman (dms).
(Review by Lance/photos courtesy of Ken Drew).
After hearing the Tom Green Septet's album Skyline  earlier this year (it was in the shake-up for January's CD of the month) I knew there was no way I was going to miss this JNE/Schmazz gig at the Jazz Café.
I wasn't disappointed!
Too much to describe in detail but the arrangements and compositions were varied and imaginative in their successful amalgamation of mood in both ensembles and solos. Picture playing the CD in your bedroom at a volume that would have the neighbours banging on the wall - that's what it was like within the confines of "The Caff's" upper room except these neighbours weren't banging on the wall.
They were clapping their hands and shouting for more!
Particularly impressive were the polyphonic passages with the four horns improvising collectively sometimes with, sometimes without, the rhythm section.
Green produces a sound his illustrious namesake Urbie would have been proud of. Both sax players displayed great dexterity and Davison did the business on trumpet and (mainly) flugel.
We had to wait awhile before pianist James was given his head but patience was rewarded with a finger-busting solo that contained a suggestion of good old stride piano. Likewise Misha Mullov-Abbado on bass and Scott Chapman on drums. Throughout the evening they'd stoked the fire and driven the train but, cometh the hour, the bushel was removed and their talents unleashed in blinding fashion!
If Jason Isaacs was the vocal gig of the month this was surely the instrumental "Oscar" for February!
Lance.

No comments :

Blog Archive