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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Wednesday, May 07, 2014

The Virtuoso Jazz Trio @ The Lit and Phil

George MacDonald (clarinet); James Birkett (guitar); Tony Abell (bass); Bernice MacDonald (vocal).
(Review by Lance.)
The clarinet is the purest toned of all instruments and, arguably, the most difficult of the single reed instruments. No other wind instrument can be played with such clarity. Admittedly there have been many maverick clarinettists to whom clarity and purity of tone were low down in their priorities - Pee Wee Russell, Archie Semple, Jimmy Giuffre, local hero the late Stan Martin were some - and they all hold their own individual place in jazz history. However, and here I'm being subjective, the true masters of the instrument were, Buster Bailey, Barney Bigard, Artie Shaw, Buddy de Franco, Eddie Daniels and, of course, Benny Goodman.
George MacDonald, a former principal clarinettist of the Northern Sinfonia, has absorbed many of the above influences and I well remember the delight he showed when, some years ago, I broke the news to him that Buddy de Franco was to appear at Caedmon Hall, Gateshead.
George was there that night. 
Tonight, on the eve of the clarinettist's 81st birthday, celebrated vocally Canadian style, his fluency and the control of his instrument showed no sign of flagging and those of us who made our way to the Lit and Phil were treated to an evening of pure magic.
Listening to such standards as Ain't Misbehavin'; After you've Gone; In Mellow tone; Airmail Special; My Blue Heaven; Someone to Watch Over Me; Flying Home; One Note Samba; Margie; I Got Rhythm; Skylark; Sweet Georgia Brown and A Nightingale Sang in Berkeley Square - each one given an interesting and often humourous introduction by George made one understand why jazz had never been more popular with the general public than it was during the Swing Era - particularly when played by Benny Goodman or, as it was tonight, by George MacDonald.
Not that George was the only swinger on stage. James Birkett laid down markers for every guitarist to aspire to. Chordal à la Kress, single string à la Charlie Christian or just plain and, not so simple, Birkett.
Tony Abell is a relatively laid back bassist but every note counted whether in solo or support. He wears the mantle vacated by Pete Stuart well.
Oh yes, and then there was Bernice! I haven't come across many girls these days who can sing in front of a band, however small, unamplified and still be heard! In fact the acoustic sound probably worked to her advantage on Gilberto numbers such as Telephone Song and Ipanema creating that delicate Astrid G feel that may have been lost if she'd been miked up.
Who knows? The girl sounded great and so did the band.
She looked good too
Lance.

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