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Bebop Spoken There

Jim Keltner: “I was snatched right out of the jazz world. I shouldn't say snatched, I went willingly, I ran. From $85 a week to $250 a week, that gets your attention." - (JazzTimes, September 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,726 (and counting) posts since we started blogging 13 years ago. 1143 of them this year alone and, so far, 87 this month (Sept. 24).

From This Moment On ...

September

Fri 24: Perdido Street Jazzmen (with Frank Brooker reeds, Eugene Farrar trombone, Brian Bennett banjo & Phil Rutherford sousaphone) @ Darlington Market Square, Darlington. 11:00am.
Fri 24: Sue Ferris Quintet @ Gala Theatre, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band, Stockton. 1:00pm.
Fri 24: FILM: Jazz on a Summer's Day + Swing Bridge Trio (in the bar) @ Forum Cinema, Hexham. 7:00pm.

Sat 25: Silent Music Seeing Sound + Spinningwork @ Newcastle Arts Centre. 6:30pm. Newcastle Festival of Jazz & Improvised Music (NFOJIM).
Sat 25: Knats @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. .
Sun 26: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. .
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 4:00pm.
Sun 26: Sax Appeal @ The Blue Bell, Hill Street, Corbridge NE45 5AA. 4:30pm. Free. .
Sun 26: David Gray Flextet @ The Globe, Newcastle. 8:00pm.
Sun 26: Nubiyan Twist @ The Cluny, Newcastle. 8:00pm.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 8:00pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: Mainly Two @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 30: '58 Jazz Collective @ Hops and Cheese, 9-11 Tower St., Hartlepool, TS24 7HH. Tel 0770 4160417. 7:30pm.
Thu 30: Shiver + Run Logan Run @ Gosforth Civic Theatre, Newcastle. 8:00pm. NFOJIM.
Thu 30: Jeremy McMurray & the Jazz Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

Fri 01: Robert Mitchell @ Lit & Phil, Newcastle. 1:00pm. NFOJIM.
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 01: Warmer Than Blood + Kit Downes + Ceitidh Mac @ Lit & Phil, Newcastle. 7:30pm. NFOJIM.
Fri 1: Knats + Hand to Mouth @ Gosforth Civic Theatre, Newcastle. 7:30pm. Free but ticketed.

Sat 02: Paul Edis @ Lit & Phil, Newcastle. 1:00pm. NFOJIM.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Stuart Fowler: Learning Jazz Standards. £25.00. To enrol email: learning@jazz.coop.
Sat 02: Zoë Gilby & Andy Champion @ Newcastle Arts Centre. 2:00pm. NFOJIM.
Sat 02: John Pope Quintet @ Newcastle Arts Centre. 3:30pm.
Sat 02: Jamie Cullum @ Sage Gateshead. 7:30pm.
Sat 02: Green Tangerines @ The Globe, Newcastle. 8:00pm. NFOJIM.
Sat 02: Alina Bzhezhinska HipHarp Quartet + Pat Thomas. 8:00pm. NFOJIM.
Sat 02: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm.

Thursday, May 01, 2014

Zoe Gilby Interviews Ian Chalk

Zoe Gilby interviewed Ian Chalk of the Firebird Quartet who are this coming Sunday's (May 4 - 8.15pm) Splinter @ The Bridge band. Zoe's questions are in blue.
Tell us a bit about your band. How it formed? band line up and their influences?
The band in its current form was created about 4 months ago.  Previously I had a quartet for 4 years (Ian Chalk Quartet) which, although fun to play in and they guys were great, wasn't really going in the direction I wanted to go.  So the decision was made to create a quartet to perform contemporary jazz with best the musicians I could find to force me to up my game and they've certainly done that! The name of the band was changed to reflect the new start ....'Firebird Quartet' (and to remind people of our Sunday night residency at The Phoenix in York).
The line up is Bass - John Marley, Drums - Tim Carter, Piano - Martin Longhawn and myself on trumpet. Musically, I suspect we're influenced by everything we've ever heard as jazz musicians tend to soak up whatever music is around them but currently we're listening to (and performing the music of) people like Terence Blanchard, Kendrick Scott, Christian Scott, Roy Hargrove, Dean Taba and Wynton Marsalis. In addition, we perform a number of original compositions.  We play music in a range of styles from driving swing to grooves with a hint of hip hop.
Fundamentally, we believe that our music should be enjoyable to listen to.  I know that sounds like it should be an obvious thing to say but it isn't necessarily a view shared by the whole jazz community where, sometimes, the 'art' of the music can leave some of the audience behind.  We're firm believers in creating music with sufficient complexity to appeal to a contemporary jazz audience but will also make you want to tap your foot!
Best gig you've seen?
This is an easy question to answer although not a 'jazz' performance as such (although we could have a long conversation about what 'jazz' really is!).... Stevie Wonder at the Manchester Arena a few years back.  We had really good seats near the front and you could almost feel the amazing energy of the man.  I'm not a religious man (far from it!) but that is the nearest I've come to a spiritual experience. The start of the gig was Stevie being led onto the stage by his daughter while he played Miles's 'All Blues' on harmonica... more than a little thrilling! In our house, my kids have been taught that whenever Stevie's name is mentioned they must place a finger on their forehead and say the word 'genius'!
Favourite album?
Hmmm...tricky one as it tends to change on a daily basis.  Thinking on a 'Desert Island Discs' basis where I only have one album to choose then I think it would have to be 'Hot House Flowers' by Wynton Marsalis.  This was one of the first jazz albums I ever bought (possibly the very first) and I was seduced by the very cool album sleeve of Wynton stood in the middle distance, cool suit, lit in a spotlight, trumpet in hand.  The album is quite melancholic with sweeping orchestral arrangements but with joyous versions of 'When You Wish Upon A Star' and 'I'm Confessin'. It also includes a stunningly gorgeous version of 'Stardust' which is the music I want playing at my funeral (just so you know!).
What has been the highlight of your bands musical career so far?
The highlight is less to do with any one moment on any one gig than with how the quartet has gelled into such a fluid and coherent unit which has already far exceeded my expectations.  This has been helped by our regular Sunday night residency at The Phoenix in York (8pm till 10:30, free entry!) which has allowed us to develop our group sound as well as our material so that we can be relaxed in our work and can focus on the creative side of jazz.
If you could meet, talk with and jam with any musician (alive or deceased) who would it be?
Wow! Where do you start with this one? Duke Ellington? Dizzy? Miles? Stravinsky? Mozart?Bach?? I think the answer would probably be Miles.  I suspect he wouldn't necessarily welcome jamming with me as he could be something of a 'prickly character' but I would learn so much from him, not just about trumpet playing but about how to approach playing music.  Famously, he said "Do note fear wrong notes, there are none" and I'd love to have the same free approach.
Thank you Ian.

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