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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

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VOTING ENDS ON MAY 14.

Coming soon ...



May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Thursday, May 29, 2014

CD Review: Rik Wright’s Fundamental Forces – Blue


Rik Wright (guitar); James DeJoie (alto sax /bs clt/ clt / fl); Geoff Harper (bs); Greg Campbell ( dms).
(Review by Steve H).
Rik Wright cites his guitar influences as the 3 J’s - Jim Hall, Jeff Beck and John Abercrombie although it is the 3 M’s - Monk, Miles and Mingus who are his compositional influences.
Each of Wright’s tunes have a very melodic catchy  feel. DeJoie features on different reed instruments throughout. On the opening number Mood Ring, he plays clarinet then he follows this with an Alto solo on The Butterfly Effect whilst on Nonchalant he features on Bass Clarinet. On Parting Ways he plays a flute intro with an almost Japanese feel to it. Meanwhile, Wright’s  guitar complements the reeds  with crisp gentle chords with the  bass and drums working steadily away. The final track Miss Thing  takes it out a bit more with a rasping alto solo from DeJoie and an almost Pink Floyd style heavy rock guitar solo from Wright.
Personally, I would give this album 3 S’s Safe Solid and Soothing.
Details.
Steve H.

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