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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wednesday, May 07, 2014

The Virtuoso Jazz Trio @ The Lit and Phil

George MacDonald (clarinet); James Birkett (guitar); Tony Abell (bass); Bernice MacDonald (vocal).
(Review by Lance.)
The clarinet is the purest toned of all instruments and, arguably, the most difficult of the single reed instruments. No other wind instrument can be played with such clarity. Admittedly there have been many maverick clarinettists to whom clarity and purity of tone were low down in their priorities - Pee Wee Russell, Archie Semple, Jimmy Giuffre, local hero the late Stan Martin were some - and they all hold their own individual place in jazz history. However, and here I'm being subjective, the true masters of the instrument were, Buster Bailey, Barney Bigard, Artie Shaw, Buddy de Franco, Eddie Daniels and, of course, Benny Goodman.
George MacDonald, a former principal clarinettist of the Northern Sinfonia, has absorbed many of the above influences and I well remember the delight he showed when, some years ago, I broke the news to him that Buddy de Franco was to appear at Caedmon Hall, Gateshead.
George was there that night. 
Tonight, on the eve of the clarinettist's 81st birthday, celebrated vocally Canadian style, his fluency and the control of his instrument showed no sign of flagging and those of us who made our way to the Lit and Phil were treated to an evening of pure magic.
Listening to such standards as Ain't Misbehavin'; After you've Gone; In Mellow tone; Airmail Special; My Blue Heaven; Someone to Watch Over Me; Flying Home; One Note Samba; Margie; I Got Rhythm; Skylark; Sweet Georgia Brown and A Nightingale Sang in Berkeley Square - each one given an interesting and often humourous introduction by George made one understand why jazz had never been more popular with the general public than it was during the Swing Era - particularly when played by Benny Goodman or, as it was tonight, by George MacDonald.
Not that George was the only swinger on stage. James Birkett laid down markers for every guitarist to aspire to. Chordal à la Kress, single string à la Charlie Christian or just plain and, not so simple, Birkett.
Tony Abell is a relatively laid back bassist but every note counted whether in solo or support. He wears the mantle vacated by Pete Stuart well.
Oh yes, and then there was Bernice! I haven't come across many girls these days who can sing in front of a band, however small, unamplified and still be heard! In fact the acoustic sound probably worked to her advantage on Gilberto numbers such as Telephone Song and Ipanema creating that delicate Astrid G feel that may have been lost if she'd been miked up.
Who knows? The girl sounded great and so did the band.
She looked good too
Lance.

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