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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Nomade Swing Trio @ Café Needles Eye, Newbiggin-by-the-Sea. 6:00pm. Reservations: 01670 641224.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: The Ronnie Scott’s Story @ The Fire Station, Sunderland. 7:30pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Bailiwick + Sleep Suppressor + Christie/Chan @ The Globe, Newcastle. 7:30pm (doors 6:30pm). ‘Experimental evening of jazz, punk and jazz-punk’.
Fri 26: Nomade Swing Trio @ Repas7 by Night, Berwick. 7:30pm. Free.
Fri 26: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 26: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Fri 26: Bold Big Band @ Old Coal Yard, Byker, Newcastle. 9:30pm. A Newcastle Fringe Festival event.

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Wednesday, May 07, 2014

The Virtuoso Jazz Trio @ The Lit and Phil

George MacDonald (clarinet); James Birkett (guitar); Tony Abell (bass); Bernice MacDonald (vocal).
(Review by Lance.)
The clarinet is the purest toned of all instruments and, arguably, the most difficult of the single reed instruments. No other wind instrument can be played with such clarity. Admittedly there have been many maverick clarinettists to whom clarity and purity of tone were low down in their priorities - Pee Wee Russell, Archie Semple, Jimmy Giuffre, local hero the late Stan Martin were some - and they all hold their own individual place in jazz history. However, and here I'm being subjective, the true masters of the instrument were, Buster Bailey, Barney Bigard, Artie Shaw, Buddy de Franco, Eddie Daniels and, of course, Benny Goodman.
George MacDonald, a former principal clarinettist of the Northern Sinfonia, has absorbed many of the above influences and I well remember the delight he showed when, some years ago, I broke the news to him that Buddy de Franco was to appear at Caedmon Hall, Gateshead.
George was there that night. 
Tonight, on the eve of the clarinettist's 81st birthday, celebrated vocally Canadian style, his fluency and the control of his instrument showed no sign of flagging and those of us who made our way to the Lit and Phil were treated to an evening of pure magic.
Listening to such standards as Ain't Misbehavin'; After you've Gone; In Mellow tone; Airmail Special; My Blue Heaven; Someone to Watch Over Me; Flying Home; One Note Samba; Margie; I Got Rhythm; Skylark; Sweet Georgia Brown and A Nightingale Sang in Berkeley Square - each one given an interesting and often humourous introduction by George made one understand why jazz had never been more popular with the general public than it was during the Swing Era - particularly when played by Benny Goodman or, as it was tonight, by George MacDonald.
Not that George was the only swinger on stage. James Birkett laid down markers for every guitarist to aspire to. Chordal à la Kress, single string à la Charlie Christian or just plain and, not so simple, Birkett.
Tony Abell is a relatively laid back bassist but every note counted whether in solo or support. He wears the mantle vacated by Pete Stuart well.
Oh yes, and then there was Bernice! I haven't come across many girls these days who can sing in front of a band, however small, unamplified and still be heard! In fact the acoustic sound probably worked to her advantage on Gilberto numbers such as Telephone Song and Ipanema creating that delicate Astrid G feel that may have been lost if she'd been miked up.
Who knows? The girl sounded great and so did the band.
She looked good too
Lance.

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