Total Pageviews

Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 06, 2015

Graeme Wilson Quartet @ The King’s Hall, Newcastle University. Feb 5

Graeme Wilson (tenor saxophone), Paul Edis (piano), Andy Champion (double bass) & Adam Sinclair (drums).
(Review by Russell).
A one hour lunchtime set in the King’s Hall from one of the best working units in jazz today, the Graeme Wilson Quartet presented material familiar to many of the quartet’s supporters, and those new to it became instant fans of the music and the musicians. An attentive, near-capacity audience heard six of Wilson’s compositions performed with a rare level of empathy – the result of many a gig together on Tyneside and beyond.
Street of Furs and Pleaseureland – one upbeat, the other mellow – served to illustrate a creative mind at work; Wilson’s instantly recognisable sound heard across a breadth of material. The ballad The Sycamore (one of several Wilson compositions written for and performed by John Warren’s Splinter Group and/or Voice of the North Jazz Orchestra) perhaps took the honours today. The King’s Hall isn’t best suited to drummers (jazz or any other form) and the brilliant Adam Sinclair was heard to best effect using brushes on the ballad. That said, the closing number – Honolulus – despatched any acoustic issues with the most breathtaking, break-neck virtuosity from the Graeme Wilson Quartet.                   
Russell.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!