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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sunday, May 11, 2014

French Jazz Night @ The Jazz Café. May 10











Gypsies of Bohemia: Jim Wallace (guitar), Matthew Whitaker (guitar & vocals), Frank Grime (double bass) & Sam Draper (drums)
Shamans Jazz Quartet: Claire Kahn (tenor & soprano saxophones, violin, vocals), Chris Bonno (electric bass), Amos Joseph (piano) & Fito Pierre (drums). 
(Review by Russell/Photos courtesy of Mike Tilley). 
Mitry Mory meets Madchester or never the twain. The French contingent from the outskirts of Paris – the Shamans – opened the show at a well attended Jazz Café. A community, work-shopping band lead by electric bassist Chris Bonno, their set list comprised French popular song (George Brassens, Charles Aznavour), a standard (Autumn Leaves) and a Latin reworking of Minor Swing.
Vocalist Claire Kahn shocked the audience by singing in French. What is the world coming to?!!! School girl/boy French didn’t help much, Kahn’s soprano sax required little in the way of translation; committed, personal statements. The quartet’s sound driven by Bonno, abetted by drummer Pierre’s energetic display, had the effect of relegating pianist Joseph to that of little heard sideman.
The French theme continued with the arrival of the Madchester boys. The Mancs do jazz their way – Django the inspiration, the material whatever takes their fancy. A couple of Django’s tunes paid homage to the man, otherwise this was alt jazz at its best. Alt jazz? Alt country has reclaimed the music from the rednecks, so the Gypsies of Bohemia have set about dispatching the Mouldy Old Fig to the academic margin, deconstructing pop songs as they go. Charismatic front man Matthew Whitaker (rhythm guitar, vocals & alt beard) sat alongside former Newcastle College music student Jim Wallace (guitar) and as they looked up all they could see was a sea of faces – all seats long since taken, pretty young things sat at their feet, the ‘mad for it’ crowd standing ten deep, bouncing off the walls such was the energy generated by the Bohemians.
The rhythm boys – Whitaker, propulsive bassist Frank Grime and ex-Newcastle College student Sam Draper (yes, another success story from the Geordie seat of learning) had it, them, the whole shebang, in their collective back pocket. The eclectic set list – Blondie, Radiohead,, Britney Spears’ Toxic (not as we know it, this was something else, truly toxic!), Soft Cell – struck an acoustic chord with the audience. The Smiths (for some soporific, the Bohemians take on their fellow Mancs somewhat different!), the Prodigy and the Outhere Brothers aren’t obvious jazz material. This gig subverted the obvious, only those with a sense of humour bypass would have failed to get it. The band’s principal soloist, Jim Wallace, studied with James Birkett, some ten years on Dr Birkett would be mightily impressed with his ace student. Superb technique, adapted to the group sound, Wallace is a most impressive player. As the Jazz Café’s mosh pit gathering bounced off the walls the Bohemians enquired triumphantly: Let me hear you say Way Oh!  Boom Boom Boom.         
Russell.

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