Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 20: Edson Angus Quartet @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 20: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Friday, May 09, 2014

Triptych @ The Lit & Phil. May 9

Paul Edis (piano & clarinet), Paul Susans (double bass) & Rob Walker (drums/percussion)
(Review by Russell/Photos by Jerry).
Three jazz gigs at the Lit & Phil this week – Wednesday evening, Thursday evening and today’s lunch hour set – perhaps accounted for a relatively low turn-out to hear Triptych. The trio of Paul Edis (piano), Paul Susans (double bass) and drummer Rob Walker have, in a short space of time, got something going with this new line-up. The set list combined standards, traditional songs and contemporary composition. The trick is in the approach and the arrangements of once familiar tunes.
How High the Moon, familiar enough, began the one hour performance in relaxed style, the playing top notch. Middle England would, no doubt, rejoice at the prospect of Greensleeves and English Country Garden, at least until Triptych did their thing. Pianist Paul Edis gave these tunes a new twist; Bach-like, swinging sections, drummer Rob Walker seeking to sneak in a drum ‘n’ bass vibe, bassist Paul Susans suitably amused at the devilment of it all. Alice in One D Land (Edis claimed artistic licence!) and the classic Bacharach/David number Close to You featured superb playing by all three musicians. Edis’ Dark Ages rung the changes. Our premier pianist picked up his clarinet, Walker introduced the audience to his udu (a vessel with a hole in it, usually made of clay), unusual in itself, this particular African instrument was tuned to B (all the more unusual, apparently). The tune initially suggested a North African feel before moving into something to be heard in Eastern musics (Zakir Hussain and Trilok Gurtu would have got it). With clarinet having set the mood, Edis returned to the keyboard to further develop the piece. Unusual, one to be heard again.
Walker’s Mister Blister preceded Gavin Bryars’ challenging composition Jesus Blood and it was down to Walker’s fun arrangement of Honeysuckle Rose to close the concert in style. Fats’ stride classic went swing time, then drum ‘n’ bass, then this way, then that. Sight reading the twists and turns they got it right or so it seemed! Much applause, deservedly so.
Russell.

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