Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Friday, May 23, 2014

EP Review The Slowlight Quartet In Flight

Paul Loraine (keyboards), Ian ‘Dodge’ Paterson (double bass), Jonathan Marriott (drums) & Tom Quilliam (tenor & soprano saxophones)
(Review by Russell).
The Slowlight Quartet’s debut five track limited edition EP is a study in beautifully crafted, understated composition and performance. The five tunes, written by Paul Loraine, are a feast for the ears. Melodies marinate, infused with subtle spices, the music world’s equivalent of the slow cooking movement.
The title track, In Flight, exemplifies the band’s sound; deceptively simple melody, layered introduction of the instrumentalists, brevity of solo subservient to the composition. Loraine’s keyboards deny Tom Quilliam’s sinewy tenor an extended solo (a compositional hallmark), a sudden, triumphant ending leaving the listener wanting more. Shifting Ground opens with Ian Paterson’s commanding double bass figure shadowed by Quilliam’s shimmering tenor. A typical twist (or shift) engages piano and Jonathan Marriott’s drums in a drum ‘n’ bass vibe, disturbed by Quilliam switching to fiery soprano, ultimately quelled by Loraine’s keys.
Iris – flower or eye? Perhaps inspired by petals opening, revealing themselves over time, perhaps a slow shutter speed, time-lapse photography. Who knows? The tune hears the Slowlights at their most reflective. Paterson leads off, Marriott uses brushes to great effect, Quilliam’s measured tenor, a magical phrase from Loraine makes the tune. The EP’s penultimate track – Peregrine – begs the question: Who’s that like? Familiar, contemporary jazz? Yes, but…it’s the Slowlights, that’s who! Keys and tenor state the theme over Marriott’s mallets, Quilliam threatens to ratchet-up the tension, the ensemble takes it down, bassist Paterson intervenes with a considered solo, ceding to Quilliam and Marriott who have the last word.  The Slowlight Quartet isn’t about solo flights, the final track – Walking Spanish – typifies the collective approach of Loraine, Paterson, Marriott and Quiliam. In Flight is a welcome addition to the burgeoning catalogue of fine recordings by north east musicians. The EP is a limited edition release. Recorded, mixed and mastered by Liam Gaughan. A download alternative is available. Visit www.theslowlightquartet.co.uk Highly recommended.     
Russell.             

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