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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Friday, May 23, 2014

EP Review The Slowlight Quartet In Flight

Paul Loraine (keyboards), Ian ‘Dodge’ Paterson (double bass), Jonathan Marriott (drums) & Tom Quilliam (tenor & soprano saxophones)
(Review by Russell).
The Slowlight Quartet’s debut five track limited edition EP is a study in beautifully crafted, understated composition and performance. The five tunes, written by Paul Loraine, are a feast for the ears. Melodies marinate, infused with subtle spices, the music world’s equivalent of the slow cooking movement.
The title track, In Flight, exemplifies the band’s sound; deceptively simple melody, layered introduction of the instrumentalists, brevity of solo subservient to the composition. Loraine’s keyboards deny Tom Quilliam’s sinewy tenor an extended solo (a compositional hallmark), a sudden, triumphant ending leaving the listener wanting more. Shifting Ground opens with Ian Paterson’s commanding double bass figure shadowed by Quilliam’s shimmering tenor. A typical twist (or shift) engages piano and Jonathan Marriott’s drums in a drum ‘n’ bass vibe, disturbed by Quilliam switching to fiery soprano, ultimately quelled by Loraine’s keys.
Iris – flower or eye? Perhaps inspired by petals opening, revealing themselves over time, perhaps a slow shutter speed, time-lapse photography. Who knows? The tune hears the Slowlights at their most reflective. Paterson leads off, Marriott uses brushes to great effect, Quilliam’s measured tenor, a magical phrase from Loraine makes the tune. The EP’s penultimate track – Peregrine – begs the question: Who’s that like? Familiar, contemporary jazz? Yes, but…it’s the Slowlights, that’s who! Keys and tenor state the theme over Marriott’s mallets, Quilliam threatens to ratchet-up the tension, the ensemble takes it down, bassist Paterson intervenes with a considered solo, ceding to Quilliam and Marriott who have the last word.  The Slowlight Quartet isn’t about solo flights, the final track – Walking Spanish – typifies the collective approach of Loraine, Paterson, Marriott and Quiliam. In Flight is a welcome addition to the burgeoning catalogue of fine recordings by north east musicians. The EP is a limited edition release. Recorded, mixed and mastered by Liam Gaughan. A download alternative is available. Visit www.theslowlightquartet.co.uk Highly recommended.     
Russell.             

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