Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Friday, May 09, 2014

Triptych @ The Lit & Phil. May 9

Paul Edis (piano & clarinet), Paul Susans (double bass) & Rob Walker (drums/percussion)
(Review by Russell/Photos by Jerry).
Three jazz gigs at the Lit & Phil this week – Wednesday evening, Thursday evening and today’s lunch hour set – perhaps accounted for a relatively low turn-out to hear Triptych. The trio of Paul Edis (piano), Paul Susans (double bass) and drummer Rob Walker have, in a short space of time, got something going with this new line-up. The set list combined standards, traditional songs and contemporary composition. The trick is in the approach and the arrangements of once familiar tunes.
How High the Moon, familiar enough, began the one hour performance in relaxed style, the playing top notch. Middle England would, no doubt, rejoice at the prospect of Greensleeves and English Country Garden, at least until Triptych did their thing. Pianist Paul Edis gave these tunes a new twist; Bach-like, swinging sections, drummer Rob Walker seeking to sneak in a drum ‘n’ bass vibe, bassist Paul Susans suitably amused at the devilment of it all. Alice in One D Land (Edis claimed artistic licence!) and the classic Bacharach/David number Close to You featured superb playing by all three musicians. Edis’ Dark Ages rung the changes. Our premier pianist picked up his clarinet, Walker introduced the audience to his udu (a vessel with a hole in it, usually made of clay), unusual in itself, this particular African instrument was tuned to B (all the more unusual, apparently). The tune initially suggested a North African feel before moving into something to be heard in Eastern musics (Zakir Hussain and Trilok Gurtu would have got it). With clarinet having set the mood, Edis returned to the keyboard to further develop the piece. Unusual, one to be heard again.
Walker’s Mister Blister preceded Gavin Bryars’ challenging composition Jesus Blood and it was down to Walker’s fun arrangement of Honeysuckle Rose to close the concert in style. Fats’ stride classic went swing time, then drum ‘n’ bass, then this way, then that. Sight reading the twists and turns they got it right or so it seemed! Much applause, deservedly so.
Russell.

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